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A pretty Black female barista stands in front of the coffee shop cash register and a tip jar. Inside the tip jar are a few dollar bills and a folded pink piece of paper. The barista looks puzzled because she doesn't know who is leaving her notes in the tip jar. In the background, a handsome Black man is sitting at one of the coffee shop tables, watching the barista.

A pretty Black female barista wearing a short sleeve white shirt stands in front of the coffee shop cash register and a tip jar. Inside the tip jar are a few dollar bills and a folded pink piece of paper. The barista is taking the pink paper from the tip jar, not smiling but instead she is looking puzzled because she doesn't know who is leaving her notes in the tip jar. In the background, show the handsome Black man is sitting at one of the coffee shop tables, watching the barista.

A pretty Black female barista stands in front of the coffee shop cash register and a tip jar. Inside the tip jar are a few dollar bills and a folded pink piece of paper. The barista is taking the pink paper from the tip jar, not smiling but instead she is looking puzzled because she doesn't know who is leaving her notes in the tip jar. In the background, show the handsome Black man is sitting at one of the coffee shop tables, watching the barista.

A pretty Black female barista stands in front of the coffee shop cash register and a tip jar. Inside the tip jar are a few dollar bills and a folded pink piece of paper. The barista is taking the pink paper from the tip jar, looking puzzled because she doesn't know who is leaving her notes in the tip jar. In the background, a handsome Black man is sitting at one of the coffee shop tables, watching the barista.

A white man stands between a petite white woman with blonde hair in a casual dress and a slightly taller Hispanic woman with dark hair in a fashionable dress. Both women look at him and he looks straight ahead.

A white man stands between a petite white woman in a casual dress and a slightly taller Hispanic woman in a fashionable dress. Both women look at him and he looks straight ahead.

A photo-realistic image of a young African-American woman who is a server in an exclusive night club wearing a black dress and her hair is shoulder-length and curly. Her employer is an African-American man dressed in a tuxedo and his hair is cut close to the scalp. She is carrying a tray of drinks and looks pensive. He stands off to the side and looks at her. They are not interacting.

Neon ufo flying saucer hovering low over a street in downtown Eugene, Oregon, on a dark, wet, foggy night; the points of light from the flying saucer, the street lamps, and the stores' signs all glow brightly on an otherwise dark, foggy, and wet evening.   the composition of the image is of a street view; the perspective is centered in the road, looking down the street, as if the viewer is suspended in the air at the height of approximately one and a half to two stories above the street level. it is on dark and damp misty evening, on a deserted downtown avenue, with the street and city lights glowing all around and in the distance. the style is a photograph-like, nearly realistic modern anime-style rendering. with medium contrast and high definition of the buildings and objects in the foreground, but the definition gradually fades into the haze of the fog further down the road, looking into the distance. the air is foggy, the street payment is wet, like it recently stopped raining.  The Tint of the picture is a blue-green, dark but features on the buildings are still visible. the street lights are on poles that line both sides of the street and are vintage looking, the street light lamps glow an eerie pale yellow color (with a hint of light green), and shed soft light on the things around them, and cast light on the texture of the exteriors of the buildings. this gives the exteriors high contrast with the light and dark light. there are many points of city lights lining the street, from the foreground to the distant background, soft orbs, that are still visible through the fog.  the air is foggy, the street payment is wet, like it recently stopped raining. little bits of light reflect off of the wet surfaces.  the street is narrow, with stores and restaurants on both sides; hanging from the sides if the buildings are illuminated signs, various sizes and shapes, most but not all are vertically aligned and rectangular; some are circles, some are squares, some are more abstract shapes; some are logos. they hang placed at a height that starts from the top of the first story, and various heights above that. some are mounted flat on the exterior buildings' wall, some protrude perpendicularly from the building. there is at least one or two on the rooftops.  they glow with rich yellow light, neon, and occasionally tangerine orange, white, or green. the letters are bold, and stand out.  the stores have illuminated horizontally aligned panel-style signage above their windows, that vary in color, and about 2/3 of which are turned on. occasionally their will be small neon fixtures in the stores' windows. there are occasional trees that line the sides of the street, not many but a few; that appear like dark shapes with minimal detail and light reflection; the ones closer to the background are just silhouettes fading into the fog. in the very far, far background, the dark outline of the small mountain that  overlooks Eugene, Oregon (known as Spencers Butte) is visible; appearing faintly but shape is unmistakably part of the landscape.    the single flying saucer is hovering over the street, just a few dozen feet above the height of the rooftops. The perspective is more of the undercarriage than the top side, because of the angle in the viewers line of sight, but the body and the top side are also visible too.  The flyer saucer appears to be antique and vintage-looking. shaped like a bell, but with more sections. The body shape is similar to that of Darth Vader’s helmet from Star Wars.  Looking at the undercarriage from the underneath perspective, there is a  large grill section, shaped like a ring, recessed up into the saucer, that looks like it has well-defined gills similar to that of a mushroom. this part emanates an alien-like green glow from within the inside of the grill. in the center is an extruded barrel-shaped ring, short in height but wide in width, and it has a porthole in the center, that is open and glowing. the porthole is for shooting energy beams. the body of the flying saucer is covered in rings of neon lights, as well as rows of round lights in various sizes. there are also patterns of other shapes of lights on the exterior of the craft as well. most of the lights on the flying saucer are colored neon green, but there is also some neon orange, some bright pink, and some electric blue. The lights have a soft-edged glow from the fog in the air.  The edge of the body and undercarriage of the flying saucer has several external speakers on it, placed into two rows, each of which consists of either large or small speakers. the details of the flying saucer are clearly defined, the contrast is high, and visible from the street. the flying saucer is the most prominent object in the picture.   

