a glitery festive christmas

Create a flyer a glittering, joyous Christmas background including small-sized poinsettias and ornaments in shades of blue and dark red three wise kings in the bottom corner and a large, glittering silver blank area in the center, surrounded by some fern flora with bells and strings and hints of gold

Neon ufo flying saucer hovering low over a street in downtown Eugene, Oregon, on a dark, wet, foggy night; the points of light from the flying saucer, the street lamps, and the stores' signs all glow brightly on an otherwise dark, foggy, and wet evening.   the composition of the image is of a street view; the perspective is centered in the road, looking down the street, as if the viewer is suspended in the air at the height of approximately one and a half to two stories above the street level. it is on dark and damp misty evening, on a deserted downtown avenue, with the street and city lights glowing all around and in the distance. the style is a photograph-like, nearly realistic modern anime-style rendering. with medium contrast and high definition of the buildings and objects in the foreground, but the definition gradually fades into the haze of the fog further down the road, looking into the distance. the air is foggy, the street payment is wet, like it recently stopped raining.  The Tint of the picture is a blue-green, dark but features on the buildings are still visible. the street lights are on poles that line both sides of the street and are vintage looking, the street light lamps glow an eerie pale yellow color (with a hint of light green), and shed soft light on the things around them, and cast light on the texture of the exteriors of the buildings. this gives the exteriors high contrast with the light and dark light. there are many points of city lights lining the street, from the foreground to the distant background, soft orbs, that are still visible through the fog.  the air is foggy, the street payment is wet, like it recently stopped raining. little bits of light reflect off of the wet surfaces.  the street is narrow, with stores and restaurants on both sides; hanging from the sides if the buildings are illuminated signs, various sizes and shapes, most but not all are vertically aligned and rectangular; some are circles, some are squares, some are more abstract shapes; some are logos. they hang placed at a height that starts from the top of the first story, and various heights above that. some are mounted flat on the exterior buildings' wall, some protrude perpendicularly from the building. there is at least one or two on the rooftops.  they glow with rich yellow light, neon, and occasionally tangerine orange, white, or green. the letters are bold, and stand out.  the stores have illuminated horizontally aligned panel-style signage above their windows, that vary in color, and about 2/3 of which are turned on. occasionally their will be small neon fixtures in the stores' windows. there are occasional trees that line the sides of the street, not many but a few; that appear like dark shapes with minimal detail and light reflection; the ones closer to the background are just silhouettes fading into the fog. in the very far, far background, the dark outline of the small mountain that  overlooks Eugene, Oregon (known as Spencers Butte) is visible; appearing faintly but shape is unmistakably part of the landscape.    the single flying saucer is hovering over the street, just a few dozen feet above the height of the rooftops. The perspective is more of the undercarriage than the top side, because of the angle in the viewers line of sight, but the body and the top side are also visible too.  The flyer saucer appears to be antique and vintage-looking. shaped like a bell, but with more sections. The body shape is similar to that of Darth Vader’s helmet from Star Wars.  Looking at the undercarriage from the underneath perspective, there is a  large grill section, shaped like a ring, recessed up into the saucer, that looks like it has well-defined gills similar to that of a mushroom. this part emanates an alien-like green glow from within the inside of the grill. in the center is an extruded barrel-shaped ring, short in height but wide in width, and it has a porthole in the center, that is open and glowing. the porthole is for shooting energy beams. the body of the flying saucer is covered in rings of neon lights, as well as rows of round lights in various sizes. there are also patterns of other shapes of lights on the exterior of the craft as well. most of the lights on the flying saucer are colored neon green, but there is also some neon orange, some bright pink, and some electric blue. The lights have a soft-edged glow from the fog in the air.  The edge of the body and undercarriage of the flying saucer has several external speakers on it, placed into two rows, each of which consists of either large or small speakers. the details of the flying saucer are clearly defined, the contrast is high, and visible from the street. the flying saucer is the most prominent object in the picture.   

