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Famed Franco Polish Filmmaker Roman Polanski and his Long time friend and fellow Filmmaker Chen Pui from Mongolia enjoying a traditional French Lunch in the Posh Cafe Armendino in Dunkirk France in 1983 Roman Polanski dressed in a non descript black Tshirt and matching Black Cargo pants enjoys a hearty plate of Coq cu vein and Macaroni noodles in butter and parsley a bottle of Stella Arios by his plate whilst Chen Pui dressed in a simple blue summer dress enjoys a nice savory Crape with mushrooms in a bechamel sauce with a small order of fries and a glass of "Chateau Latour, 1929". By her plate

East German Leader Erich Honecker and Actress and Model Diana Roberts having Dinner at Howard Johnson's in Ashbury Park New Jersey, Honecker wearing a khaki Brown shirt and matching Khaki Brown pants eats a simple meal of a Grilled cheese sandwich some kosher dill pickle chips and some ruffles potato chips on a paper plate with a green bottle of Hienikien and a clear plastic cup Roberts wearing a Blue Red Soxs jersey and a pair of black sweat pants enjoys two slices of pizza a small order of fries on a paper plate a bottle of Doc Brown Cel Rey Soda next to her plate It's May 11th 1980

Veteran Actor Comedians Jim Belushi and Dan Akryod having Breakfast at the Retro Themed Greasy Spoon Starving Marvin Coffee Shop in Klamath Falls Oregon Jim in a simple blue Tshirt and Jeans and Greek style sandals enjoys a heaping pile of Korean BBQ Beef Sticky rice and Kimchi pickles and a fried egg whilst Eric enjoys a nice plate of chipped beef on Toast with Scrambled eggs, Dan wears a Cleveland Browns Sweatshirt and Red Cargo pants and Boat Shoes, Jim Belushi enjoys A Cup of coffee with French Vanilla creamer Whilst Dan Akryod enjoys a cup of Green Tea with Honey and lemon, it's November 2014

Legendary Chef Anthony Bourdain and Veteran Actor Comedian Eric Idle having Breakfast at the Military Themed Greasy Spoon Paul's Coffee Shop in Fountain Valley California Anthony in a simple blue Tshirt and Jeans and Greek style sandals enjoys a heaping pile of Korean BBQ Beef Sticky rice and Kimchi pickles and a fried egg whilst Eric enjoys a nice plate of chipped beef on Toast with Scrambled eggs, Eric wears a Cleveland Browns Sweatshirt and Red Cargo pants and Boat Shoes, Anthony Bourdain enjoys A Cup of coffee with French Vanilla creamer Whilst Eric Idle enjoys a cup of Green Tea with Honey and lemon, it's November 2014 and the two are shooting an Episode of Parts Unknown

After finishing up a Lecture on Early Cinema at the University of California Los Angeles veteran English film Actor Ian Hart drops by Philippe's in downtown Los Angeles he orders two Lamb French Dips extra wet a small Side Cobb salad and a Bottle of Mexican style Pepsi with cane sugar in a retro glass bottle from the sixties, it's May 2001 approximately 10:33 pm Ian is wearing a simple navy Blue sweater and matching sweat pants he is also sporting a pair of sneakers from back to the future part two on his right wrist is a Casio watch he is wearing a pair of 1980s style Aviator sunglasses is hair is neatly braided into a bun around his neck is a humanist necklace

During a Break from Shooting the 1987 epic " The Princess Bride" Actor Shawn Wallace steps into Washington DC's iconic Greasy Spoon Ben's Chili Bowl he orders two Half Smokes and Mountain dew classic in a vintage glass bottle and made with cane sugar it's about 7:00 pm Shawn is dressed in a simple Blue and white Toronto Bluejays Sweat shirt a par of Naval Infantry camp cargo pants and a pair of John Lennon style Round Glasses and a Toronto Bluejays baseball cap a Casio watch is on his right wrist he's in disguise not wanting to be bothered on his one day off Inconceivable!

A photorealistic image of a male centaur standing beside a calm river at night, illuminated by soft moonlight. His upper body is strong and noble, with defined muscles and long, flowing hair moved gently by the breeze. His horse half is powerful and graceful, seamlessly blending into the moonlit landscape. The river reflects the moon and stars, casting a silver glow across the scene. Small wildflowers grow along the riverbank, adding subtle color and texture. Captured with a full-frame DSLR using an 85mm f/1.4 lens, creating a beautifully shallow depth of field — the background is softly blurred while the centaur is in sharp, striking focus. The atmosphere is mystical and cinematic, as if from a dream.

A photorealistic image of a male centaur standing beside a calm river at night, illuminated by soft moonlight. His upper body is strong and noble, with defined muscles and long, flowing hair moved gently by the breeze. His horse half is powerful and graceful, seamlessly blending into the moonlit landscape. The river reflects the moon and stars, casting a silver glow across the scene. Small wildflowers grow along the riverbank, adding subtle color and texture. Captured with a full-frame DSLR using an 85mm f/1.4 lens, creating a beautifully shallow depth of field — the background is softly blurred while the centaur is in sharp, striking focus. The atmosphere is mystical and cinematic, as if from a dream.

