Fakémon with a red

A grey ice, water type hybrid of a pig, wombat and ice dragon with ice around its head and neck and orange parts around its body including orange ears

Create a vibrant, high-resolution, surreal fashion portrait featuring a woman wearing an avant-garde outfit composed of oversized, plush, balloon-like flowers in bold, pastel colors. The flowers, arranged in a bouquet around her body, include a mix of exaggerated petals, buds, and leaves, with soft, rounded textures that make them appear both organic and sculptural. The ensemble bursts with shades of pink, red, orange, blue, and yellow, blending seamlessly to create a visually stunning, playful aesthetic. The woman, centered in the composition, wears a purple hoodie that contrasts with the vivid floral arrangement, with her face calm and serene, peeking out from the hood. The background is a smooth, soft pink gradient, enhancing the whimsical, dreamy feel of the scene. The lighting is even and diffused, softly illuminating the textures of the flowers and the fabric of the hoodie, creating gentle shadows that add depth to the composition. The scene should evoke a sense of surreal fashion, blending elements of nature with a modern, artistic twist. The overall design is polished, stylized, and visually engaging, capturing the contrast between the structured, sculptural forms of the flowers and the smooth simplicity of the background. Use a 9:16 aspect ratio for a vertical, immersive shot that emphasizes the tall, elongated arrangement of the bouquet

Big head cartoon character. Big head smaller body. Indian female in 30's, with longer hair, wearing a yellow shirt and red pants with shoes. Holding some books.

Cute image of a black and white French bulldog with a christmas ribbon tied around its neck with a large tag that is black. Background should be solid white and image should show full body of the dog.

Red cartoon-style dragon-like creature with a playful and friendly appearance. The first stage shows a small, chubby creature with a rounded body and small flame markings on its body, large eyes, and tiny claws. The second stage depicts a slightly larger version, more elongated with a slimmer body, more pronounced spikes along its back, and larger flames on its body. The third stage is a fully grown, sleek and muscular dragon with a streamlined body, prominent spikes, and large, vivid flames on its body, exuding a sense of strength and agility. The background is a simple, neutral color to emphasize the evolution stages.

Flamigo is a small bird with bright red feathers like dancing flames. Energetic and playful, it enjoys running around its trainer. Young Flamigos play with small embers they spit from their beaks. Its fiery crest glows intensely when excited or angry.

Tsurugi Demaaga is slightly larger and more imposing than its predecessor. Its body is more muscular and robust, with a build that suggests increased strength and power. Skin: The skin of Tsurugi Demaaga is a dark, almost metallic black or deep gray, with a glossy, hardened texture. The rocky, jagged protrusions that covered the original Demaaga are now more pronounced and sharper, resembling blades or swords jutting out from various parts of its body. Head and Face: The head of Tsurugi Demaaga is even more dragon-like, with a fearsome, sharp-edged appearance. The eyes glow a menacing red or orange, and its mouth is filled with razor-sharp teeth that are longer and more sword-like. The horns or spikes on its head are larger and more defined, giving it a more sinister and aggressive look. Arms and Claws: The arms of Tsurugi Demaaga are heavily armored, with the rocky outgrowths on its forearms resembling sharp blades or spikes. These arms end in massive, sword-like claws that can slice through almost any material with ease. The claws are longer and more refined than those of the original Demaaga, emphasizing their cutting power. Chest and Torso: Tsurugi Demaaga's chest is covered with large, armor-like plates that are sharper and more angular than before. The glowing, fiery cracks in its chest are more intense, pulsing with an ominous energy that suggests increased power. The overall look of the torso is more streamlined, resembling a suit of dark, battle-worn armor. Tail: The tail of Tsurugi Demaaga is longer and more whip-like, with several sword-like protrusions running along its length. The tail ends in a sharp, blade-like tip, making it a deadly weapon that can strike with precision and force. Legs and Feet: Its legs are thick and powerful, with spiked armor running down the sides. The feet are more clawed and resemble those of a predatory bird, adding to its lethal appearance. The legs are designed for both strength and agility, allowing it to move swiftly despite its massive size. 

