2 caucasian teenage females

You are Sammy, an equine thief and Way Walker. You started your journey as a wyld elf slumrat, but have become a marefolk during the course of your travels. You are a hermaphrodite, standing 6'8" tall with a plush physique. Your kunoichi bodysuit is incredibly light, leaving you with greater freedom of movement than heavier apparel would allow. Your guard's cape flows behind you, billowing in the cold wind. Further up, your helm sits atop your head, helping protect your skull from enemy attacks. Meanwhile, your hands and feet are clad in royal gloves and kunoichi footwear respectively. Your face is that of an equine and is covered in black and brown striped fur. Underneath your fur, you have bronze skin. Overall, your visage has a jaw-droppingly feminine shape with bloated lips and long, beautiful eyelashes. Your eyes bear a vertical slit instead of rounded pupils, surrounded by a metallically glistening gold iris nestled within the pitch black depths of your sclera. The back-length, white hair on your head parts around a pair of very horse-like ears that grow up from your head. Your lusty mouth contains a humanoid tongue. Two horns protrude through the skin of your forehead. Each is about four inches in length and impossible to ignore. You have a humanoid upper body with the usual torso, arms, hands, and fingers, mostly covered in a layer of black and brown striped fur. Hard, hoof-like tips have grown in place of fingernails, covering the end of each digit in shiny black. You can still feel through them all the same. You have cow-like hips that make you look more like an animal waiting to be bred than any kind of human, and your gigantic butt is eye-catching in the extreme, wobbling hypnotically long after you stop moving. A long white horsetail hangs from your backside, smooth and shiny. Your legs are muscled and jointed oddly, covered in fur, and end in a pair of bestial hooves. Your middle would just barely push past the waistband of a pair of pants. It's a little bit of a muffin-top.

You are Sammy, an equine thief and Way Walker. You started your journey as a wyld elf slumrat, but have become a marefolk during the course of your travels. You are a hermaphrodite, standing 6'8" tall with a plush physique. Your kunoichi bodysuit is incredibly light, leaving you with greater freedom of movement than heavier apparel would allow. Your guard's cape flows behind you, billowing in the cold wind. Further up, your helm sits atop your head, helping protect your skull from enemy attacks. Meanwhile, your hands and feet are clad in royal gloves and kunoichi footwear respectively. Your face is that of an equine and is covered in black and brown striped fur. Underneath your fur, you have bronze skin. Overall, your visage has a jaw-droppingly feminine shape with bloated lips and long, beautiful eyelashes. Your eyes bear a vertical slit instead of rounded pupils, surrounded by a metallically glistening gold iris nestled within the pitch black depths of your sclera. The back-length, white hair on your head parts around a pair of very horse-like ears that grow up from your head. Your lusty mouth contains a humanoid tongue. Two horns protrude through the skin of your forehead. Each is about four inches in length and impossible to ignore. You have a humanoid upper body with the usual torso, arms, hands, and fingers, mostly covered in a layer of black and brown striped fur. Hard, hoof-like tips have grown in place of fingernails, covering the end of each digit in shiny black. You can still feel through them all the same. You have cow-like hips that make you look more like an animal waiting to be bred than any kind of human, and your gigantic butt is eye-catching in the extreme, wobbling hypnotically long after you stop moving. A long white horsetail hangs from your backside, smooth and shiny. Your legs are muscled and jointed oddly, covered in fur, and end in a pair of bestial hooves. Your middle would just barely push past the waistband of a pair of pants. It's a little bit of a muffin-top.

