Wall roman yellow clock

Roman yellow wall clock shattered in pieces

Neon ufo flying saucer hovering low over a street in downtown Eugene, Oregon, on a dark, wet, foggy night; the points of light from the flying saucer, the street lamps, and the stores' signs all glow brightly on an otherwise dark, foggy, and wet evening.   the composition of the image is of a street view; the perspective is centered in the road, looking down the street, as if the viewer is suspended in the air at the height of approximately one and a half to two stories above the street level. it is on dark and damp misty evening, on a deserted downtown avenue, with the street and city lights glowing all around and in the distance. the style is a photograph-like, nearly realistic modern anime-style rendering. with medium contrast and high definition of the buildings and objects in the foreground, but the definition gradually fades into the haze of the fog further down the road, looking into the distance. the air is foggy, the street payment is wet, like it recently stopped raining.  The Tint of the picture is a blue-green, dark but features on the buildings are still visible. the street lights are on poles that line both sides of the street and are vintage looking, the street light lamps glow an eerie pale yellow color (with a hint of light green), and shed soft light on the things around them, and cast light on the texture of the exteriors of the buildings. this gives the exteriors high contrast with the light and dark light. there are many points of city lights lining the street, from the foreground to the distant background, soft orbs, that are still visible through the fog.  the air is foggy, the street payment is wet, like it recently stopped raining. little bits of light reflect off of the wet surfaces.  the street is narrow, with stores and restaurants on both sides; hanging from the sides if the buildings are illuminated signs, various sizes and shapes, most but not all are vertically aligned and rectangular; some are circles, some are squares, some are more abstract shapes; some are logos. they hang placed at a height that starts from the top of the first story, and various heights above that. some are mounted flat on the exterior buildings' wall, some protrude perpendicularly from the building. there is at least one or two on the rooftops.  they glow with rich yellow light, neon, and occasionally tangerine orange, white, or green. the letters are bold, and stand out.  the stores have illuminated horizontally aligned panel-style signage above their windows, that vary in color, and about 2/3 of which are turned on. occasionally their will be small neon fixtures in the stores' windows. there are occasional trees that line the sides of the street, not many but a few; that appear like dark shapes with minimal detail and light reflection; the ones closer to the background are just silhouettes fading into the fog. in the very far, far background, the dark outline of the small mountain that  overlooks Eugene, Oregon (known as Spencers Butte) is visible; appearing faintly but shape is unmistakably part of the landscape.    the single flying saucer is hovering over the street, just a few dozen feet above the height of the rooftops. The perspective is more of the undercarriage than the top side, because of the angle in the viewers line of sight, but the body and the top side are also visible too.  The flyer saucer appears to be antique and vintage-looking. shaped like a bell, but with more sections. The body shape is similar to that of Darth Vader’s helmet from Star Wars.  Looking at the undercarriage from the underneath perspective, there is a  large grill section, shaped like a ring, recessed up into the saucer, that looks like it has well-defined gills similar to that of a mushroom. this part emanates an alien-like green glow from within the inside of the grill. in the center is an extruded barrel-shaped ring, short in height but wide in width, and it has a porthole in the center, that is open and glowing. the porthole is for shooting energy beams. the body of the flying saucer is covered in rings of neon lights, as well as rows of round lights in various sizes. there are also patterns of other shapes of lights on the exterior of the craft as well. most of the lights on the flying saucer are colored neon green, but there is also some neon orange, some bright pink, and some electric blue. The lights have a soft-edged glow from the fog in the air.  The edge of the body and undercarriage of the flying saucer has several external speakers on it, placed into two rows, each of which consists of either large or small speakers. the details of the flying saucer are clearly defined, the contrast is high, and visible from the street. the flying saucer is the most prominent object in the picture.   