Neon ufo flying saucer hovering low over downtown Eugene, Oregon;   the image is of a street view; the perspective is centered in the road, looking down the street, as if the viewer is suspended in the air at the height of approximately one and a half to two stories above the street level. it is on dark and damp misty evening, on a deserted downtown avenue, with the street and city lights glowing all around and in the distance. the style is a photograph-like, nearly realistic modern anime-style rendering. with medium contrast and high definition of the buildings and objects in the foreground, but the definition gradually fades into the haze of the fog further down the road, looking into the distance. the air is foggy, the street payment is wet, like it recently stopped raining.  The Tint of the picture is a blue-green, dark but features on the buildings are still visible. the street lights are on poles that line both sides of the street and are vintage looking, the street light lamps glow an eerie pale yellow color (with a hint of light green), and shed soft light on the things around them, and cast light on the texture of the exteriors of the buildings. this gives the exteriors high contrast with the light and dark light. there are many points of city lights lining the street, from the foreground to the distant background, soft orbs, that are still visible through the fog.  the air is foggy, the street payment is wet, like it recently stopped raining. little bits of light reflect off of the wet surfaces.  the street is narrow, with stores and restaurants on both sides; hanging from the sides if the buildings are illuminated signs, various sizes and shapes, most but not all are vertically aligned and rectangular; some are circles, some are squares, some are more abstract shapes; some are logos. they hang placed at a height that starts from the top of the first story, and various heights above that. some are mounted flat on the exterior buildings' wall, some protrude perpendicularly from the building. there is at least one or two on the rooftops.  they glow with rich yellow light, neon, and occasionally tangerine orange, white, or green. the letters are bold, and stand out.  the stores have illuminated horizontally aligned panel-style signage above their windows, that vary in color, and about 2/3 of which are turned on. occasionally their will be small neon fixtures in the stores' windows. there are occasional trees that line the sides of the street, not many but a few; that appear like dark shapes with minimal detail and light reflection; the ones closer to the background are just silhouettes fading into the fog. in the very far, far background, the dark outline of the small mountain that  overlooks Eugene, Oregon (known as Spencers Butte) is visible; appearing faintly but shape is unmistakably part of the landscape.    the single flying saucer is hovering over the street, just a few dozen feet above the height of the rooftops. The perspective is more of the undercarriage than the top side, because of the angle in the viewers line of sight, but the body and the top side are also visible too.  The flyer saucer appears to be antique and vintage-looking. shaped like a bell, but with more sections. The body shape is similar to that of Darth Vader’s helmet from Star Wars.  Looking at the undercarriage from the underneath perspective, there is a  large grill section, shaped like a ring, recessed up into the saucer, that looks like it has well-defined gills similar to that of a mushroom. this part emanates an alien-like green glow from within the inside of the grill. in the center is an extruded barrel-shaped ring, short in height but wide in width, and it has a porthole in the center, that is open and glowing. the porthole is for shooting energy beams. the body of the flying saucer is covered in rings of neon lights, as well as rows of round lights in various sizes. there are also patterns of other shapes of lights on the exterior of the craft as well. most of the lights on the flying saucer are colored neon green, but there is also some neon orange, some bright pink, and some electric blue. The lights have a soft-edged glow from the fog in the air.  The edge of the body and undercarriage of the flying saucer has several external speakers on it, placed into two rows, each of which consists of either large or small speakers. the details of the flying saucer are clearly defined, the contrast is high, and visible from the street. the flying saucer is the most prominent object in the picture.   

