friends hanging out

Neon ufo flying saucer hovering low over a street in downtown Eugene, Oregon, on a dark, wet, foggy night; the points of light from the flying saucer, the street lamps, and the stores' signs all glow brightly on an otherwise dark, foggy, and wet evening.   the composition of the image is of a street view; the perspective is centered in the road, looking down the street, as if the viewer is suspended in the air at the height of approximately one and a half to two stories above the street level. it is on dark and damp misty evening, on a deserted downtown avenue, with the street and city lights glowing all around and in the distance. the style is a photograph-like, nearly realistic modern anime-style rendering. with medium contrast and high definition of the buildings and objects in the foreground, but the definition gradually fades into the haze of the fog further down the road, looking into the distance. the air is foggy, the street payment is wet, like it recently stopped raining.  The Tint of the picture is a blue-green, dark but features on the buildings are still visible. the street lights are on poles that line both sides of the street and are vintage looking, the street light lamps glow an eerie pale yellow color (with a hint of light green), and shed soft light on the things around them, and cast light on the texture of the exteriors of the buildings. this gives the exteriors high contrast with the light and dark light. there are many points of city lights lining the street, from the foreground to the distant background, soft orbs, that are still visible through the fog.  the air is foggy, the street payment is wet, like it recently stopped raining. little bits of light reflect off of the wet surfaces.  the street is narrow, with stores and restaurants on both sides; hanging from the sides if the buildings are illuminated signs, various sizes and shapes, most but not all are vertically aligned and rectangular; some are circles, some are squares, some are more abstract shapes; some are logos. they hang placed at a height that starts from the top of the first story, and various heights above that. some are mounted flat on the exterior buildings' wall, some protrude perpendicularly from the building. there is at least one or two on the rooftops.  they glow with rich yellow light, neon, and occasionally tangerine orange, white, or green. the letters are bold, and stand out.  the stores have illuminated horizontally aligned panel-style signage above their windows, that vary in color, and about 2/3 of which are turned on. occasionally their will be small neon fixtures in the stores' windows. there are occasional trees that line the sides of the street, not many but a few; that appear like dark shapes with minimal detail and light reflection; the ones closer to the background are just silhouettes fading into the fog. in the very far, far background, the dark outline of the small mountain that  overlooks Eugene, Oregon (known as Spencers Butte) is visible; appearing faintly but shape is unmistakably part of the landscape.    the single flying saucer is hovering over the street, just a few dozen feet above the height of the rooftops. The perspective is more of the undercarriage than the top side, because of the angle in the viewers line of sight, but the body and the top side are also visible too.  The flyer saucer appears to be antique and vintage-looking. shaped like a bell, but with more sections. The body shape is similar to that of Darth Vader’s helmet from Star Wars.  Looking at the undercarriage from the underneath perspective, there is a  large grill section, shaped like a ring, recessed up into the saucer, that looks like it has well-defined gills similar to that of a mushroom. this part emanates an alien-like green glow from within the inside of the grill. in the center is an extruded barrel-shaped ring, short in height but wide in width, and it has a porthole in the center, that is open and glowing. the porthole is for shooting energy beams. the body of the flying saucer is covered in rings of neon lights, as well as rows of round lights in various sizes. there are also patterns of other shapes of lights on the exterior of the craft as well. most of the lights on the flying saucer are colored neon green, but there is also some neon orange, some bright pink, and some electric blue. The lights have a soft-edged glow from the fog in the air.  The edge of the body and undercarriage of the flying saucer has several external speakers on it, placed into two rows, each of which consists of either large or small speakers. the details of the flying saucer are clearly defined, the contrast is high, and visible from the street. the flying saucer is the most prominent object in the picture.   

