symbol of y with one line

Neon ufo flying saucer hovering low over a street in downtown Eugene, Oregon, on a dark, wet, foggy night; the points of light from the flying saucer, the street lamps, and the stores' signs all glow brightly on an otherwise dark, foggy, and wet evening.   the composition of the image is of a street view; the perspective is centered in the road, looking down the street, as if the viewer is suspended in the air at the height of approximately one and a half to two stories above the street level. it is on dark and damp misty evening, on a deserted downtown avenue, with the street and city lights glowing all around and in the distance. the style is a photograph-like, nearly realistic modern anime-style rendering. with medium contrast and high definition of the buildings and objects in the foreground, but the definition gradually fades into the haze of the fog further down the road, looking into the distance. the air is foggy, the street payment is wet, like it recently stopped raining.  The Tint of the picture is a blue-green, dark but features on the buildings are still visible. the street lights are on poles that line both sides of the street and are vintage looking, the street light lamps glow an eerie pale yellow color (with a hint of light green), and shed soft light on the things around them, and cast light on the texture of the exteriors of the buildings. this gives the exteriors high contrast with the light and dark light. there are many points of city lights lining the street, from the foreground to the distant background, soft orbs, that are still visible through the fog.  the air is foggy, the street payment is wet, like it recently stopped raining. little bits of light reflect off of the wet surfaces.  the street is narrow, with stores and restaurants on both sides; hanging from the sides if the buildings are illuminated signs, various sizes and shapes, most but not all are vertically aligned and rectangular; some are circles, some are squares, some are more abstract shapes; some are logos. they hang placed at a height that starts from the top of the first story, and various heights above that. some are mounted flat on the exterior buildings' wall, some protrude perpendicularly from the building. there is at least one or two on the rooftops.  they glow with rich yellow light, neon, and occasionally tangerine orange, white, or green. the letters are bold, and stand out.  the stores have illuminated horizontally aligned panel-style signage above their windows, that vary in color, and about 2/3 of which are turned on. occasionally their will be small neon fixtures in the stores' windows. there are occasional trees that line the sides of the street, not many but a few; that appear like dark shapes with minimal detail and light reflection; the ones closer to the background are just silhouettes fading into the fog. in the very far, far background, the dark outline of the small mountain that  overlooks Eugene, Oregon (known as Spencers Butte) is visible; appearing faintly but shape is unmistakably part of the landscape.    the single flying saucer is hovering over the street, just a few dozen feet above the height of the rooftops. The perspective is more of the undercarriage than the top side, because of the angle in the viewers line of sight, but the body and the top side are also visible too.  The flyer saucer appears to be antique and vintage-looking. shaped like a bell, but with more sections. The body shape is similar to that of Darth Vader’s helmet from Star Wars.  Looking at the undercarriage from the underneath perspective, there is a  large grill section, shaped like a ring, recessed up into the saucer, that looks like it has well-defined gills similar to that of a mushroom. this part emanates an alien-like green glow from within the inside of the grill. in the center is an extruded barrel-shaped ring, short in height but wide in width, and it has a porthole in the center, that is open and glowing. the porthole is for shooting energy beams. the body of the flying saucer is covered in rings of neon lights, as well as rows of round lights in various sizes. there are also patterns of other shapes of lights on the exterior of the craft as well. most of the lights on the flying saucer are colored neon green, but there is also some neon orange, some bright pink, and some electric blue. The lights have a soft-edged glow from the fog in the air.  The edge of the body and undercarriage of the flying saucer has several external speakers on it, placed into two rows, each of which consists of either large or small speakers. the details of the flying saucer are clearly defined, the contrast is high, and visible from the street. the flying saucer is the most prominent object in the picture.   

Line drawing cartoon sytle in black and white. 90 degree side view of a small convertable car. One driver in the car who looks like Tintin. He puts his elbow on the car door. Road is a dirt road. Moon and star on the background.