A majestic centaur stands gracefully by the river under the soft glow of moonlight. Her human half is elegant and serene, with flowing hair that catches the light of the moon, and her horse body is strong and sleek. The river glistens with reflections of the night sky, winding through the scene. Along the riverbank, delicate wildflowers bloom in clusters, adding color and softness to the tranquil landscape. The atmosphere is mystical and dreamlike, with gentle shadows and a calm, ethereal glow.

A majestic female centaur stands gracefully by the river under the soft glow of moonlight. Her human half is elegant and serene, with flowing hair that catches the light of the moon, and her horse body is strong and sleek. The river glistens with reflections of the night sky, winding through the scene. Along the riverbank, delicate wildflowers bloom in clusters, adding color and softness to the tranquil landscape. The atmosphere is mystical and dreamlike, with gentle shadows and a calm, ethereal glow.

Neon ufo flying saucer hovering low over a street in downtown Eugene, Oregon, on a dark, wet, foggy night; the points of light from the flying saucer, the street lamps, and the stores' signs all glow brightly on an otherwise dark, foggy, and wet evening. the composition of the image is of a street view; the perspective is centered in the road, looking down the street, as if the viewer is suspended in the air at the height of approximately one and a half to two stories above the street level. it is on dark and damp misty evening, on a deserted downtown avenue, with the street and city lights glowing all around and in the distance. the style is a photograph-like, nearly realistic modern anime-style rendering. with medium contrast and high definition of the buildings and objects in the foreground, but the definition gradually fades into the haze of the fog further down the road, looking into the distance. the air is foggy, the street payment is wet, like it recently stopped raining. The Tint of the picture is a blue-green, dark but features on the buildings are still visible. the street lights are on poles that line both sides of the street and are vintage looking, the street light lamps glow an eerie pale yellow color (with a hint of light green), and shed soft light on the things around them, and cast light on the texture of the exteriors of the buildings. this gives the exteriors high contrast with the light and dark light. there are many points of city lights lining the street, from the foreground to the distant background, soft orbs, that are still visible through the fog. the air is foggy, the street payment is wet, like it recently stopped raining. little bits of light reflect off of the wet surfaces. the street is narrow, with stores and restaurants on both sides; hanging from the sides if the buildings are illuminated signs, various sizes and shapes, most but not all are vertically aligned and rectangular; some are circles, some are squares, some are more abstract shapes; some are logos. they hang placed at a height that starts from the top of the first story, and various heights above that. some are mounted flat on the exterior buildings' wall, some protrude perpendicularly from the building. there is at least one or two on the rooftops. they glow with rich yellow light, neon, and occasionally tangerine orange, white, or green. the letters are bold, and stand out. the stores have illuminated horizontally aligned panel-style signage above their windows, that vary in color, and about 2/3 of which are turned on. occasionally their will be small neon fixtures in the stores' windows. there are occasional trees that line the sides of the street, not many but a few; that appear like dark shapes with minimal detail and light reflection; the ones closer to the background are just silhouettes fading into the fog. in the very far, far background, the dark outline of the small mountain that overlooks Eugene, Oregon (known as Spencers Butte) is visible; appearing faintly but shape is unmistakably part of the landscape. the single flying saucer is hovering over the street, just a few dozen feet above the height of the rooftops. The perspective is more of the undercarriage than the top side, because of the angle in the viewers line of sight, but the body and the top side are also visible too. The flyer saucer appears to be antique and vintage-looking. shaped like a bell, but with more sections. The body shape is similar to that of Darth Vader’s helmet from Star Wars. Looking at the undercarriage from the underneath perspective, there is a large grill section, shaped like a ring, recessed up into the saucer, that looks like it has well-defined gills similar to that of a mushroom. this part emanates an alien-like green glow from within the inside of the grill. in the center is an extruded barrel-shaped ring, short in height but wide in width, and it has a porthole in the center, that is open and glowing. the porthole is for shooting energy beams. the body of the flying saucer is covered in rings of neon lights, as well as rows of round lights in various sizes. there are also patterns of other shapes of lights on the exterior of the craft as well. most of the lights on the flying saucer are colored neon green, but there is also some neon orange, some bright pink, and some electric blue. The lights have a soft-edged glow from the fog in the air. The edge of the body and undercarriage of the flying saucer has several external speakers on it, placed into two rows, each of which consists of either large or small speakers. the details of the flying saucer are clearly defined, the contrast is high, and visible from the street. the flying saucer is the most prominent object in the picture.

A serene landscape unfolds, featuring a tranquil lake framed by vibrant autumn foliage that bursts with shades of orange, red, and yellow. In the foreground, a majestic tree with a twisting trunk and colorful leaves stands sentinel, its branches partially silhouetted against the luminous moon, which casts a soft glow on the water's surface. Along the lakeshore, a traditional pagoda-style structure nestles among smooth rocks, its illuminated windows reflecting warmly amidst the cool blues of the surrounding mountains. The scene is infused with an atmosphere of calm and beauty, evoking a sense of peaceful solitude in nature's splendid embrace. Rich colors and bold brush strokes contribute to a lively yet harmonious composition, inviting the viewer into a captivating moment of tranquility.