Neon ufo flying saucer hovering low over downtown Eugene, Oregon;   the image is of a street view; the perspective is centered in the road, looking down the street, as if the viewer is suspended in the air at the height of approximately one and a half to two stories above the street level. it is on dark and damp misty evening, on a deserted downtown avenue, with the street and city lights glowing all around and in the distance. the style is a photograph-like, nearly realistic modern anime-style rendering. with medium contrast and high definition of the buildings and objects in the foreground, but the definition gradually fades into the haze of the fog further down the road, looking into the distance. the air is foggy, the street payment is wet, like it recently stopped raining.  The Tint of the picture is a blue-green, dark but features on the buildings are still visible. the street lights are on poles that line both sides of the street and are vintage looking, the street light lamps glow an eerie pale yellow color (with a hint of light green), and shed soft light on the things around them, and cast light on the texture of the exteriors of the buildings. this gives the exteriors high contrast with the light and dark light. there are many points of city lights lining the street, from the foreground to the distant background, soft orbs, that are still visible through the fog.  the air is foggy, the street payment is wet, like it recently stopped raining. little bits of light reflect off of the wet surfaces.  the street is narrow, with stores and restaurants on both sides; hanging from the sides if the buildings are illuminated signs, various sizes and shapes, most but not all are vertically aligned and rectangular; some are circles, some are squares, some are more abstract shapes; some are logos. they hang placed at a height that starts from the top of the first story, and various heights above that. some are mounted flat on the exterior buildings' wall, some protrude perpendicularly from the building. there is at least one or two on the rooftops.  they glow with rich yellow light, neon, and occasionally tangerine orange, white, or green. the letters are bold, and stand out.  the stores have illuminated horizontally aligned panel-style signage above their windows, that vary in color, and about 2/3 of which are turned on. occasionally their will be small neon fixtures in the stores' windows. there are occasional trees that line the sides of the street, not many but a few; that appear like dark shapes with minimal detail and light reflection; the ones closer to the background are just silhouettes fading into the fog. in the very far, far background, the dark outline of the small mountain that  overlooks Eugene, Oregon (known as Spencers Butte) is visible; appearing faintly but shape is unmistakably part of the landscape.    the single flying saucer is hovering over the street, just a few dozen feet above the height of the rooftops. The perspective is more of the undercarriage than the top side, because of the angle in the viewers line of sight, but the body and the top side are also visible too.  The flyer saucer appears to be antique and vintage-looking. shaped like a bell, but with more sections. The body shape is similar to that of Darth Vader’s helmet from Star Wars.  Looking at the undercarriage from the underneath perspective, there is a  large grill section, shaped like a ring, recessed up into the saucer, that looks like it has well-defined gills similar to that of a mushroom. this part emanates an alien-like green glow from within the inside of the grill. in the center is an extruded barrel-shaped ring, short in height but wide in width, and it has a porthole in the center, that is open and glowing. the porthole is for shooting energy beams. the body of the flying saucer is covered in rings of neon lights, as well as rows of round lights in various sizes. there are also patterns of other shapes of lights on the exterior of the craft as well. most of the lights on the flying saucer are colored neon green, but there is also some neon orange, some bright pink, and some electric blue. The lights have a soft-edged glow from the fog in the air.  The edge of the body and undercarriage of the flying saucer has several external speakers on it, placed into two rows, each of which consists of either large or small speakers. the details of the flying saucer are clearly defined, the contrast is high, and visible from the street. the flying saucer is the most prominent object in the picture.   

