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Neon ufo flying saucer hovering low over a street in downtown Eugene, Oregon, on a dark, wet, foggy night; the points of light from the flying saucer, the street lamps, and the stores' signs all glow brightly on an otherwise dark, foggy, and wet evening.   the composition of the image is of a street view; the perspective is centered in the road, looking down the street, as if the viewer is suspended in the air at the height of approximately one and a half to two stories above the street level. it is on dark and damp misty evening, on a deserted downtown avenue, with the street and city lights glowing all around and in the distance. the style is a photograph-like, nearly realistic modern anime-style rendering. with medium contrast and high definition of the buildings and objects in the foreground, but the definition gradually fades into the haze of the fog further down the road, looking into the distance. the air is foggy, the street payment is wet, like it recently stopped raining.  The Tint of the picture is a blue-green, dark but features on the buildings are still visible. the street lights are on poles that line both sides of the street and are vintage looking, the street light lamps glow an eerie pale yellow color (with a hint of light green), and shed soft light on the things around them, and cast light on the texture of the exteriors of the buildings. this gives the exteriors high contrast with the light and dark light. there are many points of city lights lining the street, from the foreground to the distant background, soft orbs, that are still visible through the fog.  the air is foggy, the street payment is wet, like it recently stopped raining. little bits of light reflect off of the wet surfaces.  the street is narrow, with stores and restaurants on both sides; hanging from the sides if the buildings are illuminated signs, various sizes and shapes, most but not all are vertically aligned and rectangular; some are circles, some are squares, some are more abstract shapes; some are logos. they hang placed at a height that starts from the top of the first story, and various heights above that. some are mounted flat on the exterior buildings' wall, some protrude perpendicularly from the building. there is at least one or two on the rooftops.  they glow with rich yellow light, neon, and occasionally tangerine orange, white, or green. the letters are bold, and stand out.  the stores have illuminated horizontally aligned panel-style signage above their windows, that vary in color, and about 2/3 of which are turned on. occasionally their will be small neon fixtures in the stores' windows. there are occasional trees that line the sides of the street, not many but a few; that appear like dark shapes with minimal detail and light reflection; the ones closer to the background are just silhouettes fading into the fog. in the very far, far background, the dark outline of the small mountain that  overlooks Eugene, Oregon (known as Spencers Butte) is visible; appearing faintly but shape is unmistakably part of the landscape.    the single flying saucer is hovering over the street, just a few dozen feet above the height of the rooftops. The perspective is more of the undercarriage than the top side, because of the angle in the viewers line of sight, but the body and the top side are also visible too.  The flyer saucer appears to be antique and vintage-looking. shaped like a bell, but with more sections. The body shape is similar to that of Darth Vader’s helmet from Star Wars.  Looking at the undercarriage from the underneath perspective, there is a  large grill section, shaped like a ring, recessed up into the saucer, that looks like it has well-defined gills similar to that of a mushroom. this part emanates an alien-like green glow from within the inside of the grill. in the center is an extruded barrel-shaped ring, short in height but wide in width, and it has a porthole in the center, that is open and glowing. the porthole is for shooting energy beams. the body of the flying saucer is covered in rings of neon lights, as well as rows of round lights in various sizes. there are also patterns of other shapes of lights on the exterior of the craft as well. most of the lights on the flying saucer are colored neon green, but there is also some neon orange, some bright pink, and some electric blue. The lights have a soft-edged glow from the fog in the air.  The edge of the body and undercarriage of the flying saucer has several external speakers on it, placed into two rows, each of which consists of either large or small speakers. the details of the flying saucer are clearly defined, the contrast is high, and visible from the street. the flying saucer is the most prominent object in the picture.   