Neon ufo flying saucer hovering low over a street in downtown Eugene, Oregon, on a dark, wet, foggy night; the points of light from the flying saucer, the street lamps, and the stores' signs all glow brightly on an otherwise dark, foggy, and wet evening.   the composition of the image is of a street view; the perspective is centered in the road, looking down the street, as if the viewer is suspended in the air at the height of approximately one and a half to two stories above the street level. it is on dark and damp misty evening, on a deserted downtown avenue, with the street and city lights glowing all around and in the distance. the style is a photograph-like, nearly realistic modern anime-style rendering. with medium contrast and high definition of the buildings and objects in the foreground, but the definition gradually fades into the haze of the fog further down the road, looking into the distance. the air is foggy, the street payment is wet, like it recently stopped raining.  The Tint of the picture is a blue-green, dark but features on the buildings are still visible. the street lights are on poles that line both sides of the street and are vintage looking, the street light lamps glow an eerie pale yellow color (with a hint of light green), and shed soft light on the things around them, and cast light on the texture of the exteriors of the buildings. this gives the exteriors high contrast with the light and dark light. there are many points of city lights lining the street, from the foreground to the distant background, soft orbs, that are still visible through the fog.  the air is foggy, the street payment is wet, like it recently stopped raining. little bits of light reflect off of the wet surfaces.  the street is narrow, with stores and restaurants on both sides; hanging from the sides if the buildings are illuminated signs, various sizes and shapes, most but not all are vertically aligned and rectangular; some are circles, some are squares, some are more abstract shapes; some are logos. they hang placed at a height that starts from the top of the first story, and various heights above that. some are mounted flat on the exterior buildings' wall, some protrude perpendicularly from the building. there is at least one or two on the rooftops.  they glow with rich yellow light, neon, and occasionally tangerine orange, white, or green. the letters are bold, and stand out.  the stores have illuminated horizontally aligned panel-style signage above their windows, that vary in color, and about 2/3 of which are turned on. occasionally their will be small neon fixtures in the stores' windows. there are occasional trees that line the sides of the street, not many but a few; that appear like dark shapes with minimal detail and light reflection; the ones closer to the background are just silhouettes fading into the fog. in the very far, far background, the dark outline of the small mountain that  overlooks Eugene, Oregon (known as Spencers Butte) is visible; appearing faintly but shape is unmistakably part of the landscape.    the single flying saucer is hovering over the street, just a few dozen feet above the height of the rooftops. The perspective is more of the undercarriage than the top side, because of the angle in the viewers line of sight, but the body and the top side are also visible too.  The flyer saucer appears to be antique and vintage-looking. shaped like a bell, but with more sections. The body shape is similar to that of Darth Vader’s helmet from Star Wars.  Looking at the undercarriage from the underneath perspective, there is a  large grill section, shaped like a ring, recessed up into the saucer, that looks like it has well-defined gills similar to that of a mushroom. this part emanates an alien-like green glow from within the inside of the grill. in the center is an extruded barrel-shaped ring, short in height but wide in width, and it has a porthole in the center, that is open and glowing. the porthole is for shooting energy beams. the body of the flying saucer is covered in rings of neon lights, as well as rows of round lights in various sizes. there are also patterns of other shapes of lights on the exterior of the craft as well. most of the lights on the flying saucer are colored neon green, but there is also some neon orange, some bright pink, and some electric blue. The lights have a soft-edged glow from the fog in the air.  The edge of the body and undercarriage of the flying saucer has several external speakers on it, placed into two rows, each of which consists of either large or small speakers. the details of the flying saucer are clearly defined, the contrast is high, and visible from the street. the flying saucer is the most prominent object in the picture.   

Horse covered in a black cloak and armour. Knight with black armour. Massive black sword wielded by the knight glowing with dark blue and dark red energy and glowing with blue and red energy.

