Puli Kali also known

Neon ufo flying saucer hovering low over a street in downtown Eugene, Oregon, on a dark, wet, foggy night; the points of light from the flying saucer, the street lamps, and the stores' signs all glow brightly on an otherwise dark, foggy, and wet evening.   the composition of the image is of a street view; the perspective is centered in the road, looking down the street, as if the viewer is suspended in the air at the height of approximately one and a half to two stories above the street level. it is on dark and damp misty evening, on a deserted downtown avenue, with the street and city lights glowing all around and in the distance. the style is a photograph-like, nearly realistic modern anime-style rendering. with medium contrast and high definition of the buildings and objects in the foreground, but the definition gradually fades into the haze of the fog further down the road, looking into the distance. the air is foggy, the street payment is wet, like it recently stopped raining.  The Tint of the picture is a blue-green, dark but features on the buildings are still visible. the street lights are on poles that line both sides of the street and are vintage looking, the street light lamps glow an eerie pale yellow color (with a hint of light green), and shed soft light on the things around them, and cast light on the texture of the exteriors of the buildings. this gives the exteriors high contrast with the light and dark light. there are many points of city lights lining the street, from the foreground to the distant background, soft orbs, that are still visible through the fog.  the air is foggy, the street payment is wet, like it recently stopped raining. little bits of light reflect off of the wet surfaces.  the street is narrow, with stores and restaurants on both sides; hanging from the sides if the buildings are illuminated signs, various sizes and shapes, most but not all are vertically aligned and rectangular; some are circles, some are squares, some are more abstract shapes; some are logos. they hang placed at a height that starts from the top of the first story, and various heights above that. some are mounted flat on the exterior buildings' wall, some protrude perpendicularly from the building. there is at least one or two on the rooftops.  they glow with rich yellow light, neon, and occasionally tangerine orange, white, or green. the letters are bold, and stand out.  the stores have illuminated horizontally aligned panel-style signage above their windows, that vary in color, and about 2/3 of which are turned on. occasionally their will be small neon fixtures in the stores' windows. there are occasional trees that line the sides of the street, not many but a few; that appear like dark shapes with minimal detail and light reflection; the ones closer to the background are just silhouettes fading into the fog. in the very far, far background, the dark outline of the small mountain that  overlooks Eugene, Oregon (known as Spencers Butte) is visible; appearing faintly but shape is unmistakably part of the landscape.    the single flying saucer is hovering over the street, just a few dozen feet above the height of the rooftops. The perspective is more of the undercarriage than the top side, because of the angle in the viewers line of sight, but the body and the top side are also visible too.  The flyer saucer appears to be antique and vintage-looking. shaped like a bell, but with more sections. The body shape is similar to that of Darth Vader’s helmet from Star Wars.  Looking at the undercarriage from the underneath perspective, there is a  large grill section, shaped like a ring, recessed up into the saucer, that looks like it has well-defined gills similar to that of a mushroom. this part emanates an alien-like green glow from within the inside of the grill. in the center is an extruded barrel-shaped ring, short in height but wide in width, and it has a porthole in the center, that is open and glowing. the porthole is for shooting energy beams. the body of the flying saucer is covered in rings of neon lights, as well as rows of round lights in various sizes. there are also patterns of other shapes of lights on the exterior of the craft as well. most of the lights on the flying saucer are colored neon green, but there is also some neon orange, some bright pink, and some electric blue. The lights have a soft-edged glow from the fog in the air.  The edge of the body and undercarriage of the flying saucer has several external speakers on it, placed into two rows, each of which consists of either large or small speakers. the details of the flying saucer are clearly defined, the contrast is high, and visible from the street. the flying saucer is the most prominent object in the picture.   