Neon ufo flying saucer hovering low over downtown Eugene, Oregon;   the image is of a street view; the perspective is centered in the road, looking down the street, as if the viewer is suspended in the air at the height of approximately one and a half to two stories above the street level. it is on dark and damp misty evening, on a deserted downtown avenue, with the street and city lights glowing all around and in the distance. the style is a photograph-like, nearly realistic modern anime-style rendering. with medium contrast and high definition of the buildings and objects in the foreground, but the definition gradually fades into the haze of the fog further down the road, looking into the distance. the air is foggy, the street payment is wet, like it recently stopped raining.  The Tint of the picture is a blue-green, dark but features on the buildings are still visible. the street lights are on poles that line both sides of the street and are vintage looking, the street light lamps glow an eerie pale yellow color (with a hint of light green), and shed soft light on the things around them, and cast light on the texture of the exteriors of the buildings. this gives the exteriors high contrast with the light and dark light. there are many points of city lights lining the street, from the foreground to the distant background, soft orbs, that are still visible through the fog.  the air is foggy, the street payment is wet, like it recently stopped raining. little bits of light reflect off of the wet surfaces.  the street is narrow, with stores and restaurants on both sides; hanging from the sides if the buildings are illuminated signs, various sizes and shapes, most but not all are vertically aligned and rectangular; some are circles, some are squares, some are more abstract shapes; some are logos. they hang placed at a height that starts from the top of the first story, and various heights above that. some are mounted flat on the exterior buildings' wall, some protrude perpendicularly from the building. there is at least one or two on the rooftops.  they glow with rich yellow light, neon, and occasionally tangerine orange, white, or green. the letters are bold, and stand out.  the stores have illuminated horizontally aligned panel-style signage above their windows, that vary in color, and about 2/3 of which are turned on. occasionally their will be small neon fixtures in the stores' windows. there are occasional trees that line the sides of the street, not many but a few; that appear like dark shapes with minimal detail and light reflection; the ones closer to the background are just silhouettes fading into the fog. in the very far, far background, the dark outline of the small mountain that  overlooks Eugene, Oregon (known as Spencers Butte) is visible; appearing faintly but shape is unmistakably part of the landscape.    the single flying saucer is hovering over the street, just a few dozen feet above the height of the rooftops. The perspective is more of the undercarriage than the top side, because of the angle in the viewers line of sight, but the body and the top side are also visible too.  The flyer saucer appears to be antique and vintage-looking. shaped like a bell, but with more sections. The body shape is similar to that of Darth Vader’s helmet from Star Wars.  Looking at the undercarriage from the underneath perspective, there is a  large grill section, shaped like a ring, recessed up into the saucer, that looks like it has well-defined gills similar to that of a mushroom. this part emanates an alien-like green glow from within the inside of the grill. in the center is an extruded barrel-shaped ring, short in height but wide in width, and it has a porthole in the center, that is open and glowing. the porthole is for shooting energy beams. the body of the flying saucer is covered in rings of neon lights, as well as rows of round lights in various sizes. there are also patterns of other shapes of lights on the exterior of the craft as well. most of the lights on the flying saucer are colored neon green, but there is also some neon orange, some bright pink, and some electric blue. The lights have a soft-edged glow from the fog in the air.  The edge of the body and undercarriage of the flying saucer has several external speakers on it, placed into two rows, each of which consists of either large or small speakers. the details of the flying saucer are clearly defined, the contrast is high, and visible from the street. the flying saucer is the most prominent object in the picture.   