Create a Pokemon using this information on Tsurug Demaaga Tsurugi Demaaga is slightly larger and more imposing than its predecessor. Its body is more muscular and robust, with a build that suggests increased strength and power. Skin: The skin of Tsurugi Demaaga is a dark, almost metallic black or deep gray, with a glossy, hardened texture. The rocky, jagged protrusions that covered the original Demaaga are now more pronounced and sharper, resembling blades or swords jutting out from various parts of its body. Head and Face: The head of Tsurugi Demaaga is even more dragon-like, with a fearsome, sharp-edged appearance. The eyes glow a menacing red or orange, and its mouth is filled with razor-sharp teeth that are longer and more sword-like. The horns or spikes on its head are larger and more defined, giving it a more sinister and aggressive look. Arms and Claws: The arms of Tsurugi Demaaga are heavily armored, with the rocky outgrowths on its forearms resembling sharp blades or spikes. These arms end in massive, sword-like claws that can slice through almost any material with ease. The claws are longer and more refined than those of the original Demaaga, emphasizing their cutting power. Chest and Torso: Tsurugi Demaaga's chest is covered with large, armor-like plates that are sharper and more angular than before. The glowing, fiery cracks in its chest are more intense, pulsing with an ominous energy that suggests increased power. The overall look of the torso is more streamlined, resembling a suit of dark, battle-worn armor. Tail: The tail of Tsurugi Demaaga is longer and more whip-like, with several sword-like protrusions running along its length. The tail ends in a sharp, blade-like tip, making it a deadly weapon that can strike with precision and force. Legs and Feet: Its legs are thick and powerful, with spiked armor running down the sides. The feet are more clawed and resemble those of a predatory bird, adding to its lethal appearance. The legs are designed for both strength and agility, allowing it to move swiftly despite its massive size.

One Piece anime character, long light blonde hair, curly, flowers in her hair, flowers are her dark power, demonic flowers, big neon pink eyes, very long eyelashes, flirty look, full red lips, wears a white dress with a leather corset belt at the waist. she has long leather boots and long leather gloves, in her ears are heavy brass earrings , full character full body siting on ship 

Neon ufo flying saucer hovering low over a street in downtown Eugene, Oregon, on a dark, wet, foggy night; the points of light from the flying saucer, the street lamps, and the stores' signs all glow brightly on an otherwise dark, foggy, and wet evening.   the composition of the image is of a street view; the perspective is centered in the road, looking down the street, as if the viewer is suspended in the air at the height of approximately one and a half to two stories above the street level. it is on dark and damp misty evening, on a deserted downtown avenue, with the street and city lights glowing all around and in the distance. the style is a photograph-like, nearly realistic modern anime-style rendering. with medium contrast and high definition of the buildings and objects in the foreground, but the definition gradually fades into the haze of the fog further down the road, looking into the distance. the air is foggy, the street payment is wet, like it recently stopped raining.  The Tint of the picture is a blue-green, dark but features on the buildings are still visible. the street lights are on poles that line both sides of the street and are vintage looking, the street light lamps glow an eerie pale yellow color (with a hint of light green), and shed soft light on the things around them, and cast light on the texture of the exteriors of the buildings. this gives the exteriors high contrast with the light and dark light. there are many points of city lights lining the street, from the foreground to the distant background, soft orbs, that are still visible through the fog.  the air is foggy, the street payment is wet, like it recently stopped raining. little bits of light reflect off of the wet surfaces.  the street is narrow, with stores and restaurants on both sides; hanging from the sides if the buildings are illuminated signs, various sizes and shapes, most but not all are vertically aligned and rectangular; some are circles, some are squares, some are more abstract shapes; some are logos. they hang placed at a height that starts from the top of the first story, and various heights above that. some are mounted flat on the exterior buildings' wall, some protrude perpendicularly from the building. there is at least one or two on the rooftops.  they glow with rich yellow light, neon, and occasionally tangerine orange, white, or green. the letters are bold, and stand out.  the stores have illuminated horizontally aligned panel-style signage above their windows, that vary in color, and about 2/3 of which are turned on. occasionally their will be small neon fixtures in the stores' windows. there are occasional trees that line the sides of the street, not many but a few; that appear like dark shapes with minimal detail and light reflection; the ones closer to the background are just silhouettes fading into the fog. in the very far, far background, the dark outline of the small mountain that  overlooks Eugene, Oregon (known as Spencers Butte) is visible; appearing faintly but shape is unmistakably part of the landscape.    the single flying saucer is hovering over the street, just a few dozen feet above the height of the rooftops. The perspective is more of the undercarriage than the top side, because of the angle in the viewers line of sight, but the body and the top side are also visible too.  The flyer saucer appears to be antique and vintage-looking. shaped like a bell, but with more sections. The body shape is similar to that of Darth Vader’s helmet from Star Wars.  Looking at the undercarriage from the underneath perspective, there is a  large grill section, shaped like a ring, recessed up into the saucer, that looks like it has well-defined gills similar to that of a mushroom. this part emanates an alien-like green glow from within the inside of the grill. in the center is an extruded barrel-shaped ring, short in height but wide in width, and it has a porthole in the center, that is open and glowing. the porthole is for shooting energy beams. the body of the flying saucer is covered in rings of neon lights, as well as rows of round lights in various sizes. there are also patterns of other shapes of lights on the exterior of the craft as well. most of the lights on the flying saucer are colored neon green, but there is also some neon orange, some bright pink, and some electric blue. The lights have a soft-edged glow from the fog in the air.  The edge of the body and undercarriage of the flying saucer has several external speakers on it, placed into two rows, each of which consists of either large or small speakers. the details of the flying saucer are clearly defined, the contrast is high, and visible from the street. the flying saucer is the most prominent object in the picture.   