Neon ufo flying saucer hovering low over a street in downtown Eugene, Oregon, on a dark, wet, foggy night; the points of light from the flying saucer, the street lamps, and the stores' signs all glow brightly on an otherwise dark, foggy, and wet evening.   the composition of the image is of a street view; the perspective is centered in the road, looking down the street, as if the viewer is suspended in the air at the height of approximately one and a half to two stories above the street level. it is on dark and damp misty evening, on a deserted downtown avenue, with the street and city lights glowing all around and in the distance. the style is a photograph-like, nearly realistic modern anime-style rendering. with medium contrast and high definition of the buildings and objects in the foreground, but the definition gradually fades into the haze of the fog further down the road, looking into the distance. the air is foggy, the street payment is wet, like it recently stopped raining.  The Tint of the picture is a blue-green, dark but features on the buildings are still visible. the street lights are on poles that line both sides of the street and are vintage looking, the street light lamps glow an eerie pale yellow color (with a hint of light green), and shed soft light on the things around them, and cast light on the texture of the exteriors of the buildings. this gives the exteriors high contrast with the light and dark light. there are many points of city lights lining the street, from the foreground to the distant background, soft orbs, that are still visible through the fog.  the air is foggy, the street payment is wet, like it recently stopped raining. little bits of light reflect off of the wet surfaces.  the street is narrow, with stores and restaurants on both sides; hanging from the sides if the buildings are illuminated signs, various sizes and shapes, most but not all are vertically aligned and rectangular; some are circles, some are squares, some are more abstract shapes; some are logos. they hang placed at a height that starts from the top of the first story, and various heights above that. some are mounted flat on the exterior buildings' wall, some protrude perpendicularly from the building. there is at least one or two on the rooftops.  they glow with rich yellow light, neon, and occasionally tangerine orange, white, or green. the letters are bold, and stand out.  the stores have illuminated horizontally aligned panel-style signage above their windows, that vary in color, and about 2/3 of which are turned on. occasionally their will be small neon fixtures in the stores' windows. there are occasional trees that line the sides of the street, not many but a few; that appear like dark shapes with minimal detail and light reflection; the ones closer to the background are just silhouettes fading into the fog. in the very far, far background, the dark outline of the small mountain that  overlooks Eugene, Oregon (known as Spencers Butte) is visible; appearing faintly but shape is unmistakably part of the landscape.    the single flying saucer is hovering over the street, just a few dozen feet above the height of the rooftops. The perspective is more of the undercarriage than the top side, because of the angle in the viewers line of sight, but the body and the top side are also visible too.  The flyer saucer appears to be antique and vintage-looking. shaped like a bell, but with more sections. The body shape is similar to that of Darth Vader’s helmet from Star Wars.  Looking at the undercarriage from the underneath perspective, there is a  large grill section, shaped like a ring, recessed up into the saucer, that looks like it has well-defined gills similar to that of a mushroom. this part emanates an alien-like green glow from within the inside of the grill. in the center is an extruded barrel-shaped ring, short in height but wide in width, and it has a porthole in the center, that is open and glowing. the porthole is for shooting energy beams. the body of the flying saucer is covered in rings of neon lights, as well as rows of round lights in various sizes. there are also patterns of other shapes of lights on the exterior of the craft as well. most of the lights on the flying saucer are colored neon green, but there is also some neon orange, some bright pink, and some electric blue. The lights have a soft-edged glow from the fog in the air.  The edge of the body and undercarriage of the flying saucer has several external speakers on it, placed into two rows, each of which consists of either large or small speakers. the details of the flying saucer are clearly defined, the contrast is high, and visible from the street. the flying saucer is the most prominent object in the picture.   

Hello my name Willie carter, i am 21 years old. This is my last semester before I graduate I am very excited. I enjoy playing basketball, playing video gmaes, sometimes going out and partying with friends. I'm the oldest out of my two brothers 

Title: Thumper's Great Adventure In a quiet meadow at the edge of a dense forest, there lived a curious rabbit named Thumper. Unlike the other rabbits in his warren, Thumper was always eager to explore the world beyond the familiar grassy fields and flower patches. His friends often teased him about his adventurous spirit, but Thumper didn't mind. He loved discovering new things and meeting new friends. One sunny morning, while the dew still glistened on the grass, Thumper decided to venture deeper into the forest than he ever had before. As he hopped along the winding paths, he marveled at the towering trees and the symphony of birds chirping overhead. Suddenly, Thumper heard a soft rustling sound in the bushes. Curious, he stopped and peered through the leaves. To his surprise, he saw a small, frightened squirrel tangled in a pile of twigs and vines. Without hesitation, Thumper hopped over and began to nibble and tug at the branches, freeing the squirrel. "Thank you so much," the squirrel squeaked. "I'm Squeaky. I got caught while looking for acorns." "I'm Thumper," the rabbit replied with a warm smile. "It's nice to meet you, Squeaky. Do you want to join me on my adventure?" Squeaky nodded enthusiastically, and the two new friends continued through the forest together. As they explored, they encountered a babbling brook, where they stopped for a drink and played in the cool water. They climbed over fallen logs and discovered a hidden grove filled with colorful wildflowers. As the sun began to set, casting golden hues across the sky, Thumper and Squeaky realized they were far from home. Though the forest was now bathed in shadows, Thumper remained calm. He remembered the way back by tracing the path of his own paw prints in the soft earth. With Squeaky by his side, Thumper found his way out of the forest and back to the meadow. When they finally reached the edge of the forest, Thumper's friends were waiting for him, relieved and excited to hear about his adventure. From that day on, Thumper's friends were inspired by his courage and curiosity. Together, they embarked on many adventures, discovering new wonders and making new friends along the way. And Thumper? He learned that the world was a big, beautiful place, full of surprises and friendships waiting to be made.