Neon ufo flying saucer hovering low over downtown Eugene, Oregon;   the image is of a street view; the perspective is centered in the road, looking down the street, as if the viewer is suspended in the air at the height of approximately one and a half to two stories above the street level. it is on dark and damp misty evening, on a deserted downtown avenue, with the street and city lights glowing all around and in the distance. the style is a photograph-like, nearly realistic modern anime-style rendering. with medium contrast and high definition of the buildings and objects in the foreground, but the definition gradually fades into the haze of the fog further down the road, looking into the distance. the air is foggy, the street payment is wet, like it recently stopped raining.  The Tint of the picture is a blue-green, dark but features on the buildings are still visible. the street lights are on poles that line both sides of the street and are vintage looking, the street light lamps glow an eerie pale yellow color (with a hint of light green), and shed soft light on the things around them, and cast light on the texture of the exteriors of the buildings. this gives the exteriors high contrast with the light and dark light. there are many points of city lights lining the street, from the foreground to the distant background, soft orbs, that are still visible through the fog.  the air is foggy, the street payment is wet, like it recently stopped raining. little bits of light reflect off of the wet surfaces.  the street is narrow, with stores and restaurants on both sides; hanging from the sides if the buildings are illuminated signs, various sizes and shapes, most but not all are vertically aligned and rectangular; some are circles, some are squares, some are more abstract shapes; some are logos. they hang placed at a height that starts from the top of the first story, and various heights above that. some are mounted flat on the exterior buildings' wall, some protrude perpendicularly from the building. there is at least one or two on the rooftops.  they glow with rich yellow light, neon, and occasionally tangerine orange, white, or green. the letters are bold, and stand out.  the stores have illuminated horizontally aligned panel-style signage above their windows, that vary in color, and about 2/3 of which are turned on. occasionally their will be small neon fixtures in the stores' windows. there are occasional trees that line the sides of the street, not many but a few; that appear like dark shapes with minimal detail and light reflection; the ones closer to the background are just silhouettes fading into the fog. in the very far, far background, the dark outline of the small mountain that  overlooks Eugene, Oregon (known as Spencers Butte) is visible; appearing faintly but shape is unmistakably part of the landscape.    the single flying saucer is hovering over the street, just a few dozen feet above the height of the rooftops. The perspective is more of the undercarriage than the top side, because of the angle in the viewers line of sight, but the body and the top side are also visible too.  The flyer saucer appears to be antique and vintage-looking. shaped like a bell, but with more sections. The body shape is similar to that of Darth Vader’s helmet from Star Wars.  Looking at the undercarriage from the underneath perspective, there is a  large grill section, shaped like a ring, recessed up into the saucer, that looks like it has well-defined gills similar to that of a mushroom. this part emanates an alien-like green glow from within the inside of the grill. in the center is an extruded barrel-shaped ring, short in height but wide in width, and it has a porthole in the center, that is open and glowing. the porthole is for shooting energy beams. the body of the flying saucer is covered in rings of neon lights, as well as rows of round lights in various sizes. there are also patterns of other shapes of lights on the exterior of the craft as well. most of the lights on the flying saucer are colored neon green, but there is also some neon orange, some bright pink, and some electric blue. The lights have a soft-edged glow from the fog in the air.  The edge of the body and undercarriage of the flying saucer has several external speakers on it, placed into two rows, each of which consists of either large or small speakers. the details of the flying saucer are clearly defined, the contrast is high, and visible from the street. the flying saucer is the most prominent object in the picture.   