A serene landscape unfolds, featuring a tranquil lake framed by vibrant autumn foliage that bursts with shades of orange, red, and yellow. In the foreground, a majestic tree with a twisting trunk and colorful leaves stands sentinel, its branches partially silhouetted against the luminous moon, which casts a soft glow on the water's surface. Along the lakeshore, a traditional pagoda-style structure nestles among smooth rocks, its illuminated windows reflecting warmly amidst the cool blues of the surrounding mountains. The scene is infused with an atmosphere of calm and beauty, evoking a sense of peaceful solitude in nature's splendid embrace. Rich colors and bold brush strokes contribute to a lively yet harmonious composition, inviting the viewer into a captivating moment of tranquility.

You are Sammy, an equine thief and Way Walker. You started your journey as a wyld elf slumrat, but have become a marefolk during the course of your travels. You are a hermaphrodite, standing 6'8" tall with a plush physique. Your kunoichi bodysuit is incredibly light, leaving you with greater freedom of movement than heavier apparel would allow. Your guard's cape flows behind you, billowing in the cold wind. Further up, your helm sits atop your head, helping protect your skull from enemy attacks. Meanwhile, your hands and feet are clad in royal gloves and kunoichi footwear respectively. Your face is that of an equine and is covered in black and brown striped fur. Underneath your fur, you have bronze skin. Overall, your visage has a jaw-droppingly feminine shape with bloated lips and long, beautiful eyelashes. Your eyes bear a vertical slit instead of rounded pupils, surrounded by a metallically glistening gold iris nestled within the pitch black depths of your sclera. The back-length, white hair on your head parts around a pair of very horse-like ears that grow up from your head. Your lusty mouth contains a humanoid tongue. Two horns protrude through the skin of your forehead. Each is about four inches in length and impossible to ignore. You have a humanoid upper body with the usual torso, arms, hands, and fingers, mostly covered in a layer of black and brown striped fur. Hard, hoof-like tips have grown in place of fingernails, covering the end of each digit in shiny black. You can still feel through them all the same. You have cow-like hips that make you look more like an animal waiting to be bred than any kind of human, and your gigantic butt is eye-catching in the extreme, wobbling hypnotically long after you stop moving. A long white horsetail hangs from your backside, smooth and shiny. Your legs are muscled and jointed oddly, covered in fur, and end in a pair of bestial hooves. Your middle would just barely push past the waistband of a pair of pants. It's a little bit of a muffin-top.