Neon ufo flying saucer hovering low over downtown Eugene, Oregon;   the image is of a street view; the perspective is centered in the road, looking down the street, as if the viewer is suspended in the air at the height of approximately one and a half to two stories above the street level. it is on dark and damp misty evening, on a deserted downtown avenue, with the street and city lights glowing all around and in the distance. the style is a photograph-like, nearly realistic modern anime-style rendering. with medium contrast and high definition of the buildings and objects in the foreground, but the definition gradually fades into the haze of the fog further down the road, looking into the distance. the air is foggy, the street payment is wet, like it recently stopped raining.  The Tint of the picture is a blue-green, dark but features on the buildings are still visible. the street lights are on poles that line both sides of the street and are vintage looking, the street light lamps glow an eerie pale yellow color (with a hint of light green), and shed soft light on the things around them, and cast light on the texture of the exteriors of the buildings. this gives the exteriors high contrast with the light and dark light. there are many points of city lights lining the street, from the foreground to the distant background, soft orbs, that are still visible through the fog.  the air is foggy, the street payment is wet, like it recently stopped raining. little bits of light reflect off of the wet surfaces.  the street is narrow, with stores and restaurants on both sides; hanging from the sides if the buildings are illuminated signs, various sizes and shapes, most but not all are vertically aligned and rectangular; some are circles, some are squares, some are more abstract shapes; some are logos. they hang placed at a height that starts from the top of the first story, and various heights above that. some are mounted flat on the exterior buildings' wall, some protrude perpendicularly from the building. there is at least one or two on the rooftops.  they glow with rich yellow light, neon, and occasionally tangerine orange, white, or green. the letters are bold, and stand out.  the stores have illuminated horizontally aligned panel-style signage above their windows, that vary in color, and about 2/3 of which are turned on. occasionally their will be small neon fixtures in the stores' windows. there are occasional trees that line the sides of the street, not many but a few; that appear like dark shapes with minimal detail and light reflection; the ones closer to the background are just silhouettes fading into the fog. in the very far, far background, the dark outline of the small mountain that  overlooks Eugene, Oregon (known as Spencers Butte) is visible; appearing faintly but shape is unmistakably part of the landscape.    the single flying saucer is hovering over the street, just a few dozen feet above the height of the rooftops. The perspective is more of the undercarriage than the top side, because of the angle in the viewers line of sight, but the body and the top side are also visible too.  The flyer saucer appears to be antique and vintage-looking. shaped like a bell, but with more sections. The body shape is similar to that of Darth Vader’s helmet from Star Wars.  Looking at the undercarriage from the underneath perspective, there is a  large grill section, shaped like a ring, recessed up into the saucer, that looks like it has well-defined gills similar to that of a mushroom. this part emanates an alien-like green glow from within the inside of the grill. in the center is an extruded barrel-shaped ring, short in height but wide in width, and it has a porthole in the center, that is open and glowing. the porthole is for shooting energy beams. the body of the flying saucer is covered in rings of neon lights, as well as rows of round lights in various sizes. there are also patterns of other shapes of lights on the exterior of the craft as well. most of the lights on the flying saucer are colored neon green, but there is also some neon orange, some bright pink, and some electric blue. The lights have a soft-edged glow from the fog in the air.  The edge of the body and undercarriage of the flying saucer has several external speakers on it, placed into two rows, each of which consists of either large or small speakers. the details of the flying saucer are clearly defined, the contrast is high, and visible from the street. the flying saucer is the most prominent object in the picture.   