**Netflix Series: Arcane Original Character** **Name:** Essy Night **Age:** 19 **Gender:** Female **Species:** Human **Side:** Zaun **Appearance:** Essy Night captivates the eye with her striking presence, characterized by long, cascading black hair that moves like shadows in the night. Her fierce pale blue eyes gleam with a chilling intensity, reminiscent of glacial ice, drawing attention wherever she goes. Intricate tattoos snake their way up her hands and forearms, each design telling a story from her tumultuous life, a canvas of her experiences and struggles. Despite her petite frame, her athletic build hints at the agility and resilience developed from a lifetime on the rugged streets of Zaun. Silver piercings, glinting in the light, line her ears and add an edgy, rebellious flair to her appearance. Essy’s wardrobe is a bold manifestation of the Zaun spirit, featuring high-waisted pants that hug her figure, adorned with metal chains that jingle with her every movement. Cropped tops reveal her tattoos, each piece of clothing carefully chosen to project her defiance and individuality. Her fashion palette is dominated by deep hues—ash gray, rich purples, and inky blacks—each outfit a declaration of her resistance against the oppressive world around her.

Neon ufo flying saucer hovering low over a street in downtown Eugene, Oregon, on a dark, wet, foggy night; the points of light from the flying saucer, the street lamps, and the stores' signs all glow brightly on an otherwise dark, foggy, and wet evening.   the composition of the image is of a street view; the perspective is centered in the road, looking down the street, as if the viewer is suspended in the air at the height of approximately one and a half to two stories above the street level. it is on dark and damp misty evening, on a deserted downtown avenue, with the street and city lights glowing all around and in the distance. the style is a photograph-like, nearly realistic modern anime-style rendering. with medium contrast and high definition of the buildings and objects in the foreground, but the definition gradually fades into the haze of the fog further down the road, looking into the distance. the air is foggy, the street payment is wet, like it recently stopped raining.  The Tint of the picture is a blue-green, dark but features on the buildings are still visible. the street lights are on poles that line both sides of the street and are vintage looking, the street light lamps glow an eerie pale yellow color (with a hint of light green), and shed soft light on the things around them, and cast light on the texture of the exteriors of the buildings. this gives the exteriors high contrast with the light and dark light. there are many points of city lights lining the street, from the foreground to the distant background, soft orbs, that are still visible through the fog.  the air is foggy, the street payment is wet, like it recently stopped raining. little bits of light reflect off of the wet surfaces.  the street is narrow, with stores and restaurants on both sides; hanging from the sides if the buildings are illuminated signs, various sizes and shapes, most but not all are vertically aligned and rectangular; some are circles, some are squares, some are more abstract shapes; some are logos. they hang placed at a height that starts from the top of the first story, and various heights above that. some are mounted flat on the exterior buildings' wall, some protrude perpendicularly from the building. there is at least one or two on the rooftops.  they glow with rich yellow light, neon, and occasionally tangerine orange, white, or green. the letters are bold, and stand out.  the stores have illuminated horizontally aligned panel-style signage above their windows, that vary in color, and about 2/3 of which are turned on. occasionally their will be small neon fixtures in the stores' windows. there are occasional trees that line the sides of the street, not many but a few; that appear like dark shapes with minimal detail and light reflection; the ones closer to the background are just silhouettes fading into the fog. in the very far, far background, the dark outline of the small mountain that  overlooks Eugene, Oregon (known as Spencers Butte) is visible; appearing faintly but shape is unmistakably part of the landscape.    the single flying saucer is hovering over the street, just a few dozen feet above the height of the rooftops. The perspective is more of the undercarriage than the top side, because of the angle in the viewers line of sight, but the body and the top side are also visible too.  The flyer saucer appears to be antique and vintage-looking. shaped like a bell, but with more sections. The body shape is similar to that of Darth Vader’s helmet from Star Wars.  Looking at the undercarriage from the underneath perspective, there is a  large grill section, shaped like a ring, recessed up into the saucer, that looks like it has well-defined gills similar to that of a mushroom. this part emanates an alien-like green glow from within the inside of the grill. in the center is an extruded barrel-shaped ring, short in height but wide in width, and it has a porthole in the center, that is open and glowing. the porthole is for shooting energy beams. the body of the flying saucer is covered in rings of neon lights, as well as rows of round lights in various sizes. there are also patterns of other shapes of lights on the exterior of the craft as well. most of the lights on the flying saucer are colored neon green, but there is also some neon orange, some bright pink, and some electric blue. The lights have a soft-edged glow from the fog in the air.  The edge of the body and undercarriage of the flying saucer has several external speakers on it, placed into two rows, each of which consists of either large or small speakers. the details of the flying saucer are clearly defined, the contrast is high, and visible from the street. the flying saucer is the most prominent object in the picture.   