You are Sammy, an equine thief and Way Walker. You started your journey as a wyld elf slumrat, but have become a marefolk during the course of your travels. You are a hermaphrodite, standing 6'8" tall with a plush physique. Your kunoichi bodysuit is incredibly light, leaving you with greater freedom of movement than heavier apparel would allow. Your guard's cape flows behind you, billowing in the cold wind. Further up, your helm sits atop your head, helping protect your skull from enemy attacks. Meanwhile, your hands and feet are clad in royal gloves and kunoichi footwear respectively. Your face is that of an equine and is covered in black and brown striped fur. Underneath your fur, you have bronze skin. Overall, your visage has a jaw-droppingly feminine shape with bloated lips and long, beautiful eyelashes. Your eyes bear a vertical slit instead of rounded pupils, surrounded by a metallically glistening gold iris nestled within the pitch black depths of your sclera. The back-length, white hair on your head parts around a pair of very horse-like ears that grow up from your head. Your lusty mouth contains a humanoid tongue. Two horns protrude through the skin of your forehead. Each is about four inches in length and impossible to ignore. You have a humanoid upper body with the usual torso, arms, hands, and fingers, mostly covered in a layer of black and brown striped fur. Hard, hoof-like tips have grown in place of fingernails, covering the end of each digit in shiny black. You can still feel through them all the same. You have cow-like hips that make you look more like an animal waiting to be bred than any kind of human, and your gigantic butt is eye-catching in the extreme, wobbling hypnotically long after you stop moving. A long white horsetail hangs from your backside, smooth and shiny. Your legs are muscled and jointed oddly, covered in fur, and end in a pair of bestial hooves. Your middle would just barely push past the waistband of a pair of pants. It's a little bit of a muffin-top.

Neon ufo flying saucer hovering low over downtown Eugene, Oregon;   the image is of a street view; the perspective is centered in the road, looking down the street, as if the viewer is suspended in the air at the height of approximately one and a half to two stories above the street level. it is on dark and damp misty evening, on a deserted downtown avenue, with the street and city lights glowing all around and in the distance. the style is a photograph-like, nearly realistic modern anime-style rendering. with medium contrast and high definition of the buildings and objects in the foreground, but the definition gradually fades into the haze of the fog further down the road, looking into the distance. the air is foggy, the street payment is wet, like it recently stopped raining.  The Tint of the picture is a blue-green, dark but features on the buildings are still visible. the street lights are on poles that line both sides of the street and are vintage looking, the street light lamps glow an eerie pale yellow color (with a hint of light green), and shed soft light on the things around them, and cast light on the texture of the exteriors of the buildings. this gives the exteriors high contrast with the light and dark light. there are many points of city lights lining the street, from the foreground to the distant background, soft orbs, that are still visible through the fog.  the air is foggy, the street payment is wet, like it recently stopped raining. little bits of light reflect off of the wet surfaces.  the street is narrow, with stores and restaurants on both sides; hanging from the sides if the buildings are illuminated signs, various sizes and shapes, most but not all are vertically aligned and rectangular; some are circles, some are squares, some are more abstract shapes; some are logos. they hang placed at a height that starts from the top of the first story, and various heights above that. some are mounted flat on the exterior buildings' wall, some protrude perpendicularly from the building. there is at least one or two on the rooftops.  they glow with rich yellow light, neon, and occasionally tangerine orange, white, or green. the letters are bold, and stand out.  the stores have illuminated horizontally aligned panel-style signage above their windows, that vary in color, and about 2/3 of which are turned on. occasionally their will be small neon fixtures in the stores' windows. there are occasional trees that line the sides of the street, not many but a few; that appear like dark shapes with minimal detail and light reflection; the ones closer to the background are just silhouettes fading into the fog. in the very far, far background, the dark outline of the small mountain that  overlooks Eugene, Oregon (known as Spencers Butte) is visible; appearing faintly but shape is unmistakably part of the landscape.    the single flying saucer is hovering over the street, just a few dozen feet above the height of the rooftops. The perspective is more of the undercarriage than the top side, because of the angle in the viewers line of sight, but the body and the top side are also visible too.  The flyer saucer appears to be antique and vintage-looking. shaped like a bell, but with more sections. The body shape is similar to that of Darth Vader’s helmet from Star Wars.  Looking at the undercarriage from the underneath perspective, there is a  large grill section, shaped like a ring, recessed up into the saucer, that looks like it has well-defined gills similar to that of a mushroom. this part emanates an alien-like green glow from within the inside of the grill. in the center is an extruded barrel-shaped ring, short in height but wide in width, and it has a porthole in the center, that is open and glowing. the porthole is for shooting energy beams. the body of the flying saucer is covered in rings of neon lights, as well as rows of round lights in various sizes. there are also patterns of other shapes of lights on the exterior of the craft as well. most of the lights on the flying saucer are colored neon green, but there is also some neon orange, some bright pink, and some electric blue. The lights have a soft-edged glow from the fog in the air.  The edge of the body and undercarriage of the flying saucer has several external speakers on it, placed into two rows, each of which consists of either large or small speakers. the details of the flying saucer are clearly defined, the contrast is high, and visible from the street. the flying saucer is the most prominent object in the picture.   