Neon ufo flying saucer hovering low over a street in downtown Eugene, Oregon, on a dark, wet, foggy night; the points of light from the flying saucer, the street lamps, and the stores' signs all glow brightly on an otherwise dark, foggy, and wet evening.   the composition of the image is of a street view; the perspective is centered in the road, looking down the street, as if the viewer is suspended in the air at the height of approximately one and a half to two stories above the street level. it is on dark and damp misty evening, on a deserted downtown avenue, with the street and city lights glowing all around and in the distance. the style is a photograph-like, nearly realistic modern anime-style rendering. with medium contrast and high definition of the buildings and objects in the foreground, but the definition gradually fades into the haze of the fog further down the road, looking into the distance. the air is foggy, the street payment is wet, like it recently stopped raining.  The Tint of the picture is a blue-green, dark but features on the buildings are still visible. the street lights are on poles that line both sides of the street and are vintage looking, the street light lamps glow an eerie pale yellow color (with a hint of light green), and shed soft light on the things around them, and cast light on the texture of the exteriors of the buildings. this gives the exteriors high contrast with the light and dark light. there are many points of city lights lining the street, from the foreground to the distant background, soft orbs, that are still visible through the fog.  the air is foggy, the street payment is wet, like it recently stopped raining. little bits of light reflect off of the wet surfaces.  the street is narrow, with stores and restaurants on both sides; hanging from the sides if the buildings are illuminated signs, various sizes and shapes, most but not all are vertically aligned and rectangular; some are circles, some are squares, some are more abstract shapes; some are logos. they hang placed at a height that starts from the top of the first story, and various heights above that. some are mounted flat on the exterior buildings' wall, some protrude perpendicularly from the building. there is at least one or two on the rooftops.  they glow with rich yellow light, neon, and occasionally tangerine orange, white, or green. the letters are bold, and stand out.  the stores have illuminated horizontally aligned panel-style signage above their windows, that vary in color, and about 2/3 of which are turned on. occasionally their will be small neon fixtures in the stores' windows. there are occasional trees that line the sides of the street, not many but a few; that appear like dark shapes with minimal detail and light reflection; the ones closer to the background are just silhouettes fading into the fog. in the very far, far background, the dark outline of the small mountain that  overlooks Eugene, Oregon (known as Spencers Butte) is visible; appearing faintly but shape is unmistakably part of the landscape.    the single flying saucer is hovering over the street, just a few dozen feet above the height of the rooftops. The perspective is more of the undercarriage than the top side, because of the angle in the viewers line of sight, but the body and the top side are also visible too.  The flyer saucer appears to be antique and vintage-looking. shaped like a bell, but with more sections. The body shape is similar to that of Darth Vader’s helmet from Star Wars.  Looking at the undercarriage from the underneath perspective, there is a  large grill section, shaped like a ring, recessed up into the saucer, that looks like it has well-defined gills similar to that of a mushroom. this part emanates an alien-like green glow from within the inside of the grill. in the center is an extruded barrel-shaped ring, short in height but wide in width, and it has a porthole in the center, that is open and glowing. the porthole is for shooting energy beams. the body of the flying saucer is covered in rings of neon lights, as well as rows of round lights in various sizes. there are also patterns of other shapes of lights on the exterior of the craft as well. most of the lights on the flying saucer are colored neon green, but there is also some neon orange, some bright pink, and some electric blue. The lights have a soft-edged glow from the fog in the air.  The edge of the body and undercarriage of the flying saucer has several external speakers on it, placed into two rows, each of which consists of either large or small speakers. the details of the flying saucer are clearly defined, the contrast is high, and visible from the street. the flying saucer is the most prominent object in the picture.   

Lucario is a bipedal, canine-like Pokémon with predominantly blue and black fur. It possesses a short, round spike on the back of each forepaw, in addition to a third on its chest. It has red eyes, a long snout, and ears. When its mouth is open, two pairs of pointed teeth, one in the upper jaw and one in the lower, can be seen. It possesses cream-colored fur on its torso and blue fur on its thighs that resemble shorts. It has a medium-length tail of the same blue color as well. It stands on its toes rather than on its entire foot. It has developed four black appendages that hang down from its head, which rise when Lucario reads or manipulates aura, a special energy that it senses. Lucario can use its powers to create a staff in form a bone and use it to fight. Lucario can study auras to predict the movements of its opponents and track their quarry. With sufficient training, a Lucario can read auras to understand how living beings are feeling from more than half a mile (1 kilometer) away. However, it sometimes ends up learning information that it would not like to know, causing it to get stressed out easily. It also has the power to manipulate this energy in an offensive manner, in the form of explosive spheres of energy. Lucario can understand human speech and has been reported to communicate with humans through telepathy. Lucario is considered to be prideful and is extremely loyal to its Trainer. It also seems to have a natural sense of justice, as it only trusts Trainers with righteous hearts. It is an exceptionally rare Pokémon that usually lives deep in mountains very far from people to improve their skills. Lucario are primarily carnivores, hunting their prey in packs, though one Lucario was seen eating Berries and plants like roses. It has also been seen eating chocolate, even though chocolate is not part of its natural diet. As mentioned in the Sleep Style Dex, Lucario never lowers its guard, even when sleeping. It is believed Lucario's reading the aura of others similar to when it's awake.

Physical Appearance: Age: 17, Gender: Female, Hair: Brown with streaks of purple, Eyes: Change color based on emotions, with pupil changes reflecting emotional states (e.g., exclamation mark for surprise), Build: Skinny yet muscular with prominent thighs and a thigh gap, cheeks are chubby, Skin: Birthmarks on the left side cheek with two around her left eye to the bottom and three on her right side eye to the bottom, Hero Costume Design Overall Concept: Emi's costume is designed to reflect her abilities and enhance her effectiveness as a hero. It combines elements that incorporate her Hemokinesis, Shapeshifting, and Empathic Sensing quirks. • Armor and Fabric: The costume is made of a durable yet flexible material that allows freedom of movement. It includes sections reinforced with hardened fabric infused with patterns resembling flowing blood, symbolizing her Hemokinesis. • Mask/Helmet: The mask or helmet has a sleek design with a visor that enhances vision and includes a built-in communication device. The visor could have a display showing emotional cues or vital signs, aiding her Empathic Sensing. • Utility Belt: Equipped with compartments for medical supplies and gadgets. It includes pouches for blood samples or tools related to her Hemokinesis. • Shapeshifting Integration: The costume has sections that can subtly alter their shape or color, allowing Emi to change her appearance as needed. This feature aids her Shapeshifting quirk, facilitating quick transformations for disguise or tactical advantage. • Color Scheme: Dark colors like purple and black dominate, with accents of red to symbolize blood and emotional intensity. The costume's design incorporates these colors seamlessly, enhancing both functionality and aesthetic appeal. • Accessories: Includes retractable weapons formed from manipulated blood, such as swords or shields. These weapons can be summoned and dissolved as needed, demonstrating her Hemokinesis in combat. My Hero Academia art style,

