A Black woman is

A Black woman is standing outside at night in winter. A bright star is shining in the night sky. The woman is smiling with her eyes closed. She's making a wish. A handsome white man is standing in the background looking at the woman.

A Black woman is standing outside at night in winter. A bright star is shining in the night sky. The woman is smiling with her eyes closed. She's making a wish. A handsome white man is standing in the background.

A cute Sanrio character named Cinnamoroll, also known as Cinnamon, is shown sleeping peacefully in bed. He is a white puppy with large, floppy ears, and is smiling with his eyes closed. He is covered by a pink blanket with white polka dots. The background features a night sky with fluffy clouds and a crescent moon, giving a dreamy and calm atmosphere. The scene is cozy and serene, suggesting a peaceful night's sleep

A pretty Black woman in a business suit stands alongside a handsome white man in a business suit. They are both 30 years old. She has shoulder-length hair. He has dark hair.

Design cover art for a book titled "Again, For The First Time" by Michele DeLonge. A beautiful, long-haired Black woman is standing with a tall, handsome Black man with short, cropped hair. She is wearing a pink v-neck sweater and a flowing floral skirt. He is wearing a polo shirt and jeans. They are standing out in a garden. Make sure to include the book title and the author's name.

Design cover art for a book titled "Again, For The First Time" by Michele DeLonge. A beautiful, long-haired Black woman is standing with a tall, handsome Black man with short, cropped hair. She is wearing a blue sweater and a flowing floral skirt. He is wearing a polo shirt and jeans. They are standing out in a garden. Include the book title and the author's name.

Design cover art for a book entitled "Again, For The First Time" by Michele DeLonge. A beautiful, long-haired Black woman is standing with a tall, handsome Black man with short, cropped hair. She is wearing a sweater and skirt. He is wearing a polo shirt and jeans. They are standing out in a garden. Include the book title and the author's name.

Design cover art for a book entitled "Again, For The First Time" by Michele DeLonge. A beautiful, long-haired Black woman is standing with a tall, handsome Black man with short, cropped hair. She is wearing a sweater and skirt. He is wearing a polo shirt and jeans. They are standing out in a garden.

Create a photorealistic image of a beautiful black woman in a business suit with features similar to Halle Berry, long hair, and medium brown skin. She's smiling at a handsome, tall white man also in a business suit.