Neon ufo flying saucer hovering low over a street in downtown Eugene, Oregon, on a dark, wet, foggy night; the points of light from the flying saucer, the street lamps, and the stores' signs all glow brightly on an otherwise dark, foggy, and wet evening.   the composition of the image is of a street view; the perspective is centered in the road, looking down the street, as if the viewer is suspended in the air at the height of approximately one and a half to two stories above the street level. it is on dark and damp misty evening, on a deserted downtown avenue, with the street and city lights glowing all around and in the distance. the style is a photograph-like, nearly realistic modern anime-style rendering. with medium contrast and high definition of the buildings and objects in the foreground, but the definition gradually fades into the haze of the fog further down the road, looking into the distance. the air is foggy, the street payment is wet, like it recently stopped raining.  The Tint of the picture is a blue-green, dark but features on the buildings are still visible. the street lights are on poles that line both sides of the street and are vintage looking, the street light lamps glow an eerie pale yellow color (with a hint of light green), and shed soft light on the things around them, and cast light on the texture of the exteriors of the buildings. this gives the exteriors high contrast with the light and dark light. there are many points of city lights lining the street, from the foreground to the distant background, soft orbs, that are still visible through the fog.  the air is foggy, the street payment is wet, like it recently stopped raining. little bits of light reflect off of the wet surfaces.  the street is narrow, with stores and restaurants on both sides; hanging from the sides if the buildings are illuminated signs, various sizes and shapes, most but not all are vertically aligned and rectangular; some are circles, some are squares, some are more abstract shapes; some are logos. they hang placed at a height that starts from the top of the first story, and various heights above that. some are mounted flat on the exterior buildings' wall, some protrude perpendicularly from the building. there is at least one or two on the rooftops.  they glow with rich yellow light, neon, and occasionally tangerine orange, white, or green. the letters are bold, and stand out.  the stores have illuminated horizontally aligned panel-style signage above their windows, that vary in color, and about 2/3 of which are turned on. occasionally their will be small neon fixtures in the stores' windows. there are occasional trees that line the sides of the street, not many but a few; that appear like dark shapes with minimal detail and light reflection; the ones closer to the background are just silhouettes fading into the fog. in the very far, far background, the dark outline of the small mountain that  overlooks Eugene, Oregon (known as Spencers Butte) is visible; appearing faintly but shape is unmistakably part of the landscape.    the single flying saucer is hovering over the street, just a few dozen feet above the height of the rooftops. The perspective is more of the undercarriage than the top side, because of the angle in the viewers line of sight, but the body and the top side are also visible too.  The flyer saucer appears to be antique and vintage-looking. shaped like a bell, but with more sections. The body shape is similar to that of Darth Vader’s helmet from Star Wars.  Looking at the undercarriage from the underneath perspective, there is a  large grill section, shaped like a ring, recessed up into the saucer, that looks like it has well-defined gills similar to that of a mushroom. this part emanates an alien-like green glow from within the inside of the grill. in the center is an extruded barrel-shaped ring, short in height but wide in width, and it has a porthole in the center, that is open and glowing. the porthole is for shooting energy beams. the body of the flying saucer is covered in rings of neon lights, as well as rows of round lights in various sizes. there are also patterns of other shapes of lights on the exterior of the craft as well. most of the lights on the flying saucer are colored neon green, but there is also some neon orange, some bright pink, and some electric blue. The lights have a soft-edged glow from the fog in the air.  The edge of the body and undercarriage of the flying saucer has several external speakers on it, placed into two rows, each of which consists of either large or small speakers. the details of the flying saucer are clearly defined, the contrast is high, and visible from the street. the flying saucer is the most prominent object in the picture.   

Create a picture to small feel that have some wrinkles in the arch and have a red christmas bow that hangs from each big toe and twinkle lights around the other toes. The feet need to be life like with red painted nails