The image features a woman with an artistic and modern look. She has large, yellow-tinted sunglasses that add a retro flair. Her makeup is vibrant and colorful, with geometric patterns painted on her face using primary colors like red, blue, yellow, and black, creating a striking contrast. Her lips are glossy and have a natural pink tone. The woman's hair is styled in a soft, brown bob that frames her face. She wears a high-neck sweater with bold, horizontal stripes in various colors such as red, yellow, blue, and green, which complement the colorful theme of her makeup. Overall, the image has a very stylish and contemporary aesthetic, likely intended for a fashion or beauty editorial.

Flamigo is a small bird with bright red feathers like dancing flames. Energetic and playful, it enjoys running around its trainer. Young Flamigos play with small embers they spit from their beaks. Its fiery crest glows intensely when excited or angry.

The image features a woman with an artistic and modern look. She has large, yellow-tinted sunglasses that add a retro flair. Her makeup is vibrant and colorful, with geometric patterns painted on her face using primary colors like red, blue, yellow, and black, creating a striking contrast. Her lips are glossy and have a natural pink tone. The woman's hair is styled in a soft, brown bob that frames her face. She wears a high-neck sweater with bold, horizontal stripes in various colors such as red, yellow, blue, and green, which complement the colorful theme of her makeup. Overall, the image has a very stylish and contemporary aesthetic, likely intended for a fashion or beauty editorial.

The image features a woman with an artistic and modern look. She has large, yellow-tinted sunglasses that add a retro flair. Her makeup is vibrant and colorful, with geometric patterns painted on her face using primary colors like red, blue, yellow, and black, creating a striking contrast. Her lips are glossy and have a natural pink tone. The woman's hair is styled in a soft, brown bob that frames her face. She wears a high-neck sweater with bold, horizontal stripes in various colors such as red, yellow, blue, and green, which complement the colorful theme of her makeup. Overall, the image has a very stylish and contemporary aesthetic, likely intended for a fashion or beauty editorial.

The image features a woman with an artistic and modern look. She has large, yellow-tinted sunglasses that add a retro flair. Her makeup is vibrant and colorful, with geometric patterns painted on her face using primary colors like red, blue, yellow, and black, creating a striking contrast. Her lips are glossy and have a natural pink tone. The woman's hair is styled in a soft, brown bob that frames her face. She wears a high-neck sweater with bold, horizontal stripes in various colors such as red, yellow, blue, and green, which complement the colorful theme of her makeup. Overall, the image has a very stylish and contemporary aesthetic, likely intended for a fashion or beauty editorial.

