toyota cars inside

Smooth tall glass tumbler narrower at the bottom with condensation on the glass, clear pink carbonated drink with strawberries and ice inside and garnished with watermelon wedge in the top of glass and pineapple wedge and a spring of mint on the rim, on a vintage cool grainy California blurred beach background with palm trees  

A middle-aged black african man wearing an oversized dirty old hoodie with holes all over it hobbling on a chaotic african street with motorbikes zipped between honking cars and music blaring in open air. he is pushing a shopping trolley filled with plastic bottles, newspaper and a broken radio

A middle-aged black African  man wearing an oversized dusty, dirty hoodie and ripped jeans pushing a spueaky shopping trolley filled with plastic bottles, newspaper and an old radio. He is hobbling along a busy African road where motorbikes zipped between honking cars

A middle-aged black  african man wearing a dirty old hoodie with holes all over it hobbling on a chaotic african street with motorbikes zipped between honking cars and music blaring in open air in 1920×1080 dimension

A middle-aged black african man wearing a dirty old hoodie with holes all over it hobbling on a chaotic african street with motorbikes zipped between honking cars and music blaring in open air

A middle-aged african man wearing a dirty old hoodie with holes all over it hobbling on a chaotic african street with motorbikes zipped between honking cars and music blaring in open air

Digital illustration of a passionate kiss between reimagined Motoko Kusanagi and Neo, set in a futuristic urban nightscape, anime aesthetics blended with cinematic style, neon lights, dramatic shadows, dynamic energy, unexpected twist, targeting tech-savvy men aged 25-35, reinterpreted characters with creative alterations, original designs, avoiding direct copyright infringement, sleek high-tech cityscape at dusk, towering skyscrapers, flying cars zipping by, holographic advertisements, vibrant colors, radiant neon lights, intricate details, cinematic lighting, dramatic shadows, captivating atmosphere, reimagined Motoko Kusanagi, enigmatic Neo, iconic characters, passionate kiss, blending anime and cinematic styles, futuristic urban nightscape, neon lights, dramatic shadows, dynamic energy, unexpected twist, tech-savvy men aged 25-35, reinterpreted characters, creative alterations, original designs, avoiding direct copyright infringement, augmented reality contact lenses, virtual retinal display, high-tech implants, cybernetic enhancements, Ghost in the Shell, The Matrix, futuristic cityscape, sleek skyscrapers, flying cars, holographic advertisements, vibrant colors, radiant neon lights, intricate details, cinematic lighting, dramatic shadows, captivating atmosphere, Motoko's hair, flowing silver locks, Neo's eyes, piercing blue, intense gaze, passionate kiss, blending anime and cinematic styles, dynamic energy, unexpected twist, futuristic urban nightscape, neon lights, dramatic shadows, tech-savvy men aged 25-35, reinterpreted characters, creative alterations, original designs, avoiding direct copyright infringement, metallic exoskeleton, cybernetic limbs, virtual reality interface, high-tech implants, Ghost in the Shell, The Matrix, futuristic cityscape, sleek skyscrapers, flying cars, holographic advertisements, vibrant colors, radiant neon lights, intricate details, cinematic lighting, dramatic shadows, captivating atmosphere, Motoko's lips, inviting smile, Neo's touch, gentle caress, passionate kiss, blending anime and cinematic styles, dynamic energy, unexpected twist, futuristic urban nightscape, neon lights, dramatic shadows, tech-savvy men aged 25-35, reinterpreted characters, creative alterations, original designs, avoiding direct copyright infringement.

An Order of Grilled Orange Roughy with papaya salsa and an Order of skinless breast of chicken with cilantro and black beans sit next too each other on identical Metal Cafeteria Trays While a Metal plate with a heaping pile of Mexican style Flour Tortillas adorns the center, Green pickled Greek Olives with pimento stuffed inside in a metal bowl whilst a metal bowl of Pickled Red onion slices , a Metal Bowl of umboshi pickled Plums , a metal bowl of Fermented and pickled Cabbage in chili sauce imported Hawaiian island macadamias in a metal Bowl all sit on a sterile utilitarian Metal Communal picnic table accompanied by Two Metal Cups Two sets of plastic Chop Sticks and two Plastic sporks lay side by side on a stack of paper towels at the head of the table two green glass bottles of Misakio Brand Sake From The Japanese expatiate Community Palo Cedro,Sao Palo Brazil last two Cuban Cigars sit ready for smoking

