famous paintings of jesus

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Enhanced PromptLeonardo da Vinci's The Last Supper, iconic mural painting, 460 x 880 cm, tempera and oil on dry wall, Jesus and twelve apostles seated at a long table, emotive expressions, dramatic hand gestures, simple yet powerful composition, chiaroscuro lighting, Jesus at the center, breaking bread, initiating the Eucharist, Peter, Jesus' closest confidant, seated to his right, Judas Iscariot, betrayer, reaching for the bread at the same time, foreshadowing the betrayal, Jesus' calm demeanor, contrasted with the apostles' animated reactions, masterful use of perspective, creating a sense of depth, innovative technique, sfumato, softening the subjects' features, imbuing the scene with a sense of volume and atmosphere, Milan, Italy, 1495-1498, Renaissance art, masterpiece of composition and emotional depth. Caravaggio's The Calling of St. Matthew, oil on canvas, 322 x 340 cm, Jesus and Matthew, dramatic lighting, intense emotions, everyday people, models, innovative composition, Jesus' hand, extended, beckoning Matthew, Peter, looking on, Jesus' face, gentle, compassionate, Matthew's expression, one of surprise, reluctance, chiaroscuro, strong contrasts, dramatic shadows, highlighting the emotions, Rome, Italy, 1599-1600, Baroque art, innovative use of light and shadow. Hans Holbein the Younger's The Body of the Dead Christ in the Tomb, oil and tempera on panel, 30.5 x 200 cm, Jesus' lifeless body, stretched out, emaciated, gaunt, eerie greenish-gray skin, wounds, visible, prominent, dramatic lighting, intense emotions, stark realism, Jesus' face, contorted, anguished, peaceful, serene, contrasting emotions, masterful use of chiaroscuro, strong contrasts, dramatic shadows, highlighting the drama, Basel, Switzerland, 1520-1522, Northern Renaissance art, masterpiece of emotional depth and realism. Diego Velázquez's Christ in the House of Martha and Mary, oil on canvas, 60 x 103.5 cm, Jesus, seated, center, Martha, standing, left, Mary, seated, right, innovative composition, dramatic lighting, intense emotions, Jesus' face, gentle, compassionate, Martha's expression, one of concern, Mary's face, serene, peaceful, chiaroscuro, strong contrasts, dramatic shadows, highlighting the emotions, Seville, Spain, 1618, Baroque art, innovative use of light and shadow. Rembrandt van Rijn's The Raising of Lazarus, oil on panel, 96.4 x 81.9 cm, Jesus, standing, center, Lazarus, rising, left, Martha, Mary, kneeling, right, dramatic lighting, intense emotions, Jesus' face, gentle, compassionate, Lazarus' expression, one of surprise, gratitude, Martha's face, tearful, Mary's face, serene, peaceful, chiaroscuro, strong contrasts, dramatic shadows, highlighting the drama, Amsterdam, Netherlands, 1630-1632, Dutch Golden Age art, masterpiece of emotional depth and drama. Andrea Mantegna's The Dead Christ, tempera on panel, 68 x 81 cm, Jesus' lifeless body, stretched out, emaciated, gaunt, eerie greenish-gray skin, wounds, visible, prominent, dramatic lighting, intense emotions, stark realism, Jesus' face, contorted, anguished, peaceful, serene, contrasting emotions, masterful use of chiaroscuro, strong contrasts, dramatic shadows, highlighting the drama, Milan, Italy, 1480, Early Renaissance art, masterpiece of emotional depth and realism. Rogier van der Weyden's The Descent from the Cross, oil on panel, 220 x 262 cm, Jesus, lifeless body, stretched out, emaciated, gaunt, eerie greenish-gray skin, wounds, visible, prominent, dramatic lighting, intense emotions, stark realism, Jesus' face, contorted, anguished, peaceful, serene, contrasting emotions, masterful use of chiaroscuro, strong contrasts, dramatic shadows, highlighting the drama, Madrid, Spain, 1435, Early Netherlandish art, masterpiece of emotional depth and realism. Matthias Grünewald's Isenheim Altarpiece, oil on panel, 269 x 307 cm, Jesus, crucified, center, Mary, kneeling, left, John the Baptist, standing, right, dramatic lighting, intense emotions, Jesus' face, contorted, anguished, peaceful, serene, contrasting emotions, masterful use of chiaroscuro, strong contrasts, dramatic shadows, highlighting the drama, Colmar, France, 1512-1516, Northern Renaissance art, masterpiece of emotional depth and drama. Albrecht Dürer's The Crucifixion, wood

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