Two young female best friends matching small bathing suits

Female best friends matching small bathing suits

The driver's seat appears empty at first. Then, the honk of the horn stopes as an older homeless man, ZACK (55-60), lift his head up from the wheel. In the alley behind the window of the house across the street, a man draws the curtain and looks out into the alley and the car parked. Inside the truck He seems high from the drug that he used. In his hand there is a knife that he used for opening his crack cocaine. His disheveled beard and weary eyes tell of a hard life. His clothes—two mismatched button-up shirts (one blue, one red), faded jeans, and worn-out boots—hang loosely on his thin frame.

A furrow which is 11-1/2 inches long and which ranges from 1/2 to 1-1/2 inch wide almost completely encircles the neck. The bed of the furrow is dried, tan, and abraded on the left side of the neck and shows pallor of the livor on the right. There are several slightly oblique red-tan abrasions on the left jawline at the superior edge of the furrow (3-1/2 x 3/8 inches) and on the lateral right neck at the inferior edge of the furrow (approximately 2 x 1/2 inches). The lowest point of the furrow is on the anterolateral left neck at 9-3/4 inches below the top of the head. On the right side of the neck the furrow is directed sharply upward and posteriorly; the highest point of the furrow is on the right occipital scalp at 5-1/2 inches below the top of the head. There are occasional, large red purple petechiae of the bulbar surface of the conjunctiva on the right eye. A layered in situ examination of the soft tissues and structures of the anterior neck reveals focal purple hemorrhage at the upper attachment of the left sternothyroid and thyrohyoid muscles. OTHER INJURIES - Upper and posterior scalp, left side of the face, and upper left back with a few tiny, purple-brown, and slightly crusted abrasions. - Posterior neck with an approximately 1-1/4 x 1/2 inch area containing patchy purple contusion. - Lower abdomen and left flank with a few, up to 3/4 inch, dried brown abrasions. - Upper left shoulder with a 1-1/2 x 3/4 inch brown abraded contusion. - Upper left chest with a 1-1/4 inch curvilinear brown abrasion. - Medial right arm and elbow with a few, up to 3/8 inch small brown and red-purple abrasions. - Ventral right forearm with a 4 x 2-1/2 inch area with several up to 1/2 inch irregular dried purplebrown abrasions. - Base of the penis and right scrotal sac with a few tiny dark red-brown abrasions. - Lateral left elbow with an approximately 3/16 x 1/4 inch dark purple contusion. - Left antecubital fossa with an approximately 2 x 1 inch area containing dried red abrasion. - Ventral left forearm with at least four, longitudinally-oriented, dried, dark purple abrasions which measure up to 4-1/2 inches in greatest dimension. - Left antecubital fossa and ventral left forearm with a few apparent purple puncture marks. - Left arm, elbow, and forearm with several scattered tiny red-purple abrasions. - Anterior knees and legs with dark purple abrasions measuring up to 7/8 inch in greatest dimension. - Medial right foot with a small red abrasion.

Line drawing cartoon sytle in black and white. 90 degree side view of a small convertable car. One driver in the car who looks like Tintin. He puts his elbow on the car door. Road is a dirt road. Moon and star on the background.

Line drawing cartoon sytle in black and white. 90 degree side view of a small convertable car. Driver who looks like Tintin is driving. He is wearing a yellow t-shirt. He puts his elbow on the car door. Road is a dirt road. There is sun, moon and star in the background

Line drawing cartoon sytle in black and white. side view of a small convertable car. Driver who looks like Tintin is driving. He is wearing a yellow t-shirt. He puts his elbow on the car door.

Line drawing cartoon sytle. side view of an convertable car. Man who looks like Tintin puts his elbow on the car door.