A full-body character sheet of a futuristic anime-style ninja, presented in exactly three orthographic views: front-facing, side profile, and rear view. The character wears sleek, modern, and technologically advanced blue attire that blends traditional ninja aesthetics with futuristic elements. The design features high-tech fabric, subtle armor plating, and tactical accessories, emphasizing agility, stealth, and sophistication. Each view is perfectly aligned: Front View: The character faces directly forward, standing symmetrically. Side Profile: The character is shown in a perfect 90-degree side profile, with no tilt or perspective distortion. Rear View: The character is displayed from the back, completely straight, with all details of the outfit visible. The illustration must maintain precise proportions, detailed textures, and realistic folds in the clothing, ensuring a professional character design shee t.

Neon ufo flying saucer hovering low over downtown Eugene, Oregon;   the image is of a street view; the perspective is centered in the road, looking down the street, as if the viewer is suspended in the air at the height of approximately one and a half to two stories above the street level. it is on dark and damp misty evening, on a deserted downtown avenue, with the street and city lights glowing all around and in the distance. the style is a photograph-like, nearly realistic modern anime-style rendering. with medium contrast and high definition of the buildings and objects in the foreground, but the definition gradually fades into the haze of the fog further down the road, looking into the distance. the air is foggy, the street payment is wet, like it recently stopped raining.  The Tint of the picture is a blue-green, dark but features on the buildings are still visible. the street lights are on poles that line both sides of the street and are vintage looking, the street light lamps glow an eerie pale yellow color (with a hint of light green), and shed soft light on the things around them, and cast light on the texture of the exteriors of the buildings. this gives the exteriors high contrast with the light and dark light. there are many points of city lights lining the street, from the foreground to the distant background, soft orbs, that are still visible through the fog.  the air is foggy, the street payment is wet, like it recently stopped raining. little bits of light reflect off of the wet surfaces.  the street is narrow, with stores and restaurants on both sides; hanging from the sides if the buildings are illuminated signs, various sizes and shapes, most but not all are vertically aligned and rectangular; some are circles, some are squares, some are more abstract shapes; some are logos. they hang placed at a height that starts from the top of the first story, and various heights above that. some are mounted flat on the exterior buildings' wall, some protrude perpendicularly from the building. there is at least one or two on the rooftops.  they glow with rich yellow light, neon, and occasionally tangerine orange, white, or green. the letters are bold, and stand out.  the stores have illuminated horizontally aligned panel-style signage above their windows, that vary in color, and about 2/3 of which are turned on. occasionally their will be small neon fixtures in the stores' windows. there are occasional trees that line the sides of the street, not many but a few; that appear like dark shapes with minimal detail and light reflection; the ones closer to the background are just silhouettes fading into the fog. in the very far, far background, the dark outline of the small mountain that  overlooks Eugene, Oregon (known as Spencers Butte) is visible; appearing faintly but shape is unmistakably part of the landscape.    the single flying saucer is hovering over the street, just a few dozen feet above the height of the rooftops. The perspective is more of the undercarriage than the top side, because of the angle in the viewers line of sight, but the body and the top side are also visible too.  The flyer saucer appears to be antique and vintage-looking. shaped like a bell, but with more sections. The body shape is similar to that of Darth Vader’s helmet from Star Wars.  Looking at the undercarriage from the underneath perspective, there is a  large grill section, shaped like a ring, recessed up into the saucer, that looks like it has well-defined gills similar to that of a mushroom. this part emanates an alien-like green glow from within the inside of the grill. in the center is an extruded barrel-shaped ring, short in height but wide in width, and it has a porthole in the center, that is open and glowing. the porthole is for shooting energy beams. the body of the flying saucer is covered in rings of neon lights, as well as rows of round lights in various sizes. there are also patterns of other shapes of lights on the exterior of the craft as well. most of the lights on the flying saucer are colored neon green, but there is also some neon orange, some bright pink, and some electric blue. The lights have a soft-edged glow from the fog in the air.  The edge of the body and undercarriage of the flying saucer has several external speakers on it, placed into two rows, each of which consists of either large or small speakers. the details of the flying saucer are clearly defined, the contrast is high, and visible from the street. the flying saucer is the most prominent object in the picture.   