A vast, decayed, ruined and covered with overgrown covered with frost lush tropical vegetation a huge rotunda with a glass dome shaped ceiling with ornate wrought iron frames regal white ballroom with an enormous , opulent crystal chandelier . Elegant , worn white-upholstered salon sofas and chairs are arranged around the room and a grand , lavish white staircase with worn steps ascends within . Everything is covered in frost and ice. Vases filled with frozen flowers and statues encased in ice add to the ethereal atmosphere . The two large doors stand open allowing gusts of wind to carry swirling snow inside which settles upon the floor . Golden sunlight streams through the open doors and tall windows casting a warm glow over the frozen grandeur . On the grand staircase stands the Ice Queen draped in a somptuous white satin and lace gown her platinum-white hair styled in an elaborate regal updo . Mist 

Neon ufo flying saucer hovering low over a street in downtown Eugene, Oregon, on a dark, wet, foggy night; the points of light from the flying saucer, the street lamps, and the stores' signs all glow brightly on an otherwise dark, foggy, and wet evening.   the composition of the image is of a street view; the perspective is centered in the road, looking down the street, as if the viewer is suspended in the air at the height of approximately one and a half to two stories above the street level. it is on dark and damp misty evening, on a deserted downtown avenue, with the street and city lights glowing all around and in the distance. the style is a photograph-like, nearly realistic modern anime-style rendering. with medium contrast and high definition of the buildings and objects in the foreground, but the definition gradually fades into the haze of the fog further down the road, looking into the distance. the air is foggy, the street payment is wet, like it recently stopped raining.  The Tint of the picture is a blue-green, dark but features on the buildings are still visible. the street lights are on poles that line both sides of the street and are vintage looking, the street light lamps glow an eerie pale yellow color (with a hint of light green), and shed soft light on the things around them, and cast light on the texture of the exteriors of the buildings. this gives the exteriors high contrast with the light and dark light. there are many points of city lights lining the street, from the foreground to the distant background, soft orbs, that are still visible through the fog.  the air is foggy, the street payment is wet, like it recently stopped raining. little bits of light reflect off of the wet surfaces.  the street is narrow, with stores and restaurants on both sides; hanging from the sides if the buildings are illuminated signs, various sizes and shapes, most but not all are vertically aligned and rectangular; some are circles, some are squares, some are more abstract shapes; some are logos. they hang placed at a height that starts from the top of the first story, and various heights above that. some are mounted flat on the exterior buildings' wall, some protrude perpendicularly from the building. there is at least one or two on the rooftops.  they glow with rich yellow light, neon, and occasionally tangerine orange, white, or green. the letters are bold, and stand out.  the stores have illuminated horizontally aligned panel-style signage above their windows, that vary in color, and about 2/3 of which are turned on. occasionally their will be small neon fixtures in the stores' windows. there are occasional trees that line the sides of the street, not many but a few; that appear like dark shapes with minimal detail and light reflection; the ones closer to the background are just silhouettes fading into the fog. in the very far, far background, the dark outline of the small mountain that  overlooks Eugene, Oregon (known as Spencers Butte) is visible; appearing faintly but shape is unmistakably part of the landscape.    the single flying saucer is hovering over the street, just a few dozen feet above the height of the rooftops. The perspective is more of the undercarriage than the top side, because of the angle in the viewers line of sight, but the body and the top side are also visible too.  The flyer saucer appears to be antique and vintage-looking. shaped like a bell, but with more sections. The body shape is similar to that of Darth Vader’s helmet from Star Wars.  Looking at the undercarriage from the underneath perspective, there is a  large grill section, shaped like a ring, recessed up into the saucer, that looks like it has well-defined gills similar to that of a mushroom. this part emanates an alien-like green glow from within the inside of the grill. in the center is an extruded barrel-shaped ring, short in height but wide in width, and it has a porthole in the center, that is open and glowing. the porthole is for shooting energy beams. the body of the flying saucer is covered in rings of neon lights, as well as rows of round lights in various sizes. there are also patterns of other shapes of lights on the exterior of the craft as well. most of the lights on the flying saucer are colored neon green, but there is also some neon orange, some bright pink, and some electric blue. The lights have a soft-edged glow from the fog in the air.  The edge of the body and undercarriage of the flying saucer has several external speakers on it, placed into two rows, each of which consists of either large or small speakers. the details of the flying saucer are clearly defined, the contrast is high, and visible from the street. the flying saucer is the most prominent object in the picture.   