Neon ufo flying saucer hovering low over a street in downtown Eugene, Oregon, on a dark, wet, foggy night; the points of light from the flying saucer, the street lamps, and the stores' signs all glow brightly on an otherwise dark, foggy, and wet evening.   the composition of the image is of a street view; the perspective is centered in the road, looking down the street, as if the viewer is suspended in the air at the height of approximately one and a half to two stories above the street level. it is on dark and damp misty evening, on a deserted downtown avenue, with the street and city lights glowing all around and in the distance. the style is a photograph-like, nearly realistic modern anime-style rendering. with medium contrast and high definition of the buildings and objects in the foreground, but the definition gradually fades into the haze of the fog further down the road, looking into the distance. the air is foggy, the street payment is wet, like it recently stopped raining.  The Tint of the picture is a blue-green, dark but features on the buildings are still visible. the street lights are on poles that line both sides of the street and are vintage looking, the street light lamps glow an eerie pale yellow color (with a hint of light green), and shed soft light on the things around them, and cast light on the texture of the exteriors of the buildings. this gives the exteriors high contrast with the light and dark light. there are many points of city lights lining the street, from the foreground to the distant background, soft orbs, that are still visible through the fog.  the air is foggy, the street payment is wet, like it recently stopped raining. little bits of light reflect off of the wet surfaces.  the street is narrow, with stores and restaurants on both sides; hanging from the sides if the buildings are illuminated signs, various sizes and shapes, most but not all are vertically aligned and rectangular; some are circles, some are squares, some are more abstract shapes; some are logos. they hang placed at a height that starts from the top of the first story, and various heights above that. some are mounted flat on the exterior buildings' wall, some protrude perpendicularly from the building. there is at least one or two on the rooftops.  they glow with rich yellow light, neon, and occasionally tangerine orange, white, or green. the letters are bold, and stand out.  the stores have illuminated horizontally aligned panel-style signage above their windows, that vary in color, and about 2/3 of which are turned on. occasionally their will be small neon fixtures in the stores' windows. there are occasional trees that line the sides of the street, not many but a few; that appear like dark shapes with minimal detail and light reflection; the ones closer to the background are just silhouettes fading into the fog. in the very far, far background, the dark outline of the small mountain that  overlooks Eugene, Oregon (known as Spencers Butte) is visible; appearing faintly but shape is unmistakably part of the landscape.    the single flying saucer is hovering over the street, just a few dozen feet above the height of the rooftops. The perspective is more of the undercarriage than the top side, because of the angle in the viewers line of sight, but the body and the top side are also visible too.  The flyer saucer appears to be antique and vintage-looking. shaped like a bell, but with more sections. The body shape is similar to that of Darth Vader’s helmet from Star Wars.  Looking at the undercarriage from the underneath perspective, there is a  large grill section, shaped like a ring, recessed up into the saucer, that looks like it has well-defined gills similar to that of a mushroom. this part emanates an alien-like green glow from within the inside of the grill. in the center is an extruded barrel-shaped ring, short in height but wide in width, and it has a porthole in the center, that is open and glowing. the porthole is for shooting energy beams. the body of the flying saucer is covered in rings of neon lights, as well as rows of round lights in various sizes. there are also patterns of other shapes of lights on the exterior of the craft as well. most of the lights on the flying saucer are colored neon green, but there is also some neon orange, some bright pink, and some electric blue. The lights have a soft-edged glow from the fog in the air.  The edge of the body and undercarriage of the flying saucer has several external speakers on it, placed into two rows, each of which consists of either large or small speakers. the details of the flying saucer are clearly defined, the contrast is high, and visible from the street. the flying saucer is the most prominent object in the picture.   

I need to look like I’m exploring in a place like Antarctica. Want to send it as a joke to a friend to make them think I’m there. Include an explorer with their face covered in the photo that would be me. It needs to look like a solo shot of me at work as an explorer. Add some artic animals to it like a polar bear, penguins, whale, to make it realistic but funny 

Character Description: Style: A cartoon character with a bold, edgy vibe. Appearance: The character has lots of tattoos, covering their arms, neck, and hands. The tattoos could include a mix of traditional designs like skulls, roses, and bold lines to emphasize a tough, rebellious style. Clothing: The character is wearing a black ski mask (pulled up to cover the face completely) and a black hoodie. The hoodie should have the words "steezy2breezy" in a stylish, graffiti-like font across the front. Attitude: The overall look should have a cool, "steezy" vibe—relaxed but confident, with an urban, streetwear aesthetic. For the tattoos, you can mix in elements like: Traditional flash tattoos (roses, daggers, etc.). Modern geometric or abstract designs. Any details that could make the character stand out (like a dragon or skull on the chest, or a sleeve tattoo). If you’re using a program like Adobe Illustrator or Photoshop, you could: Start by sketching the basic outline of the character. Add layers for the tattoos, hoodie, and ski mask. Use bold lines for the tattoos to make them stand out, and experiment with fonts for "steezy2breezy" to give it a street-art feel.

To generate an image suitable for a background for fight scenes inspired by the anime "One Piece," I'll describe a detailed prompt to create a vibrant and dynamic setting that captures the essence of the series while avoiding direct references to copyrighted characters. Create a vibrant and dynamic background inspired by the anime "One Piece" for use in video fight scenes. The scene should depict a lively harbor town with a mix of traditional and fantastical elements. Include a bustling port with ships docked, colorful buildings with flags and banners, and cobblestone streets. Add some tropical palm trees and exotic plants around the edges. The sky should be bright blue with a few fluffy clouds, and the sea should be sparkling and inviting. Ensure the overall atmosphere is adventurous and energetic, suitable for an epic fight scene

Make a black and white tattoo design of Ellie from the last of us playing her guitar sitting against a tree in the middle of an overgrond forest, add some overgrond cars and structures  in the background