Neon ufo flying saucer hovering low over a street in downtown Eugene, Oregon, on a dark, wet, foggy night; the points of light from the flying saucer, the street lamps, and the stores' signs all glow brightly on an otherwise dark, foggy, and wet evening.   the composition of the image is of a street view; the perspective is centered in the road, looking down the street, as if the viewer is suspended in the air at the height of approximately one and a half to two stories above the street level. it is on dark and damp misty evening, on a deserted downtown avenue, with the street and city lights glowing all around and in the distance. the style is a photograph-like, nearly realistic modern anime-style rendering. with medium contrast and high definition of the buildings and objects in the foreground, but the definition gradually fades into the haze of the fog further down the road, looking into the distance. the air is foggy, the street payment is wet, like it recently stopped raining.  The Tint of the picture is a blue-green, dark but features on the buildings are still visible. the street lights are on poles that line both sides of the street and are vintage looking, the street light lamps glow an eerie pale yellow color (with a hint of light green), and shed soft light on the things around them, and cast light on the texture of the exteriors of the buildings. this gives the exteriors high contrast with the light and dark light. there are many points of city lights lining the street, from the foreground to the distant background, soft orbs, that are still visible through the fog.  the air is foggy, the street payment is wet, like it recently stopped raining. little bits of light reflect off of the wet surfaces.  the street is narrow, with stores and restaurants on both sides; hanging from the sides if the buildings are illuminated signs, various sizes and shapes, most but not all are vertically aligned and rectangular; some are circles, some are squares, some are more abstract shapes; some are logos. they hang placed at a height that starts from the top of the first story, and various heights above that. some are mounted flat on the exterior buildings' wall, some protrude perpendicularly from the building. there is at least one or two on the rooftops.  they glow with rich yellow light, neon, and occasionally tangerine orange, white, or green. the letters are bold, and stand out.  the stores have illuminated horizontally aligned panel-style signage above their windows, that vary in color, and about 2/3 of which are turned on. occasionally their will be small neon fixtures in the stores' windows. there are occasional trees that line the sides of the street, not many but a few; that appear like dark shapes with minimal detail and light reflection; the ones closer to the background are just silhouettes fading into the fog. in the very far, far background, the dark outline of the small mountain that  overlooks Eugene, Oregon (known as Spencers Butte) is visible; appearing faintly but shape is unmistakably part of the landscape.    the single flying saucer is hovering over the street, just a few dozen feet above the height of the rooftops. The perspective is more of the undercarriage than the top side, because of the angle in the viewers line of sight, but the body and the top side are also visible too.  The flyer saucer appears to be antique and vintage-looking. shaped like a bell, but with more sections. The body shape is similar to that of Darth Vader’s helmet from Star Wars.  Looking at the undercarriage from the underneath perspective, there is a  large grill section, shaped like a ring, recessed up into the saucer, that looks like it has well-defined gills similar to that of a mushroom. this part emanates an alien-like green glow from within the inside of the grill. in the center is an extruded barrel-shaped ring, short in height but wide in width, and it has a porthole in the center, that is open and glowing. the porthole is for shooting energy beams. the body of the flying saucer is covered in rings of neon lights, as well as rows of round lights in various sizes. there are also patterns of other shapes of lights on the exterior of the craft as well. most of the lights on the flying saucer are colored neon green, but there is also some neon orange, some bright pink, and some electric blue. The lights have a soft-edged glow from the fog in the air.  The edge of the body and undercarriage of the flying saucer has several external speakers on it, placed into two rows, each of which consists of either large or small speakers. the details of the flying saucer are clearly defined, the contrast is high, and visible from the street. the flying saucer is the most prominent object in the picture.   