Across the image in bold distressed font that’s stylish that reads “Live music tracking with me, Friday, April 11th at 6:00 PM (CDT)”  This is a highly realistic and meticulously designed home music studio, blending professional-grade equipment with a sleek, open-space aesthetic. The studio is spacious, with dark hardwood flooring and dimmable LED lighting that casts a soft ambient glow, enhancing both the functionality and mood of the room.   The walls are covered in dark gray, high-density Auralex acoustic foam panels, carefully arranged for optimal sound diffusion and absorption.  At the heart of the studio is a large, heavy-duty Zaor Miza dark wood desk, designed for audio production. On the desk, a 27-inch Apple Studio Display showcases a detailed waveform within a professional DAW (Digital Audio Workstation).  A Native Instruments Komplete Kontrol S61 MIDI keyboard sits in front of the monitor, flanked by a wireless Logitech MX Master 3S mouse and a compact Keychron Q6 mechanical keyboard. Two Yamaha HS8 studio monitors, in matte black with signature white cones, are positioned on isolation pads for optimal audio clarity.  To the right of the desk, a high-end Neumann TLM 103 condenser microphone is mounted on a sturdy Rode PSA1+ boom arm, ready for vocal tracking.  To the left of the desk, a “TAMA” Starclassic Walnut/Birch 5-piece drum kit commands attention. The bass drum, sporting a bold black “TAMA” logo, is complemented by matching toms, a deep snare, and a full set of Zildjian K Custom cymbals mounted on chrome-plated hardware. Mounted on the wall behind the drum kit are three premium electric guitars, each with a distinct style and tonal character: • A Gibson ES-335 Figured Semi-Hollowbody in a deep bright Cherry finish, with mother-of-pearl inlays and a set of Burstbucker pickups. • A Gibson Custom Dealer Select 1959 Les Paul Standard in an elegant off-white finish with black hardware, exuding vintage charm. • A Strandberg Boden Metal 8-string in a striking bright orange, featuring a fanned-fret neck and lightweight chambered body for progressive metal tones.  To the right of the desk, a professional Nord Stage 3 88-key digital piano rests on a sturdy stand, ready for composing and live performance, piano showing. A black ergonomic Herman Miller Aeron chair is positioned in front of the desk, ensuring comfort during long mixing and recording sessions. The studio is designed with both form and function in mind, providing an open yet organized layout that balances high-end gear with aesthetic appeal.   Every element, from the cable management to the choice of lighting and furniture, contributes to a professional recording environment that feels immersive and inspiring.

Across the image in bold distressed font that’s stylish that reads “ Live music tracking with me, Friday at 6:00 PM (CDT)” This is a highly realistic and meticulously designed home music studio, blending professional-grade equipment with a sleek, open-space aesthetic. The studio is spacious, with dark hardwood flooring and dimmable LED lighting that casts a soft ambient glow, enhancing both the functionality and mood of the room.  The walls are covered in dark gray, high-density Auralex acoustic foam panels, carefully arranged for optimal sound diffusion and absorption. At the heart of the studio is a large, heavy-duty Zaor Miza dark wood desk, designed for audio production. On the desk, a 27-inch Apple Studio Display showcases a detailed waveform within a professional DAW (Digital Audio Workstation).  A Native Instruments Komplete Kontrol S61 MIDI keyboard sits in front of the monitor, flanked by a wireless Logitech MX Master 3S mouse and a compact Keychron Q6 mechanical keyboard. Two Yamaha HS8 studio monitors, in matte black with signature white cones, are positioned on isolation pads for optimal audio clarity.  To the right of the desk, a high-end Neumann TLM 103 condenser microphone is mounted on a sturdy Rode PSA1+ boom arm, ready for vocal tracking. To the left of the desk, a “TAMA” Starclassic Walnut/Birch 5-piece drum kit commands attention. The bass drum, sporting a bold black “TAMA” logo, is complemented by matching toms, a deep snare, and a full set of Zildjian K Custom cymbals mounted on chrome-plated hardware. Mounted on the wall behind the drum kit are three premium electric guitars, each with a distinct style and tonal character: • A Gibson ES-335 Figured Semi-Hollowbody in a deep bright Cherry finish, with mother-of-pearl inlays and a set of Burstbucker pickups. • A Gibson Custom Dealer Select 1959 Les Paul Standard in an elegant off-white finish with black hardware, exuding vintage charm. • A Strandberg Boden Metal 8-string in a striking bright orange, featuring a fanned-fret neck and lightweight chambered body for progressive metal tones. To the right of the desk, a professional Nord Stage 3 88-key digital piano rests on a sturdy stand, ready for composing and live performance, piano showing. A black ergonomic Herman Miller Aeron chair is positioned in front of the desk, ensuring comfort during long mixing and recording sessions. The studio is designed with both form and function in mind, providing an open yet organized layout that balances high-end gear with aesthetic appeal.  Every element, from the cable management to the choice of lighting and furniture, contributes to a professional recording environment that feels immersive and inspiring.