Neon ufo flying saucer hovering low over downtown Eugene, Oregon;   the image is of a street view; the perspective is centered in the road, looking down the street, as if the viewer is suspended in the air at the height of approximately one and a half to two stories above the street level. it is on dark and damp misty evening, on a deserted downtown avenue, with the street and city lights glowing all around and in the distance. the style is a photograph-like, nearly realistic modern anime-style rendering. with medium contrast and high definition of the buildings and objects in the foreground, but the definition gradually fades into the haze of the fog further down the road, looking into the distance. the air is foggy, the street payment is wet, like it recently stopped raining.  The Tint of the picture is a blue-green, dark but features on the buildings are still visible. the street lights are on poles that line both sides of the street and are vintage looking, the street light lamps glow an eerie pale yellow color (with a hint of light green), and shed soft light on the things around them, and cast light on the texture of the exteriors of the buildings. this gives the exteriors high contrast with the light and dark light. there are many points of city lights lining the street, from the foreground to the distant background, soft orbs, that are still visible through the fog.  the air is foggy, the street payment is wet, like it recently stopped raining. little bits of light reflect off of the wet surfaces.  the street is narrow, with stores and restaurants on both sides; hanging from the sides if the buildings are illuminated signs, various sizes and shapes, most but not all are vertically aligned and rectangular; some are circles, some are squares, some are more abstract shapes; some are logos. they hang placed at a height that starts from the top of the first story, and various heights above that. some are mounted flat on the exterior buildings' wall, some protrude perpendicularly from the building. there is at least one or two on the rooftops.  they glow with rich yellow light, neon, and occasionally tangerine orange, white, or green. the letters are bold, and stand out.  the stores have illuminated horizontally aligned panel-style signage above their windows, that vary in color, and about 2/3 of which are turned on. occasionally their will be small neon fixtures in the stores' windows. there are occasional trees that line the sides of the street, not many but a few; that appear like dark shapes with minimal detail and light reflection; the ones closer to the background are just silhouettes fading into the fog. in the very far, far background, the dark outline of the small mountain that  overlooks Eugene, Oregon (known as Spencers Butte) is visible; appearing faintly but shape is unmistakably part of the landscape.    the single flying saucer is hovering over the street, just a few dozen feet above the height of the rooftops. The perspective is more of the undercarriage than the top side, because of the angle in the viewers line of sight, but the body and the top side are also visible too.  The flyer saucer appears to be antique and vintage-looking. shaped like a bell, but with more sections. The body shape is similar to that of Darth Vader’s helmet from Star Wars.  Looking at the undercarriage from the underneath perspective, there is a  large grill section, shaped like a ring, recessed up into the saucer, that looks like it has well-defined gills similar to that of a mushroom. this part emanates an alien-like green glow from within the inside of the grill. in the center is an extruded barrel-shaped ring, short in height but wide in width, and it has a porthole in the center, that is open and glowing. the porthole is for shooting energy beams. the body of the flying saucer is covered in rings of neon lights, as well as rows of round lights in various sizes. there are also patterns of other shapes of lights on the exterior of the craft as well. most of the lights on the flying saucer are colored neon green, but there is also some neon orange, some bright pink, and some electric blue. The lights have a soft-edged glow from the fog in the air.  The edge of the body and undercarriage of the flying saucer has several external speakers on it, placed into two rows, each of which consists of either large or small speakers. the details of the flying saucer are clearly defined, the contrast is high, and visible from the street. the flying saucer is the most prominent object in the picture.   