Let’s try an image of fashionable women who are african american. I need them to be wearing pajamas at a christmas party. Their facial expressions should be happy. They should have water bottles with blank black labels with white tops in their hands.

Many giant Roman soldier statues are kneeling with their hands raised above their heads and their heads bowed under the deep sea. The atmosphere is eerie and the light is dim and the water surface cannot be seen.

Let’s try an image of fashionable women who are african american. I need them to be wearing pajamas at a christmas party. Their facial expressions should be happy. They should have holiday cocktails in their hands.

Character Description: Style: A cartoon character with a bold, edgy vibe. Appearance: The character has lots of tattoos, covering their arms, neck, and hands. The tattoos could include a mix of traditional designs like skulls, roses, and bold lines to emphasize a tough, rebellious style. Clothing: The character is wearing a black ski mask (pulled up to cover the face completely) and a black hoodie. The hoodie should have the words "steezy2breezy" in a stylish, graffiti-like font across the front. Attitude: The overall look should have a cool, "steezy" vibe—relaxed but confident, with an urban, streetwear aesthetic. For the tattoos, you can mix in elements like: Traditional flash tattoos (roses, daggers, etc.). Modern geometric or abstract designs. Any details that could make the character stand out (like a dragon or skull on the chest, or a sleeve tattoo). If you’re using a program like Adobe Illustrator or Photoshop, you could: Start by sketching the basic outline of the character. Add layers for the tattoos, hoodie, and ski mask. Use bold lines for the tattoos to make them stand out, and experiment with fonts for "steezy2breezy" to give it a street-art feel.

Make two people shake hands and hug each other

Create an emotional and deeply spiritual painting of Haridas Ji, a 30-year-old devotee and devoted follower of Lord Hari, sitting in a meditative pose. Haridas Ji is shown wearing a simple white loincloth, symbolizing his ascetic lifestyle. He holds a japa mala in one hand, his fingers moving slowly on the mala and he is completely immersed in the meditation of God, chanting the holy names. His head is completely shaven, and a distinct Vaishnava tilak is marked on his forehead, the holy symbols of Vaishnava religion on his lean, youthful body, which enhances his aura of devotion. Despite his young age, Haridas Ji's face is calm, yet his eyes are filled with tears of devotion remembering God. The background should be a rustic grass hut, perhaps a hut, a room with natural light or a natural setting that emphasizes his solitude and meditation. The overall atmosphere should be one of deep feeling of devotion, purity and spiritual surrender."

Lucario is a bipedal, canine-like Pokémon with predominantly blue and black fur. It possesses a short, round spike on the back of each forepaw, in addition to a third on its chest. It has red eyes, a long snout, and ears. When its mouth is open, two pairs of pointed teeth, one in the upper jaw and one in the lower, can be seen. It possesses cream-colored fur on its torso and blue fur on its thighs that resemble shorts. It has a medium-length tail of the same blue color as well. It stands on its toes rather than on its entire foot. It has developed four black appendages that hang down from its head, which rise when Lucario reads or manipulates aura, a special energy that it senses. Lucario can use its powers to create a staff in form a bone and use it to fight. Lucario can study auras to predict the movements of its opponents and track their quarry. With sufficient training, a Lucario can read auras to understand how living beings are feeling from more than half a mile (1 kilometer) away. However, it sometimes ends up learning information that it would not like to know, causing it to get stressed out easily. It also has the power to manipulate this energy in an offensive manner, in the form of explosive spheres of energy. Lucario can understand human speech and has been reported to communicate with humans through telepathy. Lucario is considered to be prideful and is extremely loyal to its Trainer. It also seems to have a natural sense of justice, as it only trusts Trainers with righteous hearts. It is an exceptionally rare Pokémon that usually lives deep in mountains very far from people to improve their skills. Lucario are primarily carnivores, hunting their prey in packs, though one Lucario was seen eating Berries and plants like roses. It has also been seen eating chocolate, even though chocolate is not part of its natural diet. As mentioned in the Sleep Style Dex, Lucario never lowers its guard, even when sleeping. It is believed Lucario's reading the aura of others similar to when it's awake.