Neon ufo flying saucer hovering low over a street in downtown Eugene, Oregon, on a dark, wet, foggy night; the points of light from the flying saucer, the street lamps, and the stores' signs all glow brightly on an otherwise dark, foggy, and wet evening.   the composition of the image is of a street view; the perspective is centered in the road, looking down the street, as if the viewer is suspended in the air at the height of approximately one and a half to two stories above the street level. it is on dark and damp misty evening, on a deserted downtown avenue, with the street and city lights glowing all around and in the distance. the style is a photograph-like, nearly realistic modern anime-style rendering. with medium contrast and high definition of the buildings and objects in the foreground, but the definition gradually fades into the haze of the fog further down the road, looking into the distance. the air is foggy, the street payment is wet, like it recently stopped raining.  The Tint of the picture is a blue-green, dark but features on the buildings are still visible. the street lights are on poles that line both sides of the street and are vintage looking, the street light lamps glow an eerie pale yellow color (with a hint of light green), and shed soft light on the things around them, and cast light on the texture of the exteriors of the buildings. this gives the exteriors high contrast with the light and dark light. there are many points of city lights lining the street, from the foreground to the distant background, soft orbs, that are still visible through the fog.  the air is foggy, the street payment is wet, like it recently stopped raining. little bits of light reflect off of the wet surfaces.  the street is narrow, with stores and restaurants on both sides; hanging from the sides if the buildings are illuminated signs, various sizes and shapes, most but not all are vertically aligned and rectangular; some are circles, some are squares, some are more abstract shapes; some are logos. they hang placed at a height that starts from the top of the first story, and various heights above that. some are mounted flat on the exterior buildings' wall, some protrude perpendicularly from the building. there is at least one or two on the rooftops.  they glow with rich yellow light, neon, and occasionally tangerine orange, white, or green. the letters are bold, and stand out.  the stores have illuminated horizontally aligned panel-style signage above their windows, that vary in color, and about 2/3 of which are turned on. occasionally their will be small neon fixtures in the stores' windows. there are occasional trees that line the sides of the street, not many but a few; that appear like dark shapes with minimal detail and light reflection; the ones closer to the background are just silhouettes fading into the fog. in the very far, far background, the dark outline of the small mountain that  overlooks Eugene, Oregon (known as Spencers Butte) is visible; appearing faintly but shape is unmistakably part of the landscape.    the single flying saucer is hovering over the street, just a few dozen feet above the height of the rooftops. The perspective is more of the undercarriage than the top side, because of the angle in the viewers line of sight, but the body and the top side are also visible too.  The flyer saucer appears to be antique and vintage-looking. shaped like a bell, but with more sections. The body shape is similar to that of Darth Vader’s helmet from Star Wars.  Looking at the undercarriage from the underneath perspective, there is a  large grill section, shaped like a ring, recessed up into the saucer, that looks like it has well-defined gills similar to that of a mushroom. this part emanates an alien-like green glow from within the inside of the grill. in the center is an extruded barrel-shaped ring, short in height but wide in width, and it has a porthole in the center, that is open and glowing. the porthole is for shooting energy beams. the body of the flying saucer is covered in rings of neon lights, as well as rows of round lights in various sizes. there are also patterns of other shapes of lights on the exterior of the craft as well. most of the lights on the flying saucer are colored neon green, but there is also some neon orange, some bright pink, and some electric blue. The lights have a soft-edged glow from the fog in the air.  The edge of the body and undercarriage of the flying saucer has several external speakers on it, placed into two rows, each of which consists of either large or small speakers. the details of the flying saucer are clearly defined, the contrast is high, and visible from the street. the flying saucer is the most prominent object in the picture.   

A tattoo, snake around a roman clock and compass at bottom

A hyper-realistic tattoo design featuring a detailed clock mechanism , showcasing intricate gears and a classic clock face with Roman numerals. The tattoo is in grayscale, emphasizing the depth and texture of the design

Blue, white, and yellow, garden roses, anemones and ranunculus growing in a beautiful garden that overlooks a lake 

A garden with blue skies and blue and yellow peonies and hydrangeas growing from the bushes

A middle-aged black african man wearing an oversized dirty old hoodie with holes all over it hobbling on a chaotic african street with motorbikes zipped between honking cars and music blaring in open air. he is pushing a shopping trolley filled with plastic bottles, newspaper and a broken radio

Across the image in bold distressed font that’s stylish that reads “Live music tracking with me, Friday, April 11th at 6:00 PM (CDT)”  This is a highly realistic and meticulously designed home music studio, blending professional-grade equipment with a sleek, open-space aesthetic. The studio is spacious, with dark hardwood flooring and dimmable LED lighting that casts a soft ambient glow, enhancing both the functionality and mood of the room.   The walls are covered in dark gray, high-density Auralex acoustic foam panels, carefully arranged for optimal sound diffusion and absorption.  At the heart of the studio is a large, heavy-duty Zaor Miza dark wood desk, designed for audio production. On the desk, a 27-inch Apple Studio Display showcases a detailed waveform within a professional DAW (Digital Audio Workstation).  A Native Instruments Komplete Kontrol S61 MIDI keyboard sits in front of the monitor, flanked by a wireless Logitech MX Master 3S mouse and a compact Keychron Q6 mechanical keyboard. Two Yamaha HS8 studio monitors, in matte black with signature white cones, are positioned on isolation pads for optimal audio clarity.  To the right of the desk, a high-end Neumann TLM 103 condenser microphone is mounted on a sturdy Rode PSA1+ boom arm, ready for vocal tracking.  To the left of the desk, a “TAMA” Starclassic Walnut/Birch 5-piece drum kit commands attention. The bass drum, sporting a bold black “TAMA” logo, is complemented by matching toms, a deep snare, and a full set of Zildjian K Custom cymbals mounted on chrome-plated hardware. Mounted on the wall behind the drum kit are three premium electric guitars, each with a distinct style and tonal character: • A Gibson ES-335 Figured Semi-Hollowbody in a deep bright Cherry finish, with mother-of-pearl inlays and a set of Burstbucker pickups. • A Gibson Custom Dealer Select 1959 Les Paul Standard in an elegant off-white finish with black hardware, exuding vintage charm. • A Strandberg Boden Metal 8-string in a striking bright orange, featuring a fanned-fret neck and lightweight chambered body for progressive metal tones.  To the right of the desk, a professional Nord Stage 3 88-key digital piano rests on a sturdy stand, ready for composing and live performance, piano showing. A black ergonomic Herman Miller Aeron chair is positioned in front of the desk, ensuring comfort during long mixing and recording sessions. The studio is designed with both form and function in mind, providing an open yet organized layout that balances high-end gear with aesthetic appeal.   Every element, from the cable management to the choice of lighting and furniture, contributes to a professional recording environment that feels immersive and inspiring.