Neon ufo flying saucer hovering low over a street in downtown Eugene, Oregon, on a dark, wet, foggy night; the points of light from the flying saucer, the street lamps, and the stores' signs all glow brightly on an otherwise dark, foggy, and wet evening.   the composition of the image is of a street view; the perspective is centered in the road, looking down the street, as if the viewer is suspended in the air at the height of approximately one and a half to two stories above the street level. it is on dark and damp misty evening, on a deserted downtown avenue, with the street and city lights glowing all around and in the distance. the style is a photograph-like, nearly realistic modern anime-style rendering. with medium contrast and high definition of the buildings and objects in the foreground, but the definition gradually fades into the haze of the fog further down the road, looking into the distance. the air is foggy, the street payment is wet, like it recently stopped raining.  The Tint of the picture is a blue-green, dark but features on the buildings are still visible. the street lights are on poles that line both sides of the street and are vintage looking, the street light lamps glow an eerie pale yellow color (with a hint of light green), and shed soft light on the things around them, and cast light on the texture of the exteriors of the buildings. this gives the exteriors high contrast with the light and dark light. there are many points of city lights lining the street, from the foreground to the distant background, soft orbs, that are still visible through the fog.  the air is foggy, the street payment is wet, like it recently stopped raining. little bits of light reflect off of the wet surfaces.  the street is narrow, with stores and restaurants on both sides; hanging from the sides if the buildings are illuminated signs, various sizes and shapes, most but not all are vertically aligned and rectangular; some are circles, some are squares, some are more abstract shapes; some are logos. they hang placed at a height that starts from the top of the first story, and various heights above that. some are mounted flat on the exterior buildings' wall, some protrude perpendicularly from the building. there is at least one or two on the rooftops.  they glow with rich yellow light, neon, and occasionally tangerine orange, white, or green. the letters are bold, and stand out.  the stores have illuminated horizontally aligned panel-style signage above their windows, that vary in color, and about 2/3 of which are turned on. occasionally their will be small neon fixtures in the stores' windows. there are occasional trees that line the sides of the street, not many but a few; that appear like dark shapes with minimal detail and light reflection; the ones closer to the background are just silhouettes fading into the fog. in the very far, far background, the dark outline of the small mountain that  overlooks Eugene, Oregon (known as Spencers Butte) is visible; appearing faintly but shape is unmistakably part of the landscape.    the single flying saucer is hovering over the street, just a few dozen feet above the height of the rooftops. The perspective is more of the undercarriage than the top side, because of the angle in the viewers line of sight, but the body and the top side are also visible too.  The flyer saucer appears to be antique and vintage-looking. shaped like a bell, but with more sections. The body shape is similar to that of Darth Vader’s helmet from Star Wars.  Looking at the undercarriage from the underneath perspective, there is a  large grill section, shaped like a ring, recessed up into the saucer, that looks like it has well-defined gills similar to that of a mushroom. this part emanates an alien-like green glow from within the inside of the grill. in the center is an extruded barrel-shaped ring, short in height but wide in width, and it has a porthole in the center, that is open and glowing. the porthole is for shooting energy beams. the body of the flying saucer is covered in rings of neon lights, as well as rows of round lights in various sizes. there are also patterns of other shapes of lights on the exterior of the craft as well. most of the lights on the flying saucer are colored neon green, but there is also some neon orange, some bright pink, and some electric blue. The lights have a soft-edged glow from the fog in the air.  The edge of the body and undercarriage of the flying saucer has several external speakers on it, placed into two rows, each of which consists of either large or small speakers. the details of the flying saucer are clearly defined, the contrast is high, and visible from the street. the flying saucer is the most prominent object in the picture.   

Neon ufo flying saucer hovering low over a street in downtown Eugene, Oregon, on a dark, wet, foggy night; the points of light from the flying saucer, the street lamps, and the stores' signs all glow brightly on an otherwise dark, foggy, and wet evening.   the composition of the image is of a street view; the perspective is centered in the road, looking down the street, as if the viewer is suspended in the air at the height of approximately one and a half to two stories above the street level. it is on dark and damp misty evening, on a deserted downtown avenue, with the street and city lights glowing all around and in the distance. the style is a photograph-like, nearly realistic modern anime-style rendering. with medium contrast and high definition of the buildings and objects in the foreground, but the definition gradually fades into the haze of the fog further down the road, looking into the distance. the air is foggy, the street payment is wet, like it recently stopped raining.  The Tint of the picture is a blue-green, dark but features on the buildings are still visible. the street lights are on poles that line both sides of the street and are vintage looking, the street light lamps glow an eerie pale yellow color (with a hint of light green), and shed soft light on the things around them, and cast light on the texture of the exteriors of the buildings. this gives the exteriors high contrast with the light and dark light. there are many points of city lights lining the street, from the foreground to the distant background, soft orbs, that are still visible through the fog.  the air is foggy, the street payment is wet, like it recently stopped raining. little bits of light reflect off of the wet surfaces.  the street is narrow, with stores and restaurants on both sides; hanging from the sides if the buildings are illuminated signs, various sizes and shapes, most but not all are vertically aligned and rectangular; some are circles, some are squares, some are more abstract shapes; some are logos. they hang placed at a height that starts from the top of the first story, and various heights above that. some are mounted flat on the exterior buildings' wall, some protrude perpendicularly from the building. there is at least one or two on the rooftops.  they glow with rich yellow light, neon, and occasionally tangerine orange, white, or green. the letters are bold, and stand out.  the stores have illuminated horizontally aligned panel-style signage above their windows, that vary in color, and about 2/3 of which are turned on. occasionally their will be small neon fixtures in the stores' windows. there are occasional trees that line the sides of the street, not many but a few; that appear like dark shapes with minimal detail and light reflection; the ones closer to the background are just silhouettes fading into the fog. in the very far, far background, the dark outline of the small mountain that  overlooks Eugene, Oregon (known as Spencers Butte) is visible; appearing faintly but shape is unmistakably part of the landscape.    the single flying saucer is hovering over the street, just a few dozen feet above the height of the rooftops. The perspective is more of the undercarriage than the top side, because of the angle in the viewers line of sight, but the body and the top side are also visible too.  The flyer saucer appears to be antique and vintage-looking. shaped like a bell, but with more sections. The body shape is similar to that of Darth Vader’s helmet from Star Wars.  Looking at the undercarriage from the underneath perspective, there is a  large grill section, shaped like a ring, recessed up into the saucer, that looks like it has well-defined gills similar to that of a mushroom. this part emanates an alien-like green glow from within the inside of the grill. in the center is an extruded barrel-shaped ring, short in height but wide in width, and it has a porthole in the center, that is open and glowing. the porthole is for shooting energy beams. the body of the flying saucer is covered in rings of neon lights, as well as rows of round lights in various sizes. there are also patterns of other shapes of lights on the exterior of the craft as well. most of the lights on the flying saucer are colored neon green, but there is also some neon orange, some bright pink, and some electric blue. The lights have a soft-edged glow from the fog in the air.  The edge of the body and undercarriage of the flying saucer has several external speakers on it, placed into two rows, each of which consists of either large or small speakers. the details of the flying saucer are clearly defined, the contrast is high, and visible from the street. the flying saucer is the most prominent object in the picture.   