Neon ufo flying saucer hovering low over a street in downtown Eugene, Oregon, on a dark, wet, foggy night; the points of light from the flying saucer, the street lamps, and the stores' signs all glow brightly on an otherwise dark, foggy, and wet evening.   the composition of the image is of a street view; the perspective is centered in the road, looking down the street, as if the viewer is suspended in the air at the height of approximately one and a half to two stories above the street level. it is on dark and damp misty evening, on a deserted downtown avenue, with the street and city lights glowing all around and in the distance. the style is a photograph-like, nearly realistic modern anime-style rendering. with medium contrast and high definition of the buildings and objects in the foreground, but the definition gradually fades into the haze of the fog further down the road, looking into the distance. the air is foggy, the street payment is wet, like it recently stopped raining.  The Tint of the picture is a blue-green, dark but features on the buildings are still visible. the street lights are on poles that line both sides of the street and are vintage looking, the street light lamps glow an eerie pale yellow color (with a hint of light green), and shed soft light on the things around them, and cast light on the texture of the exteriors of the buildings. this gives the exteriors high contrast with the light and dark light. there are many points of city lights lining the street, from the foreground to the distant background, soft orbs, that are still visible through the fog.  the air is foggy, the street payment is wet, like it recently stopped raining. little bits of light reflect off of the wet surfaces.  the street is narrow, with stores and restaurants on both sides; hanging from the sides if the buildings are illuminated signs, various sizes and shapes, most but not all are vertically aligned and rectangular; some are circles, some are squares, some are more abstract shapes; some are logos. they hang placed at a height that starts from the top of the first story, and various heights above that. some are mounted flat on the exterior buildings' wall, some protrude perpendicularly from the building. there is at least one or two on the rooftops.  they glow with rich yellow light, neon, and occasionally tangerine orange, white, or green. the letters are bold, and stand out.  the stores have illuminated horizontally aligned panel-style signage above their windows, that vary in color, and about 2/3 of which are turned on. occasionally their will be small neon fixtures in the stores' windows. there are occasional trees that line the sides of the street, not many but a few; that appear like dark shapes with minimal detail and light reflection; the ones closer to the background are just silhouettes fading into the fog. in the very far, far background, the dark outline of the small mountain that  overlooks Eugene, Oregon (known as Spencers Butte) is visible; appearing faintly but shape is unmistakably part of the landscape.    the single flying saucer is hovering over the street, just a few dozen feet above the height of the rooftops. The perspective is more of the undercarriage than the top side, because of the angle in the viewers line of sight, but the body and the top side are also visible too.  The flyer saucer appears to be antique and vintage-looking. shaped like a bell, but with more sections. The body shape is similar to that of Darth Vader’s helmet from Star Wars.  Looking at the undercarriage from the underneath perspective, there is a  large grill section, shaped like a ring, recessed up into the saucer, that looks like it has well-defined gills similar to that of a mushroom. this part emanates an alien-like green glow from within the inside of the grill. in the center is an extruded barrel-shaped ring, short in height but wide in width, and it has a porthole in the center, that is open and glowing. the porthole is for shooting energy beams. the body of the flying saucer is covered in rings of neon lights, as well as rows of round lights in various sizes. there are also patterns of other shapes of lights on the exterior of the craft as well. most of the lights on the flying saucer are colored neon green, but there is also some neon orange, some bright pink, and some electric blue. The lights have a soft-edged glow from the fog in the air.  The edge of the body and undercarriage of the flying saucer has several external speakers on it, placed into two rows, each of which consists of either large or small speakers. the details of the flying saucer are clearly defined, the contrast is high, and visible from the street. the flying saucer is the most prominent object in the picture.   

A painting of Haridas Ji, a devotee and devoted follower of Lord Hari, sitting in a meditative pose. Haridas Ji is shown wearing a simple white loincloth, which symbolizes his ascetic lifestyle. He has a lean body, innocent and emotional face. He is holding a japa mala in one hand, his fingers are moving slowly on the mala and he is completely immersed in the meditation of God, chanting the holy names. His head is completely shaven, and his forehead is adorned with a distinct Vaishnava tilak, the holy symbol of Vaishnavism, on his lean, young body, which enhances the aura of his devotion. Despite his young age, Haridas Ji's face is calm, yet his eyes are filled with tears of devotion remembering God. In the background is a small thatched hut, with light from outside entering the hut, softly illuminating Her figure, highlighting Her beautiful face and the tears on Her cheeks. The overall atmosphere conveys a deep feeling of devotion.

A painting of Haridas Ji, a devotee and devoted follower of Lord Hari, sitting in a meditative pose. Haridas Ji is shown wearing a simple white loincloth, which symbolizes his ascetic lifestyle. He has a lean body, innocent and emotional face. He is holding a japa mala in one hand, his fingers are moving slowly on the mala and he is completely immersed in the meditation of God, chanting the holy names. His head is completely shaven, and his forehead is adorned with a distinct Vaishnava tilak, the holy symbol of Vaishnavism, on his lean, young body, which enhances the aura of his devotion. Despite his young age, Haridas Ji's face is calm, yet his eyes are filled with tears of devotion remembering God. In the background is a small thatched hut, with light from outside entering the hut, softly illuminating Her figure, highlighting Her beautiful face and the tears on Her cheeks. The overall atmosphere conveys a deep feeling of devotion.