Across the image in bold distressed font that’s stylish that reads “ Live music tracking with me, Friday at 6:00 PM (CDT)” This is a highly realistic and meticulously designed home music studio, blending professional-grade equipment with a sleek, open-space aesthetic. The studio is spacious, with dark hardwood flooring and dimmable LED lighting that casts a soft ambient glow, enhancing both the functionality and mood of the room.  The walls are covered in dark gray, high-density Auralex acoustic foam panels, carefully arranged for optimal sound diffusion and absorption. At the heart of the studio is a large, heavy-duty Zaor Miza dark wood desk, designed for audio production. On the desk, a 27-inch Apple Studio Display showcases a detailed waveform within a professional DAW (Digital Audio Workstation).  A Native Instruments Komplete Kontrol S61 MIDI keyboard sits in front of the monitor, flanked by a wireless Logitech MX Master 3S mouse and a compact Keychron Q6 mechanical keyboard. Two Yamaha HS8 studio monitors, in matte black with signature white cones, are positioned on isolation pads for optimal audio clarity.  To the right of the desk, a high-end Neumann TLM 103 condenser microphone is mounted on a sturdy Rode PSA1+ boom arm, ready for vocal tracking. To the left of the desk, a “TAMA” Starclassic Walnut/Birch 5-piece drum kit commands attention. The bass drum, sporting a bold black “TAMA” logo, is complemented by matching toms, a deep snare, and a full set of Zildjian K Custom cymbals mounted on chrome-plated hardware. Mounted on the wall behind the drum kit are three premium electric guitars, each with a distinct style and tonal character: • A Gibson ES-335 Figured Semi-Hollowbody in a deep bright Cherry finish, with mother-of-pearl inlays and a set of Burstbucker pickups. • A Gibson Custom Dealer Select 1959 Les Paul Standard in an elegant off-white finish with black hardware, exuding vintage charm. • A Strandberg Boden Metal 8-string in a striking bright orange, featuring a fanned-fret neck and lightweight chambered body for progressive metal tones. To the right of the desk, a professional Nord Stage 3 88-key digital piano rests on a sturdy stand, ready for composing and live performance, piano showing. A black ergonomic Herman Miller Aeron chair is positioned in front of the desk, ensuring comfort during long mixing and recording sessions. The studio is designed with both form and function in mind, providing an open yet organized layout that balances high-end gear with aesthetic appeal.  Every element, from the cable management to the choice of lighting and furniture, contributes to a professional recording environment that feels immersive and inspiring.