Head: The head of the quint is shaped like a helmet, with a prominent crest on top that seems to pulse with a vibrant, fiery purple energy. The helmet's surface is a mix of dark, murky metal and shimmering, iridescent formations that glow in the surrounding environment, radiating a luminous, crystal-like hue. The visor is shaped like a narrow, angular slot, with a subtle, toxic green trim that adds a hint of menace to its already-intimidating gaze. The eyes are a bright, piercing purple, with an intense, burning energy that seems to emanate from within. The irises are shaped like crescent moons, with a subtle, metallic pattern etched into the surface, giving them a unique, otherworldly appearance. The pupils are narrow slits, glowing with an inner light that seems to pulse with the rhythm of the element. Body: The torso is a sturdy, mechanical construct, with interlocking plates and circuits that seem to hum with power, radiating a silver, metallic sheen. The chest plate is adorned with a shimmering, crystal-like formation that glows with an inner light, pulsing with energy and power. The shoulders are broad and angular, with a pair of toxic green-tipped shoulder pads that add a hint of menace to its already-intimidating stance. The back is covered in a network of mechanical wires and circuits, pulsing with energy and power. Arms: The arms are long and slender, with mechanical limbs that seem to be infused with fiery purple energy, glowing with a bright, piercing light. The arms are covered in a network of shimmering, crystal-like formations that glow with an inner light, pulsing with energy and power. The elbows are shaped like joints, with a subtle, toxic green trim that adds a hint of menace to its already-intimidating stance. The hands are shaped like claws, with toxic green-tipped fingers that seem to rip and tear with deadly precision. Legs: The legs are sturdy and strong, with a pair of mechanical thigh guards that seem to hum with power, propelling it forward with a powerful stride. The knees are shaped like joints, with a subtle, dark, murky trim that adds a hint of darkness to its already-intimidating stance. The feet are shaped like claws, with toxic green-tipped toes that seem to rip and tear with deadly precision. Other Details: The entire body of the quint seems to be covered in a thin, mesh-like network of shimmering, crystal-like formations, pulsing with energy and power. The mechanical limbs and torso seem to be infused with a subtle, dark, murky energy, adding a hint of darkness to its already-intimidating stance. The fiery purple energy emanating from its body seems to pulse with an inner light, giving it a dynamic, high-energy appearance.

Scene 1: Introduction to the SituationPhoto Description: The woman stands in a messy kitchen, with dishes piled high in the sink and scattered across the countertops. She looks bewildered and exhausted, with wide eyes as if facing a major challenge.Scene 2: Attempt to EscapePhoto Description: The woman is sneaking out of the kitchen, but a spoon or utensil on the floor seems to block her way. She looks around nervously, glancing at the camera with a humorous expression of defeat.Scene 3: Moment of InspirationPhoto Description: The woman is sitting on the floor next to the sink, resting her chin on her hand as if deep in thought. Her face lights up with a bright idea, showing a look of excitement.Scene 4: Creative AttemptPhoto Description: The woman is smiling excitedly while arranging dishes into funny shapes or structures on the table, like a tower or pyramid. Some dishes are falling over, adding a comedic touch.Scene 5: Humorous ResignationPhoto Description: The woman, wearing cleaning gloves and holding a sponge, is laughing as she starts washing dishes. Her face shows a mix of humor and determination, as if she has finally accepted the task with a good attitude.