A serene landscape at dawn, symbolizing new beginnings and hope. Soft pastel colors like light blue, lavender, and hints of gold can be used to create a calm and peaceful atmosphere. An black woman standing at a distance, facing the horizon. The figure is looking forward, symbolizing the act of moving on and looking towards the future. Behind the central figure, there are faint, shadowy images representing past traumas. These shadows are depicted as fading or being absorbed into the ground, indicating that they belong to the past and should stay there. Near the shadows, there could be subtle, semi-transparent outlines of monsters growing larger as they move closer to the central figure, symbolizing how recounting trauma can feed and enlarge those past experiences. Rays of sunlight breaking through the horizon, bathing the central figure in light, symbolizing hope, healing, and moving forward. The light diminishes the shadows and monsters, showing that focusing on the future can diminish the impact of past traumas.

Create a photorealistic image of a handsome 45-year-old African American man wearing a casual shirt and jeans. His hair is short, but he is not bald. Standing next to him is a 22-year-old African American woman with long braids in jeans and a Columbia University T-shirt. She is moving into her off-campus apartment, and he is helping her carry in her things. They are both carrying separate boxes. The man’s box is bigger than the woman’s. They are smiling at each other.

Create a photorealistic image of a handsome 45-year-old African American man wearing a casual shirt and jeans. His hair is short. Standing next to him is a 22-year-old African American woman with long braids in jeans and a Columbia University T-shirt. She is moving into her off-campus apartment, and he is helping her carry in her things. They are both carrying separate boxes. The man’s box is bigger than the woman’s. They are smiling at each other.

Create a photorealistic image of a handsome 45-year-old African American man wearing a casual shirt and jeans. His hair is short. Standing next to him is a 22-year-old African American woman with long braids in jeans and a Columbia University T-shirt. She is moving into her off-campus apartment and he is helping her carry in her things. They are both carrying boxes. The mans’ box is bigger than the woman’s. They are smiling at each other.

A group of two women and two men is sitting around a table playing a board game. One woman is a pretty, Black 25-year-old. The other woman is a pretty, Hispanic 25-year-old. One man is a handsome Black 25-year-old old and the other man is a handsome 25-year-old white man. One Black woman, one Hispanic woman, one tall, muscular Black man, one blonde white man with glasses.