"Create a haunting, high-resolution image of the Dancing Woman as she moves toward the viewer on a deserted, foggy street at night. Her figure is unnaturally long and slightly distorted, wearing a torn and dirty white dress that flows unnaturally as if caught in an invisible breeze. Her pale, almost ghostly skin is illuminated faintly by a flickering streetlight behind her, which casts elongated and jagged shadows across the ground, adding to the unsettling atmosphere. Her face is the focal point: a horrific slit smile stretches grotesquely from ear to ear, the edges of her mouth ragged and bloodied. Her teeth should appear sharp and unnervingly clean, highlighted against the dark red of her wounds. Her wide, unblinking eyes shine faintly in the dim light, capturing an expression of twisted joy mixed with predatory menace. Her hair is long, tangled, and partially obscures her face, giving her a chaotic and unkempt appearance. The background should feature a misty, empty street with faint outlines of distant, shadowy buildings or trees, adding to the sense of isolation. Subtle cracks in the pavement and small puddles reflect the flickering light above her, creating a chillingly quiet and surreal environment. The overall tone should evoke a sense of impending doom and helplessness, with the viewer feeling like her next victim."

"Create a haunting, high-resolution image of the Dancing Woman as she moves toward the viewer on a deserted, foggy street at night. Her figure is unnaturally long and slightly distorted, wearing a torn and dirty white dress that flows unnaturally as if caught in an invisible breeze. Her pale, almost ghostly skin is illuminated faintly by a flickering streetlight behind her, which casts elongated and jagged shadows across the ground, adding to the unsettling atmosphere. Her face is the focal point: a horrific slit smile stretches grotesquely from ear to ear, the edges of her mouth ragged and bloodied. Her teeth should appear sharp and unnervingly clean, highlighted against the dark red of her wounds. Her wide, unblinking eyes shine faintly in the dim light, capturing an expression of twisted joy mixed with predatory menace. Her hair is long, tangled, and partially obscures her face, giving her a chaotic and unkempt appearance. The background should feature a misty, empty street with faint outlines of distant, shadowy buildings or trees, adding to the sense of isolation. Subtle cracks in the pavement and small puddles reflect the flickering light above her, creating a chillingly quiet and surreal environment. The overall tone should evoke a sense of impending doom and helplessness, with the viewer feeling like her next victim."

A black t-shirt laid flat on a seamless black background, creating a sleek, minimalist look. The t-shirt features bold, vibrant stripes in neon or bright colors like red, yellow, and blue, creating a strong contrast against the dark fabric. The lighting subtly highlights the texture and folds of the fabric, while keeping the focus on the striking stripe design. Modern, high-contrast, and visually impactful — ideal for a fashion catalog or streetwear promo.

A cheerful young woman with long, wavy dark hair, smiling brightly and pointing upwards with both hands. She is wearing a vibrant, colorful t-shirt featuring a retro-style illustration of a smiling woman, paired with high-waisted blue jeans. The t-shirt has a splatter paint design with vivid shades of yellow, red, green, and blue. The background is plain light gray, studio lighting. Energetic and playful mood, casual and artistic fashion style.

A cheerful young woman with long, wavy dark hair, smiling brightly and pointing upwards with both hands. She is wearing a vibrant, colorful t-shirt featuring a retro-style illustration of a smiling woman, paired with high-waisted blue jeans. The t-shirt has a splatter paint design with vivid shades of yellow, red, green, and blue. The background is plain light gray, studio lighting. Energetic and playful mood, casual and artistic fashion style.

A white quarterback with brown hair and a brown chin beard goatee with a dark red top and yellow bottom uniform that says Senators on the front