Create a vibrant, high-resolution, surreal fashion portrait featuring a woman wearing an avant-garde outfit composed of oversized, plush, balloon-like flowers in bold, pastel colors. The flowers, arranged in a bouquet around her body, include a mix of exaggerated petals, buds, and leaves, with soft, rounded textures that make them appear both organic and sculptural. The ensemble bursts with shades of pink, red, orange, blue, and yellow, blending seamlessly to create a visually stunning, playful aesthetic. The woman, centered in the composition, wears a purple hoodie that contrasts with the vivid floral arrangement, with her face calm and serene, peeking out from the hood. The background is a smooth, soft pink gradient, enhancing the whimsical, dreamy feel of the scene. The lighting is even and diffused, softly illuminating the textures of the flowers and the fabric of the hoodie, creating gentle shadows that add depth to the composition. The scene should evoke a sense of surreal fashion, blending elements of nature with a modern, artistic twist. The overall design is polished, stylized, and visually engaging, capturing the contrast between the structured, sculptural forms of the flowers and the smooth simplicity of the background. Use a 9:16 aspect ratio for a vertical, immersive shot that emphasizes the tall, elongated arrangement of the bouquet

The image features a woman with an artistic and modern look. She has large, yellow-tinted sunglasses that add a retro flair. Her makeup is vibrant and colorful, with geometric patterns painted on her face using primary colors like red, blue, yellow, and black, creating a striking contrast. Her lips are glossy and have a natural pink tone. The woman's hair is styled in a soft, brown bob that frames her face. She wears a high-neck sweater with bold, horizontal stripes in various colors such as red, yellow, blue, and green, which complement the colorful theme of her makeup. Overall, the image has a very stylish and contemporary aesthetic, likely intended for a fashion or beauty editorial.

Setting: Use a medium-sized wooden or dark-toned basin filled with clean water. Scatter light pink daisy-like flowers evenly across the surface of the water for a soft, decorative touch. Feet Positioning: Place the feet gently in the water, slightly crossed for a relaxed and natural look. Ensure the legs are positioned elegantly, with one resting lightly over the other for a graceful effect. Additional Elements: Include smooth white stones at the bottom of the basin for texture and a spa-like feel. The stones should be visible through the water. Water Flow: Have a stream of water pouring into the basin from a wooden or natural-looking container. The pouring water should create a sense of motion and add a soothing, dynamic element to the image. Lighting: Use soft, warm lighting to highlight the skin tone and make the scene feel cozy and inviting. Avoid harsh shadows to maintain a serene spa-like ambiance. Composition: Frame the shot to focus primarily on the legs and feet, while capturing the flowers, water, and pouring stream in the background. Ensure the background is minimal to keep the attention on the subject.

Setting: Use a medium-sized wooden or dark-toned basin filled with clean water. Scatter light pink daisy-like flowers evenly across the surface of the water for a soft, decorative touch. Feet Positioning: Place the feet gently in the water, slightly crossed for a relaxed and natural look. Ensure the legs are positioned elegantly, with one resting lightly over the other for a graceful effect. Additional Elements: Include smooth white stones at the bottom of the basin for texture and a spa-like feel. The stones should be visible through the water. Water Flow: Have a stream of water pouring into the basin from a wooden or natural-looking container. The pouring water should create a sense of motion and add a soothing, dynamic element to the image. Lighting: Use soft, warm lighting to highlight the skin tone and make the scene feel cozy and inviting. Avoid harsh shadows to maintain a serene spa-like ambiance. Composition: Frame the shot to focus primarily on the legs and feet, while capturing the flowers, water, and pouring stream in the background. Ensure the background is minimal to keep the attention on the subject.

Neon ufo flying saucer hovering low over downtown Eugene,  Oregon; the style is a photograph-like, nearly realistic drawing.  the perspective is from the street level, centered looking down the street. Tint of the picture is a blue-green, dark but features on the buildings are still visible. the street lights glow an eerie pale yellow color, and shed soft light on the things around them;  the air is foggy, the street payment is wet, like it recently stopped raining. the flying saucer in antique, vintage-looking. shaped like a bell, but with more sections. underneath the outer third of the underside, there is a recessed ring that looks like it has gills. this part emits a green light from within the inside. in the center is an extruded porthole, for shooting energy beams. the flying saucer is covered in neon lights, as well as rings of small round lights. it has several speakers on it, in two rows, each consisting of either large or small speakers. the details are defined, and visible from the street.   

Create a picture to small feel that have some wrinkles in the arch and have a red christmas bow that hangs from each big toe and twinkle lights around the other toes. The feet need to be life like with red painted nails

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