Draw a horizontal line 4 inch long. from one end draw another line at 110 degrees angle that is also 4 inch long. from the other end draw a line at 35 degrees angle until it completes the triangle. write the name of the triangle. graph

Draw a horizontal line 4 inch long. from one end draw another line at 110 degrees angle that is also 4 inch long. from the other end draw a line at 35 degrees angle until it completes the triangle. write the name of the triangle

Create an image of Agraelis, an angel of radiant beauty associated with abundance and nature. His wings shimmer in hues of green and gold, reminiscent of fertile fields bathed in the morning sun. His hair is braided with flowers and mature grains, emitting a gentle aroma of earth and harvest. He wears a robe crafted from natural fibers, adorned with embroidery depicting the cycle of planting and harvesting. Agraelis appears as a youthful and radiant human, with a nearly supernatural beauty. His hair is the color of ripe wheat, glowing with golden tones in the sunlight, and his eyes are deep emerald green, reflecting the serenity of the fields. His skin has a subtle glow, as if always kissed by daylight. He wears simple clothing made of fine linen dyed in natural earth tones like green and brown. In one hand, he carries the Cornucopia of Abundance, a small, ornate horn overflowing with fruits, vegetables, and flowers, symbolizing his connection to fertility and nature. The cornucopia should be entwined with wildflowers, enhancing its role as a symbol of prosperity and nature. It's wings are not seeble

Create an image of Agraelis, an angel of radiant beauty associated with abundance and nature. His wings shimmer in hues of green and gold, reminiscent of fertile fields bathed in the morning sun. His hair is braided with flowers and mature grains, emitting a gentle aroma of earth and harvest. He wears a robe crafted from natural fibers, adorned with embroidery depicting the cycle of planting and harvesting. Agraelis appears as a youthful and radiant human, with a nearly supernatural beauty. His hair is the color of ripe wheat, glowing with golden tones in the sunlight, and his eyes are deep emerald green, reflecting the serenity of the fields. His skin has a subtle glow, as if always kissed by daylight. He wears simple clothing made of fine linen dyed in natural earth tones like green and brown. In one hand, he carries the Cornucopia of Abundance, a small, ornate horn overflowing with fruits, vegetables, and flowers, symbolizing his connection to fertility and nature. The cornucopia should be entwined with wildflowers, enhancing its role as a symbol of prosperity and nature.

Create an image of Agraelis, an angel of radiant beauty associated with abundance and nature. His wings shimmer in hues of green and gold, reminiscent of fertile fields bathed in the morning sun. His hair is braided with flowers and mature grains, emitting a gentle aroma of earth and harvest. He wears a robe crafted from natural fibers, adorned with embroidery depicting the cycle of planting and harvesting. Agraelis appears as a youthful and radiant human, with a nearly supernatural beauty. His hair is the color of ripe wheat, glowing with golden tones in the sunlight, and his eyes are deep emerald green, reflecting the serenity of the fields. His skin has a subtle glow, as if always kissed by daylight. He wears simple clothing made of fine linen dyed in natural earth tones like green and brown. In one hand, he carries the Cornucopia of Abundance, a small, ornate horn overflowing with fruits, vegetables, and flowers, symbolizing his connection to fertility and nature. The cornucopia should be entwined with wildflowers, enhancing its role as a symbol of prosperity and nature.

Create a sacred symbol representing Sádia, the goddess of prosperity and misery. The symbol should include a lush, leafy tree on one side, representing prosperity, and bare, dry branches on the other side, symbolizing misery. Intertwined within the branches, place the antlers of a deer, which extend gracefully and merge with the tree. The base of the tree should have deep, visible roots, showing the duality of growth and decay. The background should be a twilight sky, with a smooth transition from golden to purple, symbolizing the passage from day to night and the continuous cycle of prosperity and misery.

One piece symbol

Cern symbol

Symbol for defrost in car

Three circles symbol