Across the image in bold distressed font that’s stylish that reads “ Live music tracking with me, Friday at 6:00 PM (CDT)” This is a highly realistic and meticulously designed home music studio, blending professional-grade equipment with a sleek, open-space aesthetic. The studio is spacious, with dark hardwood flooring and dimmable LED lighting that casts a soft ambient glow, enhancing both the functionality and mood of the room.  The walls are covered in dark gray, high-density Auralex acoustic foam panels, carefully arranged for optimal sound diffusion and absorption. At the heart of the studio is a large, heavy-duty Zaor Miza dark wood desk, designed for audio production. On the desk, a 27-inch Apple Studio Display showcases a detailed waveform within a professional DAW (Digital Audio Workstation).  A Native Instruments Komplete Kontrol S61 MIDI keyboard sits in front of the monitor, flanked by a wireless Logitech MX Master 3S mouse and a compact Keychron Q6 mechanical keyboard. Two Yamaha HS8 studio monitors, in matte black with signature white cones, are positioned on isolation pads for optimal audio clarity.  To the right of the desk, a high-end Neumann TLM 103 condenser microphone is mounted on a sturdy Rode PSA1+ boom arm, ready for vocal tracking. To the left of the desk, a “TAMA” Starclassic Walnut/Birch 5-piece drum kit commands attention. The bass drum, sporting a bold black “TAMA” logo, is complemented by matching toms, a deep snare, and a full set of Zildjian K Custom cymbals mounted on chrome-plated hardware. Mounted on the wall behind the drum kit are three premium electric guitars, each with a distinct style and tonal character: • A Gibson ES-335 Figured Semi-Hollowbody in a deep bright Cherry finish, with mother-of-pearl inlays and a set of Burstbucker pickups. • A Gibson Custom Dealer Select 1959 Les Paul Standard in an elegant off-white finish with black hardware, exuding vintage charm. • A Strandberg Boden Metal 8-string in a striking bright orange, featuring a fanned-fret neck and lightweight chambered body for progressive metal tones. To the right of the desk, a professional Nord Stage 3 88-key digital piano rests on a sturdy stand, ready for composing and live performance, piano showing. A black ergonomic Herman Miller Aeron chair is positioned in front of the desk, ensuring comfort during long mixing and recording sessions. The studio is designed with both form and function in mind, providing an open yet organized layout that balances high-end gear with aesthetic appeal.  Every element, from the cable management to the choice of lighting and furniture, contributes to a professional recording environment that feels immersive and inspiring.

A Retro Black and White photo Circa July 14th Bastille Day 1966 of Famed Polish Actor and Comedian Wojciech Frykowski Dec 22, 1936-Aug 9, 1969 and Famed French Actress and Model Brigitte Bardot September 28th 1934 - present enjoying a nice dinner at the now defunct Hollywood legend The Pig and Whistle Frykowski who is dressed in a rather unflattering Brown khaki Utilitarian Safari Suit and Velcro Strapped Tennis shoes with large Metal black rimmed Glasses enjoys a typical American meal of Chicken & dumplings, steamed rice, sliced bread, black-eyed peas, and Lemon iced tea whilst Bardot who is wearing a Red Form fitting dress from Louis Vuitton and shoes also from Louis Vuitton her hair up in the popular beehive style enjoys a nice Porterhouse stake with a Twice Baked Yukon Gold Potato with chives , bacon bits sour cream and yellow American cheese sauce and steaming pile of a medaly of Carrots, Green Peas , Orange, Red and yellow bell pepper strips and Two boiled eggs, with Asparagus, broccoli, strawberries, tomatoes , onions, Garlic, Yellow American cheese sauce and crushed Green olives and two 32 ounce Cans of A&W root beer.

Marijana is standing in the center of a stylish, softly lit room, her figure commanding attention with elegance and grace. Her recently enhanced F-sized bust is a prominent feature, giving her an hourglass silhouette that exudes confidence and femininity. The fullness of her chest is beautifully highlighted by the tailored fit of her black blouse, which accentuates her curves without appearing overly tight. The blouse’s smooth fabric adds a polished touch, contrasting subtly with the vivid color of her skirt. She wears a bright yellow pencil skirt that hugs her hips and falls slightly above her knees, showcasing her well-toned legs. Her legs are elegantly adorned with black, sheer 20-denier stockings, their slight shimmer catching the light and adding a layer of sophistication. The look is completed with black stiletto heels, their pointed toes and slender design enhancing the sleekness of her overall appearance. Her posture is impeccable, her shoulders back and head held high, exuding a quiet confidence. Marijana’s platinum blonde hair is styled straight, cascading smoothly over her shoulders and framing her glowing face. The natural sheen of her hair complements her radiant makeup: lightly flushed cheeks, soft eyeliner that defines her eyes, and a nude lipstick that enhances her full lips. Her expression is calm and content, her presence commanding yet approachable. The overall composition of the image highlights not just her physical transformation but her renewed sense of confidence and self-assured elegance.

A new type of game board part ouija board part chess board part peg board and part go board with 361 points a oujia board slider and four colors of pins blue yellow red and black with a black and white overlay on the 19 by 19 board