Close-up on the head of an elegant male with white and copper-colored skin, wearing a blue shirt, yellow glowing neon earrings, a porcelain ritual skull face made of intricate transparent glass and steel liquid flows soft forms inside, against a white background. Fashion photography, hyper-realistic.

Close-up on the head of an elegant male with white and copper-colored skin, wearing a blue shirt, yellow glowing neon earrings, a porcelain ritual skull face made of intricate transparent glass and steel liquid flows soft forms inside, against a white background. Fashion photography, hyper-realistic.

The driver's seat appears empty at first. Then, the honk of the horn stopes as an older homeless man, ZACK (55-60), lift his head up from the wheel. In the alley behind the window of the house across the street, a man draws the curtain and looks out into the alley and the car parked. Inside the truck He seems high from the drug that he used. In his hand there is a knife that he used for opening his crack cocaine. His disheveled beard and weary eyes tell of a hard life. His clothes—two mismatched button-up shirts (one blue, one red), faded jeans, and worn-out boots—hang loosely on his thin frame.

Neon ufo flying saucer hovering low over downtown Eugene, Oregon;   the image is of a street view; the perspective is centered in the road, looking down the street, as if the viewer is suspended in the air at the height of approximately one and a half to two stories above the street level. it is on dark and damp misty evening, on a deserted downtown avenue, with the street and city lights glowing all around and in the distance. the style is a photograph-like, nearly realistic modern anime-style rendering. with medium contrast and high definition of the buildings and objects in the foreground, but the definition gradually fades into the haze of the fog further down the road, looking into the distance. the air is foggy, the street payment is wet, like it recently stopped raining.  The Tint of the picture is a blue-green, dark but features on the buildings are still visible. the street lights are on poles that line both sides of the street and are vintage looking, the street light lamps glow an eerie pale yellow color (with a hint of light green), and shed soft light on the things around them, and cast light on the texture of the exteriors of the buildings. this gives the exteriors high contrast with the light and dark light. there are many points of city lights lining the street, from the foreground to the distant background, soft orbs, that are still visible through the fog.  the air is foggy, the street payment is wet, like it recently stopped raining. little bits of light reflect off of the wet surfaces.  the street is narrow, with stores and restaurants on both sides; hanging from the sides if the buildings are illuminated signs, various sizes and shapes, most but not all are vertically aligned and rectangular; some are circles, some are squares, some are more abstract shapes; some are logos. they hang placed at a height that starts from the top of the first story, and various heights above that. some are mounted flat on the exterior buildings' wall, some protrude perpendicularly from the building. there is at least one or two on the rooftops.  they glow with rich yellow light, neon, and occasionally tangerine orange, white, or green. the letters are bold, and stand out.  the stores have illuminated horizontally aligned panel-style signage above their windows, that vary in color, and about 2/3 of which are turned on. occasionally their will be small neon fixtures in the stores' windows. there are occasional trees that line the sides of the street, not many but a few; that appear like dark shapes with minimal detail and light reflection; the ones closer to the background are just silhouettes fading into the fog. in the very far, far background, the dark outline of the small mountain that  overlooks Eugene, Oregon (known as Spencers Butte) is visible; appearing faintly but shape is unmistakably part of the landscape.    the single flying saucer is hovering over the street, just a few dozen feet above the height of the rooftops. The perspective is more of the undercarriage than the top side, because of the angle in the viewers line of sight, but the body and the top side are also visible too.  The flyer saucer appears to be antique and vintage-looking. shaped like a bell, but with more sections. The body shape is similar to that of Darth Vader’s helmet from Star Wars.  Looking at the undercarriage from the underneath perspective, there is a  large grill section, shaped like a ring, recessed up into the saucer, that looks like it has well-defined gills similar to that of a mushroom. this part emanates an alien-like green glow from within the inside of the grill. in the center is an extruded barrel-shaped ring, short in height but wide in width, and it has a porthole in the center, that is open and glowing. the porthole is for shooting energy beams. the body of the flying saucer is covered in rings of neon lights, as well as rows of round lights in various sizes. there are also patterns of other shapes of lights on the exterior of the craft as well. most of the lights on the flying saucer are colored neon green, but there is also some neon orange, some bright pink, and some electric blue. The lights have a soft-edged glow from the fog in the air.  The edge of the body and undercarriage of the flying saucer has several external speakers on it, placed into two rows, each of which consists of either large or small speakers. the details of the flying saucer are clearly defined, the contrast is high, and visible from the street. the flying saucer is the most prominent object in the picture.   