A bouquet of blue peonies and white roses sitting in a window that looks out on a peaceful lake in the woods 

A middle-aged black african man wearing an oversized dirty old hoodie with holes all over it  leaning against the smooth concrete pillars of a shopping mall called EastGate Mall with his hand stretched out  toward passing strangers, asking them for help. add Teenagers laughing behind their tinted sunglasses and Mothers pulling  their children away as if he carried disease

A middle-aged black african man wearing an oversized dirty old hoodie with holes all over it  leaning against the smooth concrete pillars of a shopping mall called EastGate Mall.  He’d stretch out his trembling hand toward passing strangers, hoping for a coin. Teenagers laughed behind their tinted sunglasses. Mothers pulled their children away as if he carried disease

In the animation style of “The Simpsons”, a scene shows Homer Simpson sitting in the iconic Simpsons kitchen. It’s a sunny morning, soft yellow light fills the room. Homer looks tired, wearing his usual white shirt, slowly sipping from a steaming mug of coffee. He blinks lazily and lets out a satisfied sigh. The animation is smooth, colorful, and has the classic 2D cartoon look of the show.

A Retro polaroid Wanted Poster from The California Department of Justice Circa 1986 for Eduardo Duarte a Curcaouan American who sold out the Greenpeace Vessel The Rainbow Warrior To The French Government in 1984

Shinzon of Remus looks dazed and confused as he stumbled out of his Crashed Romulan Scout ship it's July 27 1947 Shinzon escaping the Dominion ended up traveling back in time becomes the Alien who crashed at Roswell New Mexico

Alternative history:It's July 4th 1999 Independence Day famed Filipino Action Star and Film Legend Joseph Estrada is at his Hacienda in The Sleepy Oklahoma Town of Wynnewood hosting a Barbecue with family and friends he is thinking about running in the mayoral race next year as a candidate on the independent party ticket he's wearing a green shirt and Black cargo shorts on his wrist is a Casio watch he's wearing his iconic blues brothers style sunglasses the words Wynnewood Oklahoma Parks and Recreation Department are in bright White lettering as he holds a bottle of Mexican style Seven up made with cane sugar the sky is blue sunny and perfect, it's a balmy 78°F

Chen Kenichi purposing to Guinevere Beck whilst enjoying a holiday in Lake Placid New York Chen Kenichi is wearing his 1980 winter Olympics sweater and Guinevere Beck is wearing a Vintage Mellow Yellow T shirt and Green Cargo pants her hair up in a bun she is overcome with happiness as he purposed , Joe Goldberg watches from behind a nearby tree unaware he's about to be taken out by Iron Chef Michiba pure comedy gold

Create a vibrant, high-resolution, surreal fashion portrait featuring a woman wearing an avant-garde outfit composed of oversized, plush, balloon-like flowers in bold, pastel colors. The flowers, arranged in a bouquet around her body, include a mix of exaggerated petals, buds, and leaves, with soft, rounded textures that make them appear both organic and sculptural. The ensemble bursts with shades of pink, red, orange, blue, and yellow, blending seamlessly to create a visually stunning, playful aesthetic. The woman, centered in the composition, wears a purple hoodie that contrasts with the vivid floral arrangement, with her face calm and serene, peeking out from the hood. The background is a smooth, soft pink gradient, enhancing the whimsical, dreamy feel of the scene. The lighting is even and diffused, softly illuminating the textures of the flowers and the fabric of the hoodie, creating gentle shadows that add depth to the composition. The scene should evoke a sense of surreal fashion, blending elements of nature with a modern, artistic twist. The overall design is polished, stylized, and visually engaging, capturing the contrast between the structured, sculptural forms of the flowers and the smooth simplicity of the background. Use a 9:16 aspect ratio for a vertical, immersive shot that emphasizes the tall, elongated arrangement of the bouquet

Feet in black heels with one leg crossed over the other and point your toes. The curve of your arch peeking out from your heels

Imagine a black and White photo in dieselpunk style of a man in a balcony lookjng out on a Metropolitan Skyline with a zeppelin flying above It.