Across the image in bold distressed font that’s stylish that reads “ Live music tracking with me, Friday at 6:00 PM (CDT)” This is a highly realistic and meticulously designed home music studio, blending professional-grade equipment with a sleek, open-space aesthetic. The studio is spacious, with dark hardwood flooring and dimmable LED lighting that casts a soft ambient glow, enhancing both the functionality and mood of the room.  The walls are covered in dark gray, high-density Auralex acoustic foam panels, carefully arranged for optimal sound diffusion and absorption. At the heart of the studio is a large, heavy-duty Zaor Miza dark wood desk, designed for audio production. On the desk, a 27-inch Apple Studio Display showcases a detailed waveform within a professional DAW (Digital Audio Workstation).  A Native Instruments Komplete Kontrol S61 MIDI keyboard sits in front of the monitor, flanked by a wireless Logitech MX Master 3S mouse and a compact Keychron Q6 mechanical keyboard. Two Yamaha HS8 studio monitors, in matte black with signature white cones, are positioned on isolation pads for optimal audio clarity.  To the right of the desk, a high-end Neumann TLM 103 condenser microphone is mounted on a sturdy Rode PSA1+ boom arm, ready for vocal tracking. To the left of the desk, a “TAMA” Starclassic Walnut/Birch 5-piece drum kit commands attention. The bass drum, sporting a bold black “TAMA” logo, is complemented by matching toms, a deep snare, and a full set of Zildjian K Custom cymbals mounted on chrome-plated hardware. Mounted on the wall behind the drum kit are three premium electric guitars, each with a distinct style and tonal character: • A Gibson ES-335 Figured Semi-Hollowbody in a deep bright Cherry finish, with mother-of-pearl inlays and a set of Burstbucker pickups. • A Gibson Custom Dealer Select 1959 Les Paul Standard in an elegant off-white finish with black hardware, exuding vintage charm. • A Strandberg Boden Metal 8-string in a striking bright orange, featuring a fanned-fret neck and lightweight chambered body for progressive metal tones. To the right of the desk, a professional Nord Stage 3 88-key digital piano rests on a sturdy stand, ready for composing and live performance, piano showing. A black ergonomic Herman Miller Aeron chair is positioned in front of the desk, ensuring comfort during long mixing and recording sessions. The studio is designed with both form and function in mind, providing an open yet organized layout that balances high-end gear with aesthetic appeal.  Every element, from the cable management to the choice of lighting and furniture, contributes to a professional recording environment that feels immersive and inspiring.

A Retro Themed Bhojpuri language Movie poster Circa 1980s For The Ridley Scott/ Roman Polanski collaboration " Our Friend George" A biopic about the Famed British Musician and Hindu Convert George Harrison's efforts to Help the People of Bangladesh during their War for Independence from West Pakistan in 1970/1971 Staring Aidan Turner as George Harrison, With Bill Skarsgård As Beach Boy Brian Wilson and co Staring Hasan Minhaj as Sheikh Mujibur Rahman the first President of Bangladesh.

A Retro Black and White photo Circa July 14th Bastille Day 1966 of Famed Polish Actor and Comedian Wojciech Frykowski Dec 22, 1936-Aug 9, 1969 and Famed French Actress and Model Brigitte Bardot September 28th 1934 - present enjoying a nice dinner at the now defunct Hollywood legend The Pig and Whistle Frykowski who is dressed in a rather unflattering Brown khaki Utilitarian Safari Suit and Velcro Strapped Tennis shoes with large Metal black rimmed Glasses enjoys a typical American meal of Chicken & dumplings, steamed rice, sliced bread, black-eyed peas, and Lemon iced tea whilst Bardot who is wearing a Red Form fitting dress from Louis Vuitton and shoes also from Louis Vuitton her hair up in the popular beehive style enjoys a nice Porterhouse stake with a Twice Baked Yukon Gold Potato with chives , bacon bits sour cream and yellow American cheese sauce and steaming pile of a medaly of Carrots, Green Peas , Orange, Red and yellow bell pepper strips and Two boiled eggs, with Asparagus, broccoli, strawberries, tomatoes , onions, Garlic, Yellow American cheese sauce and crushed Green olives and two 32 ounce Cans of A&W root beer.

In the animation style of “The Simpsons”, a scene shows Homer Simpson sitting in the iconic Simpsons kitchen. It’s a sunny morning, soft yellow light fills the room. Homer looks tired, wearing his usual white shirt, slowly sipping from a steaming mug of coffee. He blinks lazily and lets out a satisfied sigh. The animation is smooth, colorful, and has the classic 2D cartoon look of the show.

A large Metal serving Bowl of Two dozen steamed clams,Two dozen steamed mussels , Two dozen steamed oysters in a Greek Clam Cream sauce with parsley sits on a large metal Cafeteria tray Next to a metal plate of Fried perch, Fried shrimp ,Fried squash, Fried okra, Fried green tomatoes , Fried potato logs with Tartar sauce, Heinz Brand Extra Spicy cocktail sauce , A Small metal bowl of mixed sweet peas,green peas,buttered peas,cabbage relish topped with Two boiled eggs,onions, carrots, cheese Dip accompanied by Two Rodeo bacon double cheeseburger from Burger King, half-dozen barbecued spare ribs, two strawberry milkshakes, and half a pumpkin pie with whipped cream, and diced strawberries ,Two bananas, a nectarine and a box of yellow raisins For Desert