Neon ufo flying saucer hovering low over a street in downtown Eugene, Oregon, on a dark, wet, foggy night; the points of light from the flying saucer, the street lamps, and the stores' signs all glow brightly on an otherwise dark, foggy, and wet evening.   the composition of the image is of a street view; the perspective is centered in the road, looking down the street, as if the viewer is suspended in the air at the height of approximately one and a half to two stories above the street level. it is on dark and damp misty evening, on a deserted downtown avenue, with the street and city lights glowing all around and in the distance. the style is a photograph-like, nearly realistic modern anime-style rendering. with medium contrast and high definition of the buildings and objects in the foreground, but the definition gradually fades into the haze of the fog further down the road, looking into the distance. the air is foggy, the street payment is wet, like it recently stopped raining.  The Tint of the picture is a blue-green, dark but features on the buildings are still visible. the street lights are on poles that line both sides of the street and are vintage looking, the street light lamps glow an eerie pale yellow color (with a hint of light green), and shed soft light on the things around them, and cast light on the texture of the exteriors of the buildings. this gives the exteriors high contrast with the light and dark light. there are many points of city lights lining the street, from the foreground to the distant background, soft orbs, that are still visible through the fog.  the air is foggy, the street payment is wet, like it recently stopped raining. little bits of light reflect off of the wet surfaces.  the street is narrow, with stores and restaurants on both sides; hanging from the sides if the buildings are illuminated signs, various sizes and shapes, most but not all are vertically aligned and rectangular; some are circles, some are squares, some are more abstract shapes; some are logos. they hang placed at a height that starts from the top of the first story, and various heights above that. some are mounted flat on the exterior buildings' wall, some protrude perpendicularly from the building. there is at least one or two on the rooftops.  they glow with rich yellow light, neon, and occasionally tangerine orange, white, or green. the letters are bold, and stand out.  the stores have illuminated horizontally aligned panel-style signage above their windows, that vary in color, and about 2/3 of which are turned on. occasionally their will be small neon fixtures in the stores' windows. there are occasional trees that line the sides of the street, not many but a few; that appear like dark shapes with minimal detail and light reflection; the ones closer to the background are just silhouettes fading into the fog. in the very far, far background, the dark outline of the small mountain that  overlooks Eugene, Oregon (known as Spencers Butte) is visible; appearing faintly but shape is unmistakably part of the landscape.    the single flying saucer is hovering over the street, just a few dozen feet above the height of the rooftops. The perspective is more of the undercarriage than the top side, because of the angle in the viewers line of sight, but the body and the top side are also visible too.  The flyer saucer appears to be antique and vintage-looking. shaped like a bell, but with more sections. The body shape is similar to that of Darth Vader’s helmet from Star Wars.  Looking at the undercarriage from the underneath perspective, there is a  large grill section, shaped like a ring, recessed up into the saucer, that looks like it has well-defined gills similar to that of a mushroom. this part emanates an alien-like green glow from within the inside of the grill. in the center is an extruded barrel-shaped ring, short in height but wide in width, and it has a porthole in the center, that is open and glowing. the porthole is for shooting energy beams. the body of the flying saucer is covered in rings of neon lights, as well as rows of round lights in various sizes. there are also patterns of other shapes of lights on the exterior of the craft as well. most of the lights on the flying saucer are colored neon green, but there is also some neon orange, some bright pink, and some electric blue. The lights have a soft-edged glow from the fog in the air.  The edge of the body and undercarriage of the flying saucer has several external speakers on it, placed into two rows, each of which consists of either large or small speakers. the details of the flying saucer are clearly defined, the contrast is high, and visible from the street. the flying saucer is the most prominent object in the picture.   

Neon ufo flying saucer hovering low over downtown Eugene,  Oregon; the style is a photograph-like, nearly realistic drawing.  the perspective is from the street level, centered looking down the street. Tint of the picture is a blue-green, dark but features on the buildings are still visible. the street lights glow an eerie pale yellow color, and shed soft light on the things around them;  the air is foggy, the street payment is wet, like it recently stopped raining. the flying saucer in antique, vintage-looking. shaped like a bell, but with more sections. underneath the outer third of the underside, there is a recessed ring that looks like it has gills. this part emits a green light from within the inside. in the center is an extruded porthole, for shooting energy beams. the flying saucer is covered in neon lights, as well as rings of small round lights. it has several speakers on it, in two rows, each consisting of either large or small speakers. the details are defined, and visible from the street.