A furrow which is 11-1/2 inches long and which ranges from 1/2 to 1-1/2 inch wide almost completely encircles the neck. The bed of the furrow is dried, tan, and abraded on the left side of the neck and shows pallor of the livor on the right. There are several slightly oblique red-tan abrasions on the left jawline at the superior edge of the furrow (3-1/2 x 3/8 inches) and on the lateral right neck at the inferior edge of the furrow (approximately 2 x 1/2 inches). The lowest point of the furrow is on the anterolateral left neck at 9-3/4 inches below the top of the head. On the right side of the neck the furrow is directed sharply upward and posteriorly; the highest point of the furrow is on the right occipital scalp at 5-1/2 inches below the top of the head. There are occasional, large red purple petechiae of the bulbar surface of the conjunctiva on the right eye. A layered in situ examination of the soft tissues and structures of the anterior neck reveals focal purple hemorrhage at the upper attachment of the left sternothyroid and thyrohyoid muscles. OTHER INJURIES - Upper and posterior scalp, left side of the face, and upper left back with a few tiny, purple-brown, and slightly crusted abrasions. - Posterior neck with an approximately 1-1/4 x 1/2 inch area containing patchy purple contusion. - Lower abdomen and left flank with a few, up to 3/4 inch, dried brown abrasions. - Upper left shoulder with a 1-1/2 x 3/4 inch brown abraded contusion. - Upper left chest with a 1-1/4 inch curvilinear brown abrasion. - Medial right arm and elbow with a few, up to 3/8 inch small brown and red-purple abrasions. - Ventral right forearm with a 4 x 2-1/2 inch area with several up to 1/2 inch irregular dried purplebrown abrasions. - Base of the penis and right scrotal sac with a few tiny dark red-brown abrasions. - Lateral left elbow with an approximately 3/16 x 1/4 inch dark purple contusion. - Left antecubital fossa with an approximately 2 x 1 inch area containing dried red abrasion. - Ventral left forearm with at least four, longitudinally-oriented, dried, dark purple abrasions which measure up to 4-1/2 inches in greatest dimension. - Left antecubital fossa and ventral left forearm with a few apparent purple puncture marks. - Left arm, elbow, and forearm with several scattered tiny red-purple abrasions. - Anterior knees and legs with dark purple abrasions measuring up to 7/8 inch in greatest dimension. - Medial right foot with a small red abrasion.

Kindly create an image of a psycho killer with blood splatter on his face. He has an evil grin evil smile, he is lifting up a chopper that has dripping dark red blood. Background gloomy eerie

Setting: Use a medium-sized wooden or dark-toned basin filled with clean water. Scatter light pink daisy-like flowers evenly across the surface of the water for a soft, decorative touch. Feet Positioning: Place the feet gently in the water, slightly crossed for a relaxed and natural look. Ensure the legs are positioned elegantly, with one resting lightly over the other for a graceful effect. Additional Elements: Include smooth white stones at the bottom of the basin for texture and a spa-like feel. The stones should be visible through the water. Water Flow: Have a stream of water pouring into the basin from a wooden or natural-looking container. The pouring water should create a sense of motion and add a soothing, dynamic element to the image. Lighting: Use soft, warm lighting to highlight the skin tone and make the scene feel cozy and inviting. Avoid harsh shadows to maintain a serene spa-like ambiance. Composition: Frame the shot to focus primarily on the legs and feet, while capturing the flowers, water, and pouring stream in the background. Ensure the background is minimal to keep the attention on the subject.

Setting: Use a medium-sized wooden or dark-toned basin filled with clean water. Scatter light pink daisy-like flowers evenly across the surface of the water for a soft, decorative touch. Feet Positioning: Place the feet gently in the water, slightly crossed for a relaxed and natural look. Ensure the legs are positioned elegantly, with one resting lightly over the other for a graceful effect. Additional Elements: Include smooth white stones at the bottom of the basin for texture and a spa-like feel. The stones should be visible through the water. Water Flow: Have a stream of water pouring into the basin from a wooden or natural-looking container. The pouring water should create a sense of motion and add a soothing, dynamic element to the image. Lighting: Use soft, warm lighting to highlight the skin tone and make the scene feel cozy and inviting. Avoid harsh shadows to maintain a serene spa-like ambiance. Composition: Frame the shot to focus primarily on the legs and feet, while capturing the flowers, water, and pouring stream in the background. Ensure the background is minimal to keep the attention on the subject.

